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Appreciation of Classical Chinese in Travel Notes of Huangshan Mountain
1. Appreciation of The Story of Huangshan The Story of Huangshan is skillfully matched with thirty-six peaks and thirty-six small peaks.

Under the peak, there are deep valleys; Youtan is next to Tianzhu. These vermilion, red and purple-brown peaks are clustered and uneven.

The three main peaks stand tall and strong, standing tall and indomitable. The first part is the most unusual.

The Tiandu Peak and Lotus Peak in Huangshan Mountain are dangerous and high enough, and the ready-made idiom "The mountain rises to the top" is just right here. However, the author invited "nature" from a bird's eye view with a brand-new look, personalized it, and let it magically arrange and plan mountains and rivers. The second part is to fall into the world, give full play to the advantages of reportage writers in paying attention to historical materials and facts, and sort out and display the historical relics of ancient mountaineering.

This part of the language is relatively plain, but it is not idle. Its function is to use the ethereal description in the first part to set off the interest, and to use the "danger" of yesterday's mountaineering to set off the "foreign flavor" of today's mountaineering and pave the way for the third part. The third part is the natural hazards, and the fourth part is the sea of clouds tour, which is wonderful.

The author constantly changes his position and perspective, and uses a lot of vivid metaphors to describe the magnificent landscape of Huangshan Mountain to the fullest. They are all "pine trees". From a distance, "they have wavy crowns trimmed by the wind."

Looking down, "they are like moss and covered with rocks", looking up, "they are like heavenly daughters, slim and graceful", "they will come out one by one along the rock wall, with light gauze and light silk, and the exposed figures will dance lightly." It can be said to be beautiful, and so on.

When describing the "sea of clouds", the author sometimes feels that he is sailing from a "busy harbor", sometimes he is worried about the stormy waves on the reef, "smashing my mast and overturning my boat", and sometimes he is glad that he is "sailing on a reed" and "on the Feilai Peak of Hisense" ... Needless to say, this description is realistic and realistic. Sun Shaozhen commented that The Story of Huangshan Mountain is a masterpiece of contemporary landscape writing.

The object of performance is Huangshan Mountain. Fiona Fang is 1000 miles away, with 36 peaks and 36 small peaks. The clouds are steaming, the weather is myriad, and the clouds and rain are changeable. The sky is full of colors, and you can't tell for a moment. The strength of pine trees and the wonder of ganoderma lucidum are beyond your eyes.

In this large-scale natural landscape, the general author does not take a comprehensive and systematic description, but often takes a tricky approach: first-person feelings, subjective and limited feelings mean, whatever I feel deeply, I try my best, I can write more words; I don't write what I haven't read. It's hard to weigh. This kind of writing with subjective feelings as the meaning pulse is a common technique in classical lyric prose.

The advantages of this method are that it is less difficult to control the scenery with emotion and write landscapes with words, and the article is delicate, concise and clear. Extended data:

Comments on the Story of Huangshan Mountain: "When the Five Mountains return, they don't look at the mountains, and when Huangshan returns, they don't look at the mountains."

The ancients once praised Huangshan Mountain in this way, which shows that Huangshan Mountain is indeed different from other famous mountains in its unique beauty. The beauty of Huangshan Mountain is unique, and there are many poems describing Huangshan Mountain.

Among these numerous works, The Story of Huangshan is an excellent one. Different from ordinary travel notes, the article begins with climbing mountains, but is written from the perspective of how nature arranges this scenic spot from the commanding heights.

After writing the general situation of Huangshan Mountain, I should write about how to visit it, but the author began to write, jumping out of the limitation of writing mountains on mountains and writing a brief history of people climbing Huangshan Mountain for thousands of years, which was really unexpected. Finally, he wrote mountain scenery in a positive way, breaking through the general writing from near to far or from bottom to top, but focusing on several landscapes. The full text is full of enthusiasm, fluent in writing, easy to open and close, easy to write, strong in color and gorgeous in language. After reading it, I can leave a deep impression on the majestic scenery of Huangshan Mountain, and arouse readers to love our times more and the magnificent rivers and mountains of our motherland more.

