Basic information
Pinyin: fēng yùn
English translation [charm]
Basic explanation
1. Beautiful posture and expression (mostly female): Charm still exists. Also called charm.
She deserves to be an expert in moon viewing. In her eyes, the moon is full of charm. -Zhou, The White Rabbit and the Moon
2, demeanor: charm
3. Refers to the style and charm of poetry and calligraphy: ancient poetry ~ | ~ nature.
Charming and beautiful. -"Jin Shuhuan Shi Xiu Biography"
Basic meaning
1. Elegant; charm
Charming and beautiful. -"Jin Shuhuan Shi Xiu Biography"
2.- More refers to women
A natural charm, all between the eyebrows and eyes; There are thousands of feelings in life, and I am aware of the corner of my eye. -A Dream of Red Mansions
trace (back) to the source of sth
Refers to grace; Charm. Refers to a woman's demeanor.
"Biography of Jin Shu Huan Shi Xiu": "Shi Xiu is famous and has peerless charm."
Li Bai's poem "A Gift to Zhong Zhuogong of Lingyuan Temple in Xuanzhou" says: "The rhyme is easy to leave the river, and the article moves the cape."
Of the wind.
Liu Yuxi's poem "Xie Dou takes ten breaks and cools early": "The charm is getting higher and higher, and the leaves are moving, and the light begins to be heavy."
Refers to a long and euphemistic tone.
"Biography of Liu Shilong in Southern Qi Dynasty": "Hanging the curtain and playing the piano, the charm is Qingyuan."
example
She deserves to be an expert in moon viewing. In her eyes, the moon is full of charm. The White Rabbit and the Moon
A detailed explanation of the quotation
Elegance and charm.
① Biography of Jin Shuhuan in Shi Xiu: "Shi Xiu, a boy with a name, has a beautiful charm." [ 1]
② Tang Qiudan's poem "Zhan Jing Chang's Cottage" said: "Although the smoke cloud is different from the world, its charm is similar."
(3) Li Guangtian's "Gallery Collection: Notes on Qu Jun": "The mountains and rivers have not changed their original chic charm."
(4) Li Yu's Kite Mistakes and New Year greetings in Qing Dynasty: "Without charm, it looks like a clay sculpture beauty."
Describe elegant manners. The latter is often used to refer to the graceful posture of women.
(1) Song Ye Luo's "Zuiwengtan Zhang Lushi and Fu Niang Farewell": "Zhang Shinian is less romantic and funny."
(2) Bird can ask for the song "Kumquat Plum": "Trembling with Cui Hua, wearing a veil, awkward."
(3) Xu Ming's son Chang's Water Margin Encounter: "That woman is very beautiful. Look at him, mysterious and charming. "
(4) Qing Li Yu's Kite Mistakes and New Year greetings: "But in a woman's house, both natural posture and charm are indispensable. There is no charm, but it is like a clay sculpture beauty. "
⑤ Hu Yepin's "The light is just around the corner" XIII: "Shan Jun is still like a lovely rose, revealing the charm of Jiangsu and Zhejiang women."
Refers to the style and taste of poetry, calligraphy and painting.
① "Northern History Yang Suchuan": "Su Shi gave a five-character poem to the secretariat of history, with 700 words, brilliant and charming words, which was a masterpiece at one time."
(2) Li Dou's Records of Yangzhou Painting Boat and Caohe River in Qing Dynasty: "Shen-ICBC Book, with natural charm."
3 Guo Moruo's "An Examination of Qu Yuan by Park Jianji": "What it writes is mostly surreal and full of surreal charm."
Refers to the taste of food.
1 Song Gu Tao's Qing Louis Tang Shiyuan: "If you don't enter other things, you will lose your charm if you are afraid of others."
2 Xu Jindao's really "eye-catching" sentence: "Muddy mash is chalcedony, charming orange."
(3) Chen Yuande and Song Dynasty's "Tea Making in Gu Tao with Plum Falling Wind": "The taste of trial cooking is more delicious than lamb."
