Improve the quality of words, write words with poems, integrate words with characters, and combine the emotion of words with the expression of poems. Therefore, his poems tend to focus on meaning, and his style changes with the emotional tone. "Jiangchengzi Mizhou Hunting" is full of anger; "Niannujiao Chibi Nostalgia" is broad and magnificent, which can be described as lofty and magnificent; Sad words are euphemistic and implicit, such as "Jiangchengzi", mourning for his wife; Operator is deep and clear, with a lonely and sentimental atmosphere; "When will there be a bright moon?" Escape from the dust and hold high the spirit.
Expanded the field of writing. On the one hand, reason and interest are introduced into the realm of poetry from the theme, such as the reflection on life in "Red Cliff Nostalgia" and the understanding of "the moon is clear and round" in "Mink Head". On the other hand, the simple folk customs in rural areas are written into ci, such as "Huanxisha" and "Cow clothes and ancient willows sell cucumbers", which are rich in rural soil and life, lively and vivid; Another example is the harmony and tranquility of Xijiang Moon.
It has changed the style of ci, changed the flowery and fragrant state of ci, and created a bold and unrestrained ci style that combines rigidity with softness. For example, "Niannujiao Chibi Nostalgia" begins with a sentence "River of no return, a romantic figure through the ages", which is clearly written in an exclamatory syntactic way, with a broad realm, deep feelings, generalization and momentum. Another example is "Water Tune Song Tou". Inspired by the Mid-Autumn Festival, the whole poem asks questions about heaven, wanders immortals, thinks about the palace, and writes jade until it explores the "cloudy and sunny" of the moon. It embodies the characteristics of Su Shi's bold and unconstrained ci, with superb brushwork, rich style and a sense of elegance and ethereal.
Su Ci uses a lot of preface, which makes the preface and text of Su Ci an organic whole. Such as "Jiangchengzi Mizhou Hunting" and "Niannujiao Chibi Nostalgia". , add a title to the song; Add a small sequence after the tone of the word, such as "water tone" (when the moon is bright) and "Ding Feng Bo" (without listening to the sound of beating leaves through the forest). After Su Shi, most poets used preface as the routine of lyric poetry.
Su Ci abides by the range of words, but it is often not bound by the range. On the one hand, it weakens the dependence on music and strengthens literariness; On the other hand, it increases the freedom to express one's feelings and write freely.
Su Shi began to use a lot of allusions in his ci, such as Sun Quan's shooting tigers and Feng Tang's summoning allusions in Su Ci's Hunting in Jiangchengzi Mizhou, and Sun Quan's, Liu Yilong's and Lian Po's allusions in Xin Ci's "Looking Back on the North Pavilion at the Mouth of Yongyu Le Jing", all of which are examples of making good use of allusions. Su Shi was the first to use a lot of allusions in his ci, and his successors are endless.
In a word, Su Shi played a key role in the dramatic change of ci style in Song Dynasty, broadening the artistic conception of ci, expanding the scope of expression of ci, and making many ci become poems that only existed in the past.