Baidu Encyclopedia-Huangshan.

2. The classical Chinese translation of "You Huang Shan Ji" is named after Huang, describing ancient ruins.

In the past, Huang Xie and Chunlai studied here, hence the name. There is a bamboo forest at the foot of that mountain, and the specialty is Chimonobambusa.

To the north is a fishing village, a three-foot slab bridge, a bay of flowing water, a bamboo path and a small hut, arranged like a fish scale comb. In the second month of spring, it is fresh and interesting. The beloved swallows are pecking flowers, and the petite oriole is sitting on the willow tree and playing, as if painting a picture.

Climb the mountain and look east. The great river meets the distant sky, and the sand birds and sails appear and disappear. It snows in deep winter, and the clouds are far away. The river is covered with heavy snow, and there is only a vast expanse of whiteness thousands of miles away.

Within a year, the scenery is different. So I visited farmers, worshipped fishermen and wanted to visit the old site of Chun, but some old farmers still don't know who Chun is.

Alas! This is the luck of the old farmer and the misfortune of Spring. It has been more than one thousand years since Shen Jun died in Spring. These old peasants are in an era of peace and prosperity and live in an era without war. They plow fields and dig wells for their own happiness, and then have fun when they are full. This is really a person who knows nothing about chaos. Who can explain this man more than 1000 years ago? I feel lucky for my elders and sad for spring, so I wrote Song of Huangshan and said, "Before you were born, Huangshan already existed.

You died in this world, and this mountain still exists. Who is the end, who is the starting point, you or the mountain? "He also wrote:" You stand by the mountain, and you are willing to place something on it.

The mountain is famous because of you. Who is more obvious, who is more obscure, the mountain or you? .

3. Appreciation of Huangshan Mountain Xu Chi's "Huangshan Mountain" and "Appreciation of Sun Shaozhen" are masterpieces of contemporary landscape writing.

The object of performance is Huangshan Mountain. Fiona Fang is 1000 miles away, with 36 peaks and 36 small peaks. The clouds are steaming, the weather is myriad, and the clouds and rain are changeable. The sky is full of colors, and you can't tell for a moment. The strength of pine trees and the wonder of ganoderma lucidum are beyond your eyes.

In this large-scale natural landscape, the general author does not take a comprehensive and systematic description, but often takes a tricky approach: first-person feelings, subjective and limited feelings mean, whatever I feel deeply, I try my best, I can write more words; I don't write what I haven't read. It's hard to weigh. This kind of writing with subjective feelings as the meaning pulse is a common technique in classical lyric prose.

The advantages of this method are that it is less difficult to control the scenery with emotion and write landscapes with words, and the article is delicate, concise and clear. However, the way to see the leopard in the tube is, after all, a small angle, and the scenery that can be expressed is limited by the author's mind.

In the history of China literature, there is another way, on the contrary, which is to systematically and comprehensively show the magnificence of mountains and rivers from all angles. Not limited to the first-person perspective, it mainly focuses on description and statement, which also forms a tradition, that is, "Fu".

"Fu" is a style in ancient China, which prevailed in the Han, Wei and Six Dynasties. It is a combination of poetry and prose. It is characterized by its rich vocabulary, which is usually used to describe scenery and express feelings and reason in a short space. Fu was once the mainstream style in Han Dynasty. This style, because of being too absorbed in the grand exaggeration of the scene and the parallelism of gorgeous language, hindered the flow of thoughts and feelings and gradually declined in later generations.

However, the method of laying out the facts has not died out, but has reduced the excessive exaggeration and extravagance throughout and changed to a small degree of parallelism. In the history of literature, there are few masterpieces handed down from generation to generation, such as RoyceWong's Ode to the Loutai, Bao Zhao's Ode to Wucheng, Su Shi's Ode to the Red Wall and Ouyang Xiu's Ode to Autumn Sound.

Xu Chi studied Fu style. In his view, it is unfair for Fu to be ignored or even abandoned in modern and contemporary literature.