Of the wind.
(1) In the Tang Dynasty, Liu Yuxi's poem "Enjoy Douyuan for 10 Days, Rest Early and Cool": "The charm is getting higher and higher, the leaves are moving, and the hibiscus flowers are sparse."
(2) In the Tang Dynasty, Liu Zongyuan's "Reward Shaozhou Peicaochang Ambassador to Daozhou Balu Ambassador to Show Twenty Rhymes": "The moonlight shakes the shallow wrasse and the charm is broken."
Aesthetic nouns
The concept of words
"Charm" is a sign and atmosphere with sexual meaning. Erotic is called "sexy" in Japanese. It is hard to say that a woman in her prime immediately awakens the charm of lust, because it is too straightforward. Charm is like a girl who hasn't grown up yet. I have no idea of my charm. Furthermore, the relationship between men and women has become a thing of the past, and Xu Niang, a semi-old woman, exudes the charm of a mature woman from the memory engraved on her body.
meaning of a word
"Charm" is sometimes an exposed gesture, which is described as "charming" and "coquettish". But more often, it is unexpected, and we often encounter it under unexpected circumstances. Whether walking on the street or enjoying works of art, those aesthetic objects always present orderly laws and forms. Among them, there is no lack of beauty that people look up to, dignified beauty, and also aggressive and shocking beauty. Sometimes it's the opposite. Suddenly, we were intoxicated by the indescribable hazy charm around us.
The connotation of the word "charm" changes with the times. When "charm" is used to describe women, it means the overall charm of women. Of course, from the beginning, it predicted the possible sexual intercourse itself. Without any sexual meaning, there is no "charm", and the sexual relationship of opposites attracting has long been preset in it.
"Charm" is the sexual charm that attracts the opposite sex. Whether I realize it or not, charm is ultimately based on physical communication. However, once you enter the process of sexual behavior, the word "charm" can't be used. Because "charm" expresses that men and women are in a state of intense tension that attracts each other, but they have not yet reached the continuous process of intercourse. Once men and women are combined, "charm" disappears, so "charm" is completely opposite to the sexual intercourse attribute of the body.
"Charm" in Japanese means "lust". This "qi" expresses a kind of desire and guidance. As a suffix, it means "an unintentional state and feeling". From this perspective, "charm" is attracted by physical intercourse and sexual behavior, but there is always only a state of "signs", which stimulates the imagination as a sign and then gradually expands and extends.
Next, from the positive side of "charm", it refers to a certain mood and feeling. Therefore, we should say that "charm" exists between the absent-minded erotic desire and the atmosphere it exudes.
What needs to be pointed out here is that symptoms and emotions can be eliminated and resolved through physiological behavior. Therefore, "charm" is not a direct manifestation or inducement of physiological behavior. As a result, lust has shifted from physiological needs to the level of sensibility and feeling.
Description method
So, how to describe charm? "Charm" is the sign of the first clue, which appears unconsciously, and then naturally forms a state of dew. Clues are vague signs that are difficult to capture with consciousness. Subconsciously, an unexpected situation makes your heart beat, just like walking on the road and suddenly there is a faint fragrance floating. This feeling is charm. If you compare money with fame, the pursuit of "charm" is like your desire when you are not sure how successful you are. Charm, even if it is really a coquetry displayed to the opposite sex, must be a casual expression of true temperament in the interval of daily life, which is aimless and subconscious. In other words, when you are casual, as an inevitable trend, beyond people's will, the coquetry of bare appearance is charm. If you do it deliberately, it's just pure flattery.
When a person completely forgets himself, or devotes himself to other things that have nothing to do with sex, he completely hands himself over to the instinctive fate that is closely related to the opposite sex in essence. When "charm" gave her body and mind to the hand of fate, she unexpectedly appeared in this atmosphere, as if she were committed to the hand of Amitabha.
