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Random Talk on Hero of Jason Wu
I wrote this a long time ago, but I didn't have the courage to send it. I just rummaged through the draft box and looked at the contents. I haven't changed my mind, and now I have a lot of skin. Anyway, it's okay to be idle. Just tidy up and get scolded again.

The reason is that I accidentally saw a post on the Internet discussing the click-through rate of Jason Wu heroes. I'm not interested in the click-through rate, but it always reminds me of some opinions about Jason Wu heroes, so I posted it.

I've always used radical words, and I think it's a bit excessive to use the word "incorrect views", because after all, I haven't seen any criticism of this film anywhere except my feelings, so maybe this word is a bit inappropriate.

In fact, all aspects of this film, such as fighting, are excellent works, from the protagonist to the supporting role, which are all brilliant. Compared with Bruce Lee's Jingwumen, Bruce Lee's films are basically supported by him alone, with few supporting roles, poor film stunts and backward shooting techniques.

However, after reading these two films, Bruce Lee's Jingwumen is a breath-taking feeling, and the spirit in the play can linger in my mind for many days!

There is also Jet Li's Hero of Jason Wu, which was very enjoyable to watch, but it was a little uncomfortable after reading it, and I couldn't remember what was wrong at the moment.

Come to think of it, if watching Bruce Lee's Jingwumen is inspirational, I'm a little humbled after watching this movie.

Zhen Chen in the play went to Japan to study. Although he feels a little uncomfortable, it makes sense to think about it. At that time, China people should open their eyes to see the world, learn from foreign countries, and then come back to serve the motherland.

There is nothing wrong with having a Japanese girlfriend, but Zhen Chen, who came back from studying abroad, was deliberately shaped as a tall man, while Huo Yuanjia's son was drunk, jealous and went whoring. Besides, all other people in China look disappointed.

This is a kung fu film, and you can learn science and culture. In fact, the performance of Kung Fu is also learned from the East, and both the amount of exercise and the technique are superior to China's Kung Fu, easily defeating Huo Yuanjia's abrasive son.

When it comes to fighting against Japanese masters, there will be fights back and forth, and Japanese masters will emerge one after another.

I'm a little worried. If it weren't for the protagonist's aura, Zhen Chen would have been killed in the end. Seriously, I'm still saying that if this film can be broadcast in the anti-Japanese era, there is no need to resist Japan, and it will be crushed by the Japanese in momentum.

Only Zhen Chen, a China native, is a bit promising in the whole film, while others are gluttonous. The words "sick man of East Asia" are simply written on the face, and none of them are finished. However, such a Zhen Chen, from the inside out, learned Japanese, and then beat up the master elder brother who represented China's traditional kungfu and traditional practices.

On the contrary, Wei's image in Japan is simply not too much. The first is the unity of Japan when studying in Japan. Secondly, the ships competing with Zhen Chen are better, from martial arts cultivation to technology.

And Ryuichi Akutagawa, who competed with Huo Yuanjia, finally died without losing the spirit of Bushido, which made me feel a kind of beautification.

Finally, Zhou Bili plays Tian Gang Fujita, which is like a humanoid machine. I feel beaten half to death under the blessing of Jet Li's protagonist aura. Now that I think about it, it's a bit like the struggle between Song Wu and Ximen Qing in The New Water Margin. I'm afraid Ximen Qing accidentally killed Song Wu.

In short, the Japanese are too dazzling, compared with China, it is dark.

I don't like this movie, which can't change his achievements, but I still don't like it very much.