Therefore, in his literary creation, he deliberately used the technique of fu to express the panoramic view of Huangshan Mountain. Therefore, at the beginning of the article, it is said that the creator's arrangement for Huangshan Scenic Area is "big-handed", which can also be regarded as a self-discipline.

In fact, the story of Huangshan can be said to be an ode to Huangshan. Of course, he did not directly copy the syntactic parallelism and the extravagance of words in ancient fu. This paper describes the key landscape of Huangshan Mountain in many aspects and with great momentum.

Let's talk about the peak of Huangshan Mountain first. As soon as I started writing, it was a panorama:120km or so,1000km, 36 peaks and 36 small peaks.

Such a panoramic view is avoided by ordinary travel writers. Because of such geographical statistics, it is difficult to have personal sensibility.

Then, there is the panorama: there is a deep valley under the peak, and the secluded pool is next to Tianzhu. The three main peaks stand tall and strong, standing tall and indomitable.

Then there is the overall generalization of color: these scarlet, scarlet and purple peaks are clustered in front of each other and uneven in height. In general, this general and complicated description is hardly satisfactory.

However, Xu Chi's adventure did not annoy readers. The reason is that luxury here is not flat or static, but dynamic.

Instead of depicting Huangshan as a ready-made natural landscape, Xu Chi transformed the classical technique with the imagination of modern writers and created the creator's virtual scheme. Xu Chi's brushwork focuses on the fine structural process, thus turning the static topography of space into a process of time; At the same time, it also makes the objective description of geography become subjective feelings and imagination.

Even the cliffs of Huangshan Mountain are steep and the road is difficult to walk. He imagined that the creator intended to "cut off all roads leading to human scenic spots." It is intended to make readers appreciate the originality (arrangement and layout) of creation instead of passively accepting the introduction of terrain.

Next, I wrote about the clouds in Huangshan Mountain, and Fu's extravagance became more prominent: it opened its cloud bank and rowed to this area. There were clouds coming and going, confusing fog, colorful glow, and a sea of clouds rolling with snow waves ... the peaks slapped by snow waves were swallowed up, or exposed, fluctuating. There is obviously Fu's exaggeration here, but it is not exactly like it.

The reason is that in Fu, exaggeration is a neat parallelism sentence, but here, parallelism is biased, and in parallelism (confusing, colorful, snowy), it is intertwined with complexity ("The mountain slapped by snow waves or swallowed up ..." is another grammar). Staggered syntax is more prominent in the description of the sea of clouds: nature forms a magical scene with purple peaks, snow waves and sea of clouds, illusory fog and verdant pine trees.

Up and down the sea of clouds, thirty-six sources, twenty-four streams, sixteen springs, eight pools and four waterfalls. This paper takes Fu as the research object, but not all the scenery of Huangshan Mountain is endowed with the same pen and ink, but it can fully express the clouds of Huangshan Mountain.

The way the author deals with clouds is quite strange. He didn't write all the clouds with a lot of pen and ink, but wrote them one by one. He was attracted by other landscapes, ignored them and lacked them. Once again, he showed new characteristics: I saw clouds rising in Wenshuyuan and Balcony, drifting across the East Sea Gate and permeating Beihai Hotel and Baieling. So erratic; If it is changeable, between milliseconds, the scenery is different and the same place is changing rapidly.

Sometimes the sun overflows and sometimes the rain rushes. But there will always be clouds floating away; The whole park, hidden in it.

A few pine trees, a few pine trees, dissolved and dissolved. For the description of landscape, if there is only a pair of pen and ink, we can't say that we really understand Fu's three flavors. Xu Chi showed his talent for modernization here.

Just writing clouds, there are several pairs of pen and ink. The cloud in front is a vast sea of clouds between mountains; The cloud here is a close look at the cloud around you, and it is a delicate cloud.

