Jia Baoyu is a strange and vulgar figure. The main feature of his character is rebellion, and his behavior is "unreachable and perverse", so he is a rebel in ancient society. He despises fame and fortune and is unwilling to take the official career of "learning to be excellent and becoming an official". He hates stereotyped writing, insults the "traitors" who study and are officials, and is too lazy to meet them. He doesn't like so-called "serious books", but prefers "miscellaneous books" and loves Peony Pavilion and The West Chamber. He also boldly questioned Zhu Cheng's Neo-Confucianism, thinking that "there are too many fabrications except the Four Books", which fully shows that he is the "rebellious son and second minister" of absolute monarchy.
He believes that "the beauty of mountains, rivers, the sun and the moon is only for daughters, and men with beards are just scum." Under the guidance of this shocking thought, Baoyu "wandered around at home" all day, loving and pitying girls, loving their beauty, purity, exuberance and intelligence, pitying their unfortunate experiences, and pitying them for marrying smelly men and losing their holy beauty. Jia Baoyu said: "A woman was a pearl before she got married, but after she got married, she lost her light and became a dead pearl. If she is old, she will walk with dirty men and become a dead fish eye. " He even felt irreparable regret for having a man.
In his life, the most important thing is undoubtedly his love with Lin Daiyu. This love, on the one hand, began with rebellious character, on the other hand, it promoted the final formation of his rebellious character. This is the biggest and most important treason in his life history. In love, Bao and Dai not only demand marital autonomy, but also deviate from the lifestyle of traditional society. They went further and further on the road of rebellion, which eventually led to their tragic ending. Four versions of Jia Baoyu
Lin Daiyu
Lin Daiyu's characteristics can be summarized as "sad beauty". "Sadness" is mainly manifested in Lin Daiyu's "bleak life experience, delicate and sickly", while "beauty" is manifested in "extension, connotation and art" The combination of the two forms the tragic image of Lin Daiyu's "sad beauty". (Daiyu is actually a fairy grass)
When I first met Daiyu, the author did not directly draw her beauty, but skillfully used Xifeng's mouth and Baoyu's eyes to highlight Lin Daiyu's peerless beauty. When Feng, who spoke frankly, saw Daiyu's appearance, she could not help admiring: "There are such handsome people in the world! I just saw it today! " In Baoyu's eyes, "two bends are like frowns, a pair of weeping eyebrows are like weeping eyes (one says: affectionate eyes), and two are sad." I am sick all over, tears are a little, my breath is a little breathless, my leisure is like beautiful flowers shining on water, my actions are like weak willows, my heart is dry, and my illness is like calligraphy. " What a "daughter" and "fairy sister"! At this time, a living "beauty" of Daiyu has jumped from the page, which is Lin Daiyu's "external sadness".
Lin Daiyu is sensitive and kind. On the one hand, her dependence on others makes her always cautious when dealing with people, forming a mentality of "fear of being looked down upon"; On the other hand, the narrow-mindedness of a girl with a heart and wisdom can add something "smart and lovely" to her, thus making the role of Lin Daiyu more vivid, vivid and touching. This is the genius of the author. In most literary works, the author often praises the positive characters too much, which makes the protagonist almost deified, leading to the characterization divorced from real life and becoming empty, boring and silent. In terms of Daiyu's kindness, we can also see it from her words with Baochai. Although they were tired of love and had some friction on weekdays, she later treated Baochai "ten times better than others" and regarded Baochai as her thoughtfulness. Furthermore, we can see the kindness and weakness in her heart from her teaching Xiangling's poems "teaching people tirelessly" and her burying flowers. Four versions of Lin Daiyu
Xue Baochai
