Reflections on Shanghai 1

Yesterday, we visited the Shanghai Museum together, which lasted more than three hours and barely finished. At the same time, many foreigners passed us by. They opened their eyes wide and marveled at the mysterious oriental cultural relics in front of them. As descendants of the Chinese people, who is not proud of the brilliant achievements created by their great ancestors? Who doesn't think how brilliant our history is? However, when we carefully examine our history from another angle, we will be surprised to find that our ancestors also have amazing regrets!

Perhaps, our ancestors once created scientific, technological and literary achievements unmatched by any country in the world, such as bronzes, pottery, sculptures, calligraphy, paintings, voluminous classics and history, poems and songs, and so on. Every one can make those foreigners "drink a pot". However, when we calm down and think carefully, we will find that our ancestors left us with great regret that they failed to make impressive achievements in the field of natural science. The whole Shanghai Museum failed to see our ancestors' achievements in this respect, but what they felt was their exquisite craftsmanship and profound artistic accomplishment. I think most museums in China are like this. Why can't they create miracles comparable to the above fields in other aspects? This can't help but make us ponder.

Who on earth bound the thoughts of our great ancestors? Why do we have little chance to learn formulas and laws named after scientists in China? Besides the torment of dynasty, government, imperial power and fetters, what else? Confucius, Li Si, Qin Shihuang, Han Wudi, Dong Zhongshu, Sui Wendi, Zhu Cheng Neo-Confucianism, stereotyped writing, Kangyong Ganwen Prison. All this has annihilated the contention of a hundred schools of thought and ruined the pioneering opportunities of our ancestors in other fields. All people, whether dignitaries or ordinary people, are bound by Confucianism. Glorious ancestors and distinguished life experiences are their only motivation in life. Bronzes are nothing more than luxury daily necessities of slave owners and nobles; Fine ceramics are nothing more than precious things to the royal family; Sculpture is nothing more than a tool for rulers to use ignorance; Calligraphy and painting are nothing more than the way for those scholars to become famous in the world; The subset of classics and history and poems and songs are nothing more than the media through which literati express their anguish by innuendo. When we think about it, we will suddenly find that most of the things left by our ancestors are used for entertainment and viewing. Really valuable things, great inventions, groundbreaking theories, and ideas treasured from generation to generation are rare. Even the four great inventions that we are proud of can only be called technological inventions, and at most they can only be regarded as technological creations, not epoch-making works in the history of science.

It can be seen that the development of science and technology and the degree of attention of a country are closely related to the atmosphere of a society and the thinking habits formed by people. Our ancestors had been exposed to gunpowder for more than 2,000 years, from the Han Dynasty to the small-scale experiments on the battlefield in the Tang Dynasty, and then to the large-scale military application in the Ming and Qing Dynasties. In the west, the same thing can be valued and developed in a short time, so that later, it was made into its own gun with gunpowder handed down from China, and a vast country was beaten black and blue. Gunpowder is just a microcosm of all the scientific and technological development in ancient China. So, what has stopped the development of these technologies? It is true that it is not that our ancestors were more stupid than foreigners, but that they were bound by the so-called "right way" thinking for a long time.

Perhaps, we don't need to be too proud of our 5,000-year civilization. The long historical development may be a misfortune, and the root of this misfortune is always ruled by a "religious" thought that hinders the emergence and development of advanced things. In the end, only our Chinese civilization is left in the world, and now it is also scarred. In our long development process, especially in the last hundred years, there has not been a batch of epoch-making scientific achievements with world influence, which directly led to the situation that China has fallen behind the western powers in the past two centuries, which is our regret. The people of China should not be afraid of temporary backwardness. A free ideological atmosphere, an open and pioneering society and a rational and moral national quality are the most important driving forces for our development. All the forces that bind China people's thoughts should not come into being and exist in today's era. We have lost thousands of years of development opportunities. If we don't advance at this time, when will we wait?