The cloud in front is macroscopic and written on the cloud itself; The clouds here change in the sun and drift at the foot of the rain, and the trees and people in them "dissolve out" the clouds. Xu Chi has a rich vocabulary, but unlike Liu, he is used to using four-character idioms. He seems to deliberately avoid such a ready-made structure.

4. The translation and appreciation of Xu Xiake's Diary of Visiting Huangshan Mountain (at that time) still took Cheng Yuan and his servants down the canyon path.

Go to Tiandu Peak and climb up the rocks washed down by the mountain stream like a snake. Climb weeds, pull thorns, where the stones are overgrown, they will cross the stones, and where the cliffs are cut, they will climb the stone walls.

Wherever there is no landing, Cheng Yuan always climbs up first, and then leans over to meet (me). I often think that since it is so difficult to go up the mountain, I don't know what to do when I go down. In the end, I still don't care about that.

After many difficulties and obstacles, I finally reached the top. It's just that there is a stone peak on it, which is as high as a wall and seems to be dozens of feet high. Chengyuan looked around and found there were stone steps, so he pulled me up.

There are thousands of peaks, all of which bend down, and only Lotus Peak can compete with them. At this time, the dense fog rises and falls, and every time it comes, there is no one on the opposite side.

Most of the lotus peaks seen from a distance are hidden in the fog. Climb Tiandu Peak alone, walk to the front, and the fog drifts behind you. I walked to the right and the fog came out from the left.

Those pine trees and their coils are quite criss-crossed; Although the branches of cypress trees are as thick as arms, they are all flat on the stones, like moss. The mountains are high and windy, and the fog comes and goes.

Overlooking the peaks, sometimes they are exposed like green peaks, and sometimes they are submerged by fog like a silver sea; Looking at the foot of the mountain, the sunshine is crystal clear, and there is no heaven and earth. It's getting late. I put my feet forward, put my hands back on the ground, and sat down for a while. Go to a very dangerous place and take me with your hands and shoulders.

After crossing the dangerous place and going down the mountain, the night has shrouded. Depart from the canyon, go up the mountain through the plank road, and stay in Wenshuyuan.

5. Look for: Xu Chi's "The Story of Huangshan Mountain" and enjoy the story of Fei's visit to Huangshan Mountain.

The mountain is named after Huang, which is also an old trace. Chunjiang, a former scholar, likes studying here because of his name. There is a bamboo forest at the foot of the mountain, and the specialty is Chimonobambusa. To the north is a fishing village, a three-foot slab bridge, a bay of flowing water and a thatched bamboo path. Mid-spring moon, full of new interest, pets swallow pecking flowers, charming warbler sitting on willow, as if drawing pictures. Climbing to the east, the river meets the sky, and the sand bird sails, realizing seclusion. It's raining and snowing in the middle of winter, and the clouds are overcast, and the snow is like reeds, thousands of miles away. Within a year, it will be different. So I visited the farmer and bowed to the fisherman, hoping to get Chun's old address. Some people don't know why Chun got married.

Ha ha! This is the blessing of my elders, and so is the misfortune of Chunshen. My husband has applied for spring for more than 1000 years. When my father was in peace and prosperity, when he was idle, he plowed his own fields and played with his belly. This is the so-called ignorance. Who has counted the so-called spring applications for thousands of years?

I am glad for my father, and I am sorry for spring, because the song of Huangshan Mountain says, "You were not born, but the mountain is already there." Your past, the mountain still exists. Who will start, Jun Xi Shan Xi? Another song said, "You have a mountain, and you are happy with it." This mountain is magnificent and famous. Who shows who is awkward and the mountain is awkward? "

Huangshan tourism translation:

The mountain is named after yellow and describes the ancient ruins. In the past, Huang Xie and Chunlai studied here, hence the name. There is a bamboo forest at the foot of that mountain, and the specialty is Chimonobambusa. To the north is a fishing village, a three-foot slab bridge, a bay of flowing water, a bamboo path and a small hut, arranged like a fish scale comb. In the second month of spring, it is fresh and interesting. The beloved swallows are pecking flowers, and the petite oriole is sitting on the willow tree and playing, as if painting a picture. Climb the mountain and look east. The great river meets the distant sky, and the sand birds and sails appear and disappear. It snows in deep winter, and the clouds are far away. The river is covered with heavy snow, and there is only a vast expanse of whiteness thousands of miles away. Within a year, the scenery is different. So I visited farmers, worshipped fishermen and wanted to visit the old site of Chun, but some old farmers still don't know who Chun is.