One of the twelve women in Jinling, the daughter of Aunt Xue. She looks beautiful and refined, and looks like a model of an orthodox lady at that time, but she has a cynical personality factor in her bones. She has a strong critical spirit to the society at that time. The 38th Ode to a Crab sharply satirizes Jia Yucun and other tyrannical officialdom figures. And her favorite lyrics are actually a lonely, angry and rebellious rich man. The traditional view is that Xue Baochai is "shrewd, won the hearts of the people and won the praise of the Jia family", but the author also expressed his views from Aunt Zhao. After Jinchuan's death, only the words "only send a few taels of silver" showed her ruthlessness to the lowlifes, but in the 22nd novel, her plan failed. Baochai once wrote a poem "More Fragrant Mystery", which caused Jia Zheng's great disappointment: "It is even more ominous for a villain to make this remark, and there is no longevity." On the 40th trip, when Grandmother Jia visited the Grand View Garden with Granny Liu, the interior furnishings of Baochai Garden were simple, which caused great dissatisfaction of Grandmother Jia, who thought it was a disgrace to her relatives. To Baochai, Grandmother Jia said "Stop it", "Stop it", "Don't be too detached" and "Our old lady is going to live in the stable more and more". -All negative comments. At the "Guo Rongfu Lantern Festival" at that time, the grandmother ordered her beloved four people, Baoqin, Xiangyun, Daiyu and Baoyu, to sit at the main table with her, but only pushed Baochai out of the main table and sat with Wen Li and Li Qi. This was an important sign that Baochai changed from "favored" to "out of favor" in front of the grandmother. If she is really "shrewd and popular", why did she end up like this? It can be seen that in Cao Xueqin's original work, Baochai is not a person who plays with "talent" to please her parents! Four versions of Xue Baochai
Jiamu
Jia Daishan's wife was a young lady in Jinling before her marriage. In Jia's family, I started with my great-grandson daughter-in-law until I had my great-grandson daughter-in-law. She got the position of Jia's parents by virtue of her cleverness. She likes her granddaughter and dotes on her grandson Baoyu. We can see from the first 80 chapters that Jia supports Baochai's love, but the sequel says that Jia does not support Baoyu and Daiyu's love. Her thoughts are also influenced by Baoyu and Daiyu, and she has some avant-garde thoughts. In a word, Jia Mu can be respected by everyone, which shows that her position cannot be ignored and she is capable. Jia Taijun prayed to heaven to eliminate disasters.
Wang Xifeng
Everyone knows that Wang Xifeng is vicious. As the "general manager" of Fu Rong, she plays politics. She killed Jia Rui with a poisonous trick and plotted to force Second Sister You to death. She was mean by nature and finally killed the whole family. She has a fiery personality, and I never forget to point this out in my article. Just like on her birthday, it is enough to have a conflict with Bao's daughter-in-law and ask the old lady for help. But after all, she is very capable and smart. She has the final say in all the affairs of Rongfu, and she is good at catering to it, which won the favor of the old lady. Her fundamental purpose is to collect money. Aunt Zhao once said, "I'm not a human being unless this half of my fortune allows her to move to her parents' house." Four versions of Wang Xifeng
Shi Xiangyun
Shi Xiangyun, the fifth of the twelve women in Jinling, is the granddaughter of Jia Mu's younger brother. Among many sisters, she has a unique "daughter body, masculinity", open-minded, open-minded and frank. She dared to wear men's clothes and laugh, and was jokingly described by Daiyu as "more beautiful than her daughter's clothes". She dared to roast venison with wine and confidently said that "real celebrities have romantic lives". She even dared to get drunk in a peony garden and never forget to recite poems, showing a real woman's quick thinking, charming and romantic beauty. Who wouldn't find such a role particularly cute? Four versions of Shi Xiangyun
Jia Tanchun
Jia Tanchun, the third of the twelve women in Jinling, is the daughter of Jia Zheng and his concubine, Aunt Zhao-she is not as delicate and compassionate as Daiyu, as clever as Baochai, as lively and cheerful as Xiangyun, but she has extraordinary talent, great wisdom, profound insight and far-sighted vision, which is brilliantly demonstrated in Chapter 56, "Being sensitive in exploring spring to promote benefits, eliminating the disadvantages of lodging, and knowing Baochai's small benefits". Four versions of Jia Tanchun.
qin ke qing
Qin Keqing, one of the twelve women in Jinling, is also known as the police magic fairy and the police magic fairy. Jia Rong's wife is the daughter adopted by Qin Bangye, a doctor in the camp, from Yangshengtang. Her nickname is Kerr, and her name is both pleasant and pleasant. She is graceful, delicate and romantic, gentle and peaceful, and won the favor of Jia Mu and others. However, her father-in-law Jia Zhen had an ambiguous relationship with her, which led to her early death.