Therefore, "charm" is a more pure and concentrated sexual appeal on the sensory level, and it is subconscious and excludes the realization of sexual intercourse between men and women. This is the characteristic of charm.
Expose and embody
How is the charm of female carcass displayed?
First of all, listen to its natural and unpretentious posture and behavior. In other words, it is not a well-behaved gesture, nor can it be a formal dress that deliberately embellishes the edge, but an approachable state, which seems to have some loopholes (Japanese homonym). Disrupting posture means liberating yourself from the rules of the world; No longer paying attention to your posture is equivalent to returning yourself to an anonymous existence. Ukiyo-e painting describes the communication between men and women in a positive way, and pursues the opposite of charm. When it comes to expressing women's charm, whether in Beichuan Song Dynasty or in Song Dynasty, their observation of women can be described as meticulous, and almost all kinds of gestures of women are drawn. Wu Jiuyou, known as Taisho Ukiyo-e painter, is an excellent inheritor of this tradition. The women he paints the most are the women who turn around first, then the women who wander, the women who lean against the railing, the women who squat and the women who lean forward. None of them are a combination of positive descriptions.
● Eyes
Speaking of eyes, we immediately think of the word "sentimental". In fact, the eyes that openly express desire are unattractive. That kind of eyes gives people the feeling of demonstration, which makes men uninterested. According to the aesthetics of this article, the sight of wandering indefinitely without goals and focus makes people feel that these eyes are staring at the woman herself and savoring herself attentively. The secret of Mona Lisa's smile is that she doesn't know which direction to look. Some people say that the Mona Lisa is actually looking in the mirror, which is quite intriguing. Descartes fell in love with a girl who looked down on her. Ukiyo-e painters know this very well, and often draw some lovely and annoying floating eyes, low eyebrows, flying eyes and upturned eyes. The charm of blurred eyes is just like this.
When it comes to lips, careless and thoughtful innocent lips are attractive. Lips are often used to express women's sexual charm and are suspected of being abused. Lips lightly powdered, lips in a trance, lips gently holding something. I almost forgot, but when I talked about it, I immediately showed 10 thousand kinds of customs.
No longer a tool for chewing food or chatting, jumping out of the lips of daily life seems to be a path to the inside of a woman's body. Suddenly pick up a handkerchief and sleeves, and suddenly put makeup props in your mouth. You look like a living organism.
The absent-minded girl's mouth opens slightly inadvertently, which reminds people of mysterious petals or the sweetness of some fruit.
● Neck
Women's necks can also convey charm. The role of the neck is usually to support the head, but people are often attracted by the face and tend to ignore the existence of the neck. The neck exposed when a woman suddenly lowers her head, the neck drooping like being overwhelmed, and the neck turned around have nothing to do with her face and body, but vividly show the characteristics of a woman's body's weakness, softness and rigidity. The charm is infinite, but it will not produce further associations related to the body. Slipping hair and loose hair highlight the charm of the neck. Through this modeling, it seems that we can get a glimpse of Fiona Fang's life state that deviates from the rules.
● Hair
The charm of bathed or freshly washed hair has been sought after by scholars throughout the ages. Bathing naturally reminds people of female nudity. In addition, when taking a bath, a woman is a lonely and free individual, who completely relaxes and forgets the woman herself and becomes the existence itself, so she has charm that she can't observe normally. Not to mention freshly washed hair and wet black hair are the characteristics of women. What is even more exciting is that the woman who concentrates on combing her hair holds her own sexual charm in her hand, but she is unconscious and has unlimited amorous feelings.
Shaggy long hair has always been a symbol of crazy women in novels and operas. At this time, the "charm" is like a ghost, which fascinates women and has unparalleled attraction beyond human existence and even sex itself.
hand
Hands are the most important form to express a woman's charm. However, a sexy hand is by no means a hand pointing at someone or calling to someone. Apart from the use of the hand itself, the hand that is at a loss and bored, or the hand that is completely absent-minded and seems to be abandoned, is simply the embodiment of a person's life, telling the reader the story of his master's life. Whether it is a girl's fleshy fingers or elegant whitebait-like fingers, fingers are reminiscent of a free and independent life. The charm of fingers is infinite, because it gives people a feeling of enjoying their existence freely. Finger is a kind of body language, which can freely express happiness during sex.