Alas! This is the luck of the old farmer and the misfortune of Spring. It has been more than one thousand years since Shen Jun died in Spring. These old peasants are in an era of peace and prosperity and live in an era without war. They plow fields and dig wells for their own happiness, and then have fun when they are full. This is really a person who knows nothing about chaos. Who can explain this man more than 1000 years ago?

I feel lucky for my elders and sad for spring, so I wrote Song of Huangshan and said, "Before you were born, Huangshan already existed. You died in this world, and this mountain still exists. Who is the end, who is the beginning, you or the mountain? " He also wrote: "You stand by the mountain, and you are willing to place something on it. The mountain is famous because of you. Who is more obvious, who is more obscure, the mountain or you?

6. Seeking: Appreciating the Story of Huangshan written by Xu Chi ~ ~ ~ From ancient times to the present, the travel notes of mountains and rivers have always been loved by people and enjoyed a high position in literary works of past dynasties, such as Liu Zongyuan's Eight Chapters of Yongzhou, Su Shi's Red Cliff Fu and Ouyang Xiu's Preface to Drunk Pavilion.

Although these works have experienced thousands of years of wind and rain, they have been circulated for a long time. The reason is nothing more than literary beauty.

Today, Mr. Xu Chi's Tale of Huangshan Mountain is not inferior in comparison. Needless to say, the rhetoric of the article is gorgeous, especially the conception and conception are amazing. After reading it, the author is unforgettable and writes this article to share with you.

It has always been known as "the first strange mountain in Sinian". It combines the "male" of Mount Tai, the "rigorous" of Mount Song, the "danger" of Mount Hua and the "beauty" of Mount Lu, and is famous for its strange pines, strange rocks, clouds and hot springs.

There have always been many poems describing Huangshan Mountain written by literati, and their ideas are based on the clues of whereabouts and time and space, or in the order of the beginning and end of the picture scroll. However, Xu Chi, the author of The Tale of Huangshan Mountain, did not fall into the model of his predecessors, but found a new way and adopted the structure of knowing and continuing secretly.

If you follow the general travel notes, you will always follow the author's own difficulties and obstacles as a clue, and then finally succeed in reaching the top. But the author didn't write it like this, but put pen and ink aside, "The Rise of Different Peaks", starting with "How Many Years After HarmonyOS System", describing the mountaineering story in myths and legends and the mountaineering history of the ancients, and then turning to his narrative of climbing Tiandu Peak according to the path of traveling mountains.

However, in the fourth part, this way of writing with the trail as the main line was suddenly interrupted, and it was changed into four parts in chronological order: watching the clouds on the first day, watching the sunrise the next morning, then walking through the sea of clouds, and finally cheering and taking pictures at the top of the light. At the end, I wrote two words of praise: "What a park this is! What a world this is! " Close the full text. In this way, the author puts human beings' yearning and pursuit of nature-from the first saint to today's masons, and one adventure after another; And the "various" and "colorful" in their own vision; Auditory "Guan Sheng singing together" and "Coral Gu Ying"; Feeling "drifting away" and "drifting away"; And that thrilling, cheering feeling.

Liu Xizai, a native of the Qing Dynasty, said in "A Brief Introduction to Art" that "the composition is not difficult to continue but difficult to break" and that "if you want to make a clear decision, you must take a dark continuation". How to achieve "bright break and dark continuation"? Liu Xizai added: "Just like embroidery, throwing needles and threads depends on looking elsewhere."

The so-called eye-catching means that writing is always inseparable from the theme of the article, and the "clear judgment" between the parts of this article is precisely the "dark continuation" of the theme of "the beauty and wonder of Huangshan Mountain". Liu Xizai also said: (This) is like running a horse, "note the slope and flow, hold the reins in hand".

