One day, my childhood river was flowing, and I suddenly saw a touching moment, which was also flashing. That day, Li Ling and I were playing hopscotch downstairs. While we were in full swing, two bad guys, Li Hong and Zhang Yang, hit a stone the size of a thumb on my forehead with slingshots. Suddenly, a big bag swelled up on my forehead, not to mention how painful it was. I just sat on the ground and cried, regardless of the willy-nilly. Li Ling had never seen me cry. She was afraid, but after a while, I saw Li Ling walking towards Li Hong and Zhang Yang. Looking at Li Ling's back, I thought: Is Li Ling going to stand up for me? But her courage is less than that of ants, which is well known! Isn't she afraid that those two naughty boys will bully her? Just when I was at a loss, Li Ling said, "Li Hong, Zhang Yang, are you happy that you hit the stone on Shi Qi's sister's head? If a stone hits you on the head, what would you think ... "Li Ling left a word and right a word, not giving them a chance to speak. After Li Ling finished speaking, Li Hong and Zhang Yang came up to me and said, "Sister Shi Qi, I'm sorry." I heard that, I admire Li Ling from the bottom of my heart. Looking at Li Ling, I smiled so sweetly. I don't know how many such touching moments I saw when the river was flowing in my childhood, but it was the most unforgettable moment.
Chapter 2: In a flash, the rain outside the window is dripping. I approached the desk, opened the drawer and flipped through the photo album. What caught my attention was the unforgettable photo, and the past came to my mind. ...
Time stays on that day-
"Hurry up, hurry up!" Some friends and I bumped into the hood of the school. Ha, the sun is rising, and the light is ok. God help me! Yes, when we parted after primary school, I'm going to take a picture of my classmates as a permanent memorial.
"Li, come here, you guys go forward." I said with a smile while holding up the camera. Oh, look at Zheng Yanwen. She's shy. Please, you are too timid to be hit by a board. What are you afraid of?
Sister Gao Liyuan, stand back. Look at you! You're blocking half his face!
Hey, Huang Jiayin, where are you going? Send out the notebook? It is out of the question. Nothing is more urgent than this. Stand up quickly. It'll only take a moment.
Oh, dear! He Tong, where are you going? 1.49 meters and claiming to be 1.94 meters. Come to the front, everybody. Why?
All right, just stand like this!
Hey, where are Miss Li, Miss Liu and Miss Gu? No photos? That won't do! Hey, hey, Liu Xiangyu, bring the chair. Ok, put it in the middle. Please sit down, teacher.
Oh, yes, okay, very good.
Be careful, don't move-I quickly adjusted the aperture and shutter speed, and then focused on the square LCD touch screen.
At that moment, I saw a shining picture, teachers' gratified smiles, classmates' sweet smiles and fiery hearts. ...
At that moment, I seemed to hear the teachers' enthusiastic explanations again; I heard the students reading; During morning exercises, I heard the students' neat footsteps. ...
Oh, what a wonderful moment! My bent finger finally pressed down, and this unforgettable photo clicked and stopped.
Holding this photo in your hand is like holding a friendship credit card. I really want to go back to those years, go back to my classroom seat and laugh together ... The past is like the river reflected by the sunset, and I pick up the shining treasure in my heart.
Never forget that moment!
Chapter 3: Flash Moment I am 55 years old. Since I was admitted to Beijing Film Academy at the age of 23, I have been attached to movies for 22 years. I have experienced a lot of flash moments related to our motherland, and every time I think of them, my blood boils.
From 65438 to 0997, China sent a film delegation to visit the United States for the first time, and I was one of them. At that time, WTO accession negotiations were the most difficult.
In difficult times, a focus of debate is the film, so one of the tasks of this trip is to negotiate with the US on the opening of the film market. China's position is that American blockbusters can enter the China market, but the conditions are equal, that is, the American market should also be open to China films. The American negotiator was jack valenti, then president of the Motion Picture Association of America. He looks easy-going, but tough. He said: "China must import American movies, but the United States does not import China movies, because China movies are not good-looking, and no one in the United States will watch them."
Because both sides hold their own opinions, the negotiations have not made progress. According to the schedule, the next step is to watch the China Film Festival premiere film "red river valley" directed by me. After watching the movie, Valenti was particularly excited. She took the lead in standing up and applauding, came on stage, held my hand and said, "The movie is very touching!" I was still thinking about what he said at the negotiating table, so I asked, "Is the China movie good?" He vowed, "It's beautiful!" I told him that the cost of this film was only 1 more than ten thousand dollars. He was deeply moved. He turned to the more than 65,438+0,000 American directors who watched the movie together and said, "Everyone here can't make such a movie at such a low cost!"
At that time, China films were at a low ebb. Due to the lack of exercise in the stormy market, a set of perfect creative mode and operation mechanism has not yet been formed. Facing the menacing American films, every China filmmaker is trying to think about how to support the local film market. The experience of red river valley in the United States pointed out the direction of my efforts.
Then I made the movie "The Yellow River is lovelorn". This film became the premiere of the second China Film Festival in the United States from 65438 to 0999. On the day of the film screening, something worth writing happened in Hollywood history: too many people came to watch the movie, and the cinema was packed, but enthusiastic audiences kept pouring in, and as a result, the glass of the screening hall of 2 1 Century Fox Company was smashed. The organizer had to temporarily add a program.
Valenti witnessed the grand occasion, but I was not there because of filming. The following year, I went to the United States, and Valenti met me in the headquarters office of the American Film Association in Washington. Two years later, his attitude towards China's films changed completely. Ten years have passed, and when I think back to those flashing moments, my heart is still full of strength. It is this power that supports me to stick to my belief-to shoot thoughtful works, to inherit the national spirit with art, and to leave something for our country and this era.