● legs
The white legs slightly exposed under the skirt are an indispensable element to express charm. The curve of the leg strongly suggests femininity, which reminds people of its dark and secret end. However, legs are tools for daily walking and activities. When the leg performs its physical function, it is difficult to regard it as a sexual object. It is a common means of transportation, which unconsciously reveals its sexual charm at the moment of getting rid of its function, giving it an indescribable sexy atmosphere. Bare toes are a symbol of physical innocence, and the expression on toes implies some kind of happiness.
● Skin
Exposing skin and naked body reminds people of physical contact, but this is by no means charm. On the contrary, a dress that covers the body, or the beauty of the skin as a part that seems to refuse to touch, will make people fall into a tension between temptation and rejection, and be deeply moved by the beauty of the skin rather than the woman's body. The charm of skin often makes men despair.
Low back
The back of a woman, or a half-naked back, can be said to be a typical part of charm. Women sometimes gently cover their chests with their hands, but seldom realize their backs. The back is not an organ directly involved in sexual union. On the back, frankly show the existence of the body, while refusing to focus on a specific point. This is the charm of a woman's back or back.
People say that you can see a person's fate from behind. Because at first glance, there is no expression, and the back that has never been described or confided is unconsciously crushed by fate all the time. The silent falling snow of life forms freezes behind. Charm, rooted in the most fateful relationship between men and women, tells the story of people who fall in love with this fate in an unexpected way. Because of this, there is a strong atmosphere of relationship behind this character-especially those relationships that are quietly established by men and women.
There are several parts that can objectively list the elements of charm, but the most important thing is the overall situation, atmosphere and the mood of the participants. As Heidegger said, the state of mind is a process in which a person's knowledge, feelings and intentions are integrated, and he gradually leans in a certain direction and is attracted to the past, while life is often just a process.
Constitutive factors
The biggest factor of charm is obscurity and concealment. Have enough sexual charm but hide it, let it slowly penetrate into the atmosphere, and charm comes from this.
Ito Sham Shui Po's work Finger captures all these elements. The haiku written by Nine Ghosts Zhou said: "The name of lining material is reduced by the obscurity of akashi (the name of kimono fabric)." The main idea is that kimono is made of thin akashi shrinkage, and short underwear or wide belt made of shrinkage Myanmar is faintly visible. The woman who bent down didn't realize this, but still tightened her plump waist, and her crimson color was clearly discernible, which strongly suggested happiness. The shrinking of thin black akashi covers the shrinking Myanmar, which is extremely keenly associated with ultimate happiness and makes the body retire to the distant imagination space. At this time, women's waist muscles are completely unconscious, which is different from Marilyn Monroe's "charm" state of emphasizing or even violently swinging the waist. Seduce and stimulate while covering up and hiding, and sublimate to the level of perception through suggestion. Some props can achieve this goal: gently cover the corners of the mouth with a cattail leaf fan, wrap the head and cheeks with a high-impedance headscarf, cover the face with a sunshade and so on. In addition, eaves, fences, reed sheds, mosquito nets, hanging curtains, sliding doors and showers are also common devices.
The above space tells the reasons for the charm that brings hazy and strong touch to people. It does not appeal to the mind, body or emotion respectively, but deeply touches the whole body and mind. If the reader has not tasted this emotion, no matter what language is used to describe it, it will feel illusory. Speaking of "taste", Japanese sensory experience not only stays at the taste level, but also extends to music, painting, nature appreciation and other fields.