The so-called rein in the hand means that the narrative clues between the parts are "bright" on the surface, but there is an internal clue to "continue" it. For example, at the end of the first book, nature "closes mountains", at the beginning of the second book, the ancients went to Heaven, and at the end of the third book, they looked far away and expressed their feelings after going to Heaven.

Although each part begins with an abrupt sentence, there is actually an internal clue to connect them. This practice of "breaking the routine and continuing in secret" gives the full text a new vision and a new realm everywhere.

The virtual and the real are born together, and the movement is appropriate. A Qing Liu Dakui commented on the ancient people's writing of landscapes in My Essays. He said: "Liuzhou remembers the mountains and rivers, writes the scenery from the real place, and Ou Gong remembers the garden pavilion, which gives birth to feelings from the virtual place." Xu Chi used these two strokes to describe the wonderful landscape park of Huangshan Mountain.

In Xu Chi's Huangshan Mountain, "the peak is beside the deep valley, and the secluded pool is beside the Tianzhu ... surrounded by mountains in front, which is uneven", while "the three main peaks (Lotus Peak, Guangming Peak and Tiandu Peak) stand tall and stand tall, propping up the sky". In this way, the focus is clearly described, from form to spirit, and the majestic peaks of Huangshan Mountain, especially the majestic posture of the three main peaks like Tianzhu Peak, are written with minimalist pen and ink, which will be unforgettable after reading.

There are thirty-six sources, twenty-four streams, sixteen springs, eight ponds and four waterfalls in Huangshan Mountain. There is so much water in Huangshan Mountain that it can be summarized in one sentence.

However, mountains and water should not be separated. The combination of majestic mountains and smart water can draw the most beautiful landscape picture. Please look at the author's ingenious pen: "After the rain, the sky is blue, and the sky stands suddenly, like an ancient general.

The crimson lotus peak is facing the sun, spreading water petal by petal. In the faint sea of clouds, you can see the crystal drops below.

Baiyue Mountain in Xiuning, Jiuhua Mountain in Qingyang, Tianmu Mountain in Lin 'an and Lushan Mountain in Jiujiang. It is the Yangtze River floating in the distance. "

This delicate and rough description not only shows the charm of Huangshan Mountain after the rain, but also makes people look into the distance. Seeing that Xiushan in the south of the Yangtze River is surrounded by Huangshan Mountain, it is like stars baking the moon, which highlights the leading position of Huangshan Mountain and makes people believe that Huangshan Mountain is a wonder of the world. Although it is a description of real life, the landscape written in this way shows the momentum that Huangshan Mountain is far away from the mountains and engulfs the Yangtze River, which makes people feel their love for the great rivers and mountains of the motherland while enjoying the beautiful scenery of Huangshan Mountain, and feel their affection in vain, and the scenes blend and complement each other.

If writing about mountains is static and writing about water is dynamic, then writing about the sea of clouds in Huangshan is a combination of static and dynamic, adapting to local conditions. Quiet is Huangshan Park, which hides its true colors in the clouds, but the clouds are unpredictable and unpredictable: "They are coiled in the cracks in the rocks, they trim the crowns, they spread their wings, and they cover the rocks like moss; They are like daughters in the sky, slim and elegant. "

Just looking at the clouds is dazzling. Coupled with the dancing wind, the peaks of Huangshan Mountain are various: "The sea of clouds is rolling, like the tide of Haining ... the cinnabar peak is swallowed, the peach blossom peak reaches the bottom of the wave, the ploughing peak becomes an island, and the fish peak swims between the snow waves." Reading this text, like a flood, listening, like a wave of thunder, is refreshing; It looks like the fairy scenery of Penglai, which makes people dizzying.

In the sea of clouds and fog, people really don't know the true face of Huangshan Mountain. Even better, the author wrote his feelings with illusion: "Before Paiyun Pavilion, it was like a busy harbor. How I want to set sail from here. I put on a dense forest path and ran to the peak on the left. There is a platform above, and I can see the sea.

Penglai at sea is especially strange. I walked through denser forests, climbed the strangest peaks, wound my way through more dangerous cliffs and stepped into deeper waves.

Reed can sail, I came to the sea.

7. Classical Chinese version of Huangshan Travel Notes

Climb the Five Mountains and visit Huangshan Mountain, but ignore what the Five Mountains are? Gai separates the majestic mountains from the majestic mountains, and Huangshan is the best in the world.

At the beginning of August, I drove more than 100 miles with several uncles and friends. At dusk, I arrived at the foot of Huangshan Mountain and stopped at Tangkou. Tangkou people, at the foot of the mountain, from expressway to Nanmen scenic spot, but more than a dozen miles away. The town is small and dense, with a sea of people and many businessmen; It is also deep in the mountains, and it is foggy all day long, and the rain is uncertain. On sunny days, the wind is light and the clouds are light, and the mountains are green; When it rains, clouds flood the city and showers are falling. The food in the soup mouth is fragrant and delicious, and there are many treasures in the mountains. Therefore, tourists coming and going to Huangshan also have the saying that "you don't forget to eat food when you visit the scenery".

Everyone knows the beauty of Huangshan Mountain. Few people know the precipitousness of Huangshan Mountain. Yu and his friends arrived at Dashan by bus in the morning. The mountain road is rugged and twists and turns. The car circled several times and finally got to the station. Driving a cable car, in a deep stream, I survived, my heart pounding. Get off, it's already 1000 meters high. Clouds blow on my face, and I stand on the shelf, which seems wonderful, but I have no warm clothes. My friend is a woman with thin clothes. In midsummer, some people wear autumn clothes. But it is difficult to divide the mountains into four seasons, and the heights are too cold. Women wear hats to keep out the cold, while men sigh with ambition. The fog is empty and the people are real, and there are people who are greedy; In a hurry, there are tourists visiting the mountains. The stone steps of the mountain road are dense and winding in the winding mountains. Why do tourists want to carry the hard work of mountain workers? Even the dictation of the tour guide and the rhetoric of the literati can't beat the skill of the ladder builder. Walking on the stone steps, or taking a break to climb, or climbing to the distance, the sea of clouds is rolling, the sun is shining, the wall is thousands of feet, and it goes straight into the sky, cypresses and pines, and apes climb and jump; Don't be playful, it's natural. Either the lens is interesting or the brush is lyrical. The beauty of Huangshan Mountain is fascinating!

The mountain is high and it is difficult to call Shu Dao; The ladder was steep and many people sighed and died. I was accompanied by three friends and walked slowly. From the guide's words, the audience saw the scenery. There are many tourists coming one after another, and pedestrians are dense and shoulder to shoulder. Looking at the mountains, there are many mountains and many landscapes. The woman said, "It's a small world to climb Mount Tai. Confucius is ridiculous!" When I sent Confucius to Huangshan Mountain, I saw this scene. I must not talk about it again. Xiao Yu said: Confucius, a man of Qilu, did not touch southern Anhui, only knew the height of Daizong, and it is reasonable to sigh. The woman said to me: the mountain beyond the mountain, the person outside the person, this time it is true. I smiled too, but I didn't answer.

Four beauties of Huangshan Mountain: strange pines, strange rocks, sea of clouds and hot springs. Those who are relaxed and strange, covered with cliffs, stand tall and straight in the mountain stream, unyielding, greet the sunset in the morning and bid farewell to the sunset at dusk, and the clouds attract the atmosphere of heaven and earth. Everyone can know from the dust. That's why it is flourishing and connected for thousands of years. Strange stone, because of its different shapes, has the risk of thousands of miles, the risk of Wan Li. I hope I am proud of it, and I am objective about it. Mountains are towering because of stones, and water gurgles because of stones. Among the towering noises, you can also see strange stones, which are the treasures of Qixiu Town. Those in the sea of clouds, gathering fog into clouds, circling the mountains into the sea, surging, also have the effect of watching the sea. At sunrise, love is the best. Qian Shan sprinkled gold, the sea of clouds rippled, Song Tao played the piano, and stood on the shore of the sea of clouds, full of thoughts. Hot springs formed thousands of layers underground are composed of geothermal energy. The water temperature is warm and steaming, and people take a bath without clothes or water. Hot spring water, rich in minerals, also has the effect of treating diseases. Four beauties of Huangshan Mountain, nail world!