Tasting method
The act of tasting is not that someone creates things according to personal taste. On the contrary, it means that the subject gives up the atmosphere of self-integration into the object, and empathy has nothing to do with all the powerful charm that is not created but naturally formed. Taste is not a simple understanding, it also includes physiological cognition such as skin feeling and tongue touch; It will not develop into possessiveness, but will slowly open as an emotion.
Taste is the most appropriate way to experience charm. As Sartre pointed out, understanding fundamentally means absorption and digestion, which is different from gender understanding.
Assimilation is the same.
For example. In the evening, walk around Kyoto's Gion. If you catch up with the festival, every household will be decorated with lights and sometimes there will be a low-taste melody line. Occasionally came the short sweet voice of a woman. Only these are enough to make us feel all kinds of customs. The wind stirred the willows beside the new bridge, and the sound of maiko's clogs drifted away. The owner of the voice doesn't know who it is or what she is doing. However, this scene obviously has some charm that is far away from productive daily life. Contrary to the functional work that goes straight to the goal, it is vague and ambiguous, but it is not carefully arranged but strongly attracts us. This charm can only be presented when you appreciate it.
Visible, charm, in a broad sense, is the original appearance of life and the way of appreciation when giving up the purpose and jumping out of the meaningful world. In other words, it is the atmosphere of existentialism. Of course, behind the charm, there is naturally a sexual tension like a bowstring. Even in terms of sex, East Renye Fang will not seal it in a personal shell, but devote itself to the natural rhythm of sexual intercourse. From the perspective of western individualism ethics, it seems to be indulgent, but orientals believe that sexual happiness is not just one-on-one personalization. Charm is not intentionally released for a specific person, nor can anyone have it, because charm is an open and interpenetrating charm.
Western thoughts
Needless to say, naked desire directly related to individual sexual behavior is incompatible with charm. However, in fact, in Western Europe, this explicit personal desire was publicly recognized after people mistakenly called it the "Renaissance" in the modern industrial era, or rather after17th century. We divide civilization into "East" and "West", but until around A.D., Greece, Persia and Egypt still belonged to the East on the map of world civilization, and Islamic culture dominated the whole Middle Ages. The Eastern Roman Empire centered on Constantinople, the northern coast of Africa, the islands along the Mediterranean Sea, and Spain also belong to the splendid Islamic cultural circle.
Later, the Christian civilization originated from Judaism gradually penetrated into the western European peninsula and matured in the process of absorbing eastern culture. As far as sexual love between men and women and its expression are concerned, the spiritual supremacy of Christianity and Islam is not necessarily homogeneous with the sexual culture after modern times.
Looking back on European art, it is not difficult to find that the forms of sexual love from the Roman era to the early Renaissance and Gothic period can be said to be introverted, and the open charm of love women God created a strong atmosphere. Botticelli's naked woman appears in the tulle, and her naked charm does not point to a specific opposite sex. They are goddesses, the embodiment of nature in the four seasons, so they have no idea of their sexual charm and have no intention of paying attention. This is why these naked people naturally feel infinite charm.
Some women in Elu greco's works have just been told that they are pregnant, and some are fascinated by the Holy Spirit in heaven. The color of the picture is extremely strong, and the woman's body is extremely dramatic and full. However, somehow, the women in greco's novels are not erotic at all, far from arousing sexual desire. That's because people and nature in greco's works are realistic, but everything is bathed in the light of God, and as God's works, it is placed in an orderly line of sight. No matter how plump and emotional these women are, their eyes will always follow the existence in the sky, and women's own bodies can be said to have been abandoned absently. It is also at this moment that an indescribable charm rises from the picture and permeates it, even making people feel that the strong sexual atmosphere outside the nudity itself has worsened the air.
However, turning to the history of modern painting, more and more painters are keen to describe nudity and its desire with personality. Because this is also a great discovery in human history. But there are also a group of painters, as small tributaries, who have been groping in the dark and tirelessly expressing the "charm" of oriental women. Today, people begin to reconsider "charm". This trickle shines with fresh and strong light, which makes the wandering "charm" shine again in the aesthetic vision.