I came back the next day. Although my visit to this mountain was short, I was deeply moved by the scenery here, so I wrote an article to commemorate it.

8. Translation and appreciation of Xu Xiake's diary about his visit to Huangshan Mountain. It was sunny, so I found a tour guide, each with a bamboo pole, went up the mountain, passed the second path and went up from the left. There are stone peaks around the clip, including stone steps, which are paved with snow and shaped like jade. Through the sparse and hairy trees, I can see the peaks and knots, and the unique Tiandu Peak stands tall on the ground. For miles, the stone steps are getting higher and higher, and the snow is getting deeper and deeper. In the shade, frozen snow turns into ice, hard and slippery, and it doesn't hold water. I am alone in front, holding a stick to cut ice, cutting a hole, and walking up with my heel; People in the industry can move forward by learning this method. When I arrived at Pinggang on the mountain, I saw Lotus Peak and Yunmen Peak, which seemed to be crowding round for Tiandu Peak. From here, they are all steep and dangerous cliffs, all of which are strangely loose, only ten feet high and only a few inches short. Pine needles have flat tops and short hairs, the roots are coiled, and the trunk twists and turns like a dragon. The shorter the older, the smaller the stranger. I didn't expect this wonder to be found in the strange mountain! In the reflection of turquoise, a group of monks came down from the mountain as if they had fallen from the sky. They all put their hands together and said, "We have been trapped in the mountains by heavy snow for three months. Today, in order to find food, we tried our best to come here. Why can I go up? " He added, "The monks in Qianhai Temple have all gone down the mountain, and Houhaishan Road has not been opened yet, only the Lotus Cave can pass." So we climbed up from the side of Tiandu Peak, walked down through the gap at the peak, and turned east, which was the way to Lianhua Cave.

(Turn east to Lianhuadong Road. ) so far)

9. The original translation of "Traveling to Huangshan Mountain" is unique because of its springs, clouds and pines.

Water is strange, nothing is more strange than Bailongtan; There is nothing more strange than Tang Quan. They are all around the foothills of Huangshan Mountain. The streams in Taohuayuan flow into Tangquan, the milk from Baiyun Stream flows eastward into Taohuayuan, and all 24 streams flow to the foot of the mountain.

The valley is empty, full of water, and the streams splash and run endlessly, all flowing down from the hillside. So there are springs under the mountain, but there are no springs on the mountain. Huangshan Mountain is very high. Thunderstorms are all at the foot of the mountain. Clouds gather and gush from the mountain, wander around and return to the mountain, all floating around the mountainside. Every time I see a mountain peak like Tiandu, the white clouds form a long ribbon, but I can't reach its peak. After a while, the clouds were filled with air and folded into one piece, covering the sky below, while the peaks stood above the white clouds.

Spread the clouds, look around, like the vast sea, suddenly, suddenly spread out, like frightened ducks and rabbits, suddenly fled without a trace. The peaks of Huangshan Mountain stand high above the clouds. The reason why the sky is so vast and high is that nothing is attached to the clouds.

Straight pine trees and various precious trees, such as juniper, tamarind and nanmu. , all grow from the mountain above the Tang Temple. Vines twine around them, grass covers them, and quiet shade trees gather together. When you climb the old man's peak, you will see strange pine trees on the cliff, which are born with their backs against the stone wall.

Going up from here, there is not a tree that is not a pine tree, and it is not surprising that there is a trunk as thin as a human calf, but there are roots that meander for several acres; There are also roots that are only ten feet long, but they are flourishing and slender enough to cover the road; .