Therefore, our 5,000-year development history can only prove one thing: our Chinese nation has an extremely tenacious ability to survive and reproduce. History has long passed, whether brilliant or bleak. "We laugh at everything in ancient and modern times." We should know our own shortcomings with a clearer mind. You can't just be complacent about the so-called "glory" that has appeared in history, but you should first take the road that others have taken, then take the road that others have not taken, and finally ride in an invincible position!

Reflections on Shanghai II

"wow! When can I queue up for such a long time? " I said to my parents helplessly. Finally, we arrived at the front of the line and went straight to the fourth floor as planned.

Hee hee, our plan is good. There are few people on the fourth floor. First, my parents and I visited the Coin Museum. These coins were used in ancient times, including BC, Three Kingdoms Period, Tang, Song, Yuan, Ming and Qing Dynasties. Although our current coins are complete circles, the paper money is very new, which is very different from ancient coins! When I walked into the exhibition hall, the first coin I saw was rectangular, flat and uneven! Ok ... the following coins will definitely surprise you:

Ant nose money: interesting name, right? Careful observation shows that it looks very small, as big as a small shell, with inscriptions such as "Bei" and "Jun" engraved in the middle. Because it is named after a small ant that lives on a person's nose, it is a coin used by the State of Chu.

Horseshoe Gold: This is a horseshoe-shaped currency made of all gold. How proud it is to put this "horseshoe" on the horse!

Five-way banknote version of the rare treasure coupon: this kind of coin has a long name and a large surface, about 20 cm long, 15 cm wide and even 1 cm thick. Strange to say, can ancient people carry such heavy "money"? Walking into the exhibition hall, these coins are getting closer and closer to modern times and slowly taking shape. Different sizes, grotesque and dazzling samples also taught me a lot. Time passed as fast as running water, and the visit to the coin museum ended unconsciously.

Then we visited the calligraphy museum, the jade museum and the sculpture museum ... among them, the calligraphy museum was my favorite. Look at the handwriting written by the calligrapher. Some dragons and dragons are flying, some are small and exquisite, and some are iron-painted silver hooks. There are not many exhibits in this exhibition hall, but it gives me an inspiration: these celebrities should write good words, practice hard since childhood, and persevere in everything they do!

Ah, after the visit, I reluctantly left the museum, and then I looked back at those five golden words, as if telling me about the life of the ancients!

Reflections on Shanghai 3

Shanghai is a developed city in science, technology, culture and education: Shanghai Science and Technology Museum, Shanghai Art Museum, Shanghai Gymnasium and Shanghai Museum. Are showing the scientific and cultural atmosphere of Shanghai.

This summer vacation, I was lucky enough to come to Shanghai, a world-famous metropolis. On the first day we watched the World Expo, and on the second day we went to the Shanghai Museum. Shanghai Museum has four floors. As soon as we entered the museum, we heard a beautiful guide making a wonderful introduction. On the first floor of the museum, there are the Museum of Ancient Chinese Bronzes and the Museum of Ancient Sculpture in China. The first exhibition hall, China Ancient Sculpture Museum 120 Sculpture. These 120 sculptures show the cultural changes and Buddhist art and culture from ancient times to the present. The museum of ancient Chinese bronzes has more than 400 pieces of bronzes, which are unique in shape, exquisite in decoration and superb in production technology.

On the second floor, there is the ancient ceramics museum in China. In the second exhibition hall, there are more than 500 fine ceramics on the second floor, all of which are masterpieces of famous kilns in past dynasties.

On the third floor, there are China Painting Museum, China Seal Museum and China Calligraphy Museum. The painting gallery brings together the original works of Ming families in Tang, Song, Yuan, Ming and Qing dynasties. Painting is so vivid and colorful. The Seal Museum has collected nearly 500 selected physical exhibits from the Western Zhou Dynasty to the late Qing Dynasty.

In the third exhibition hall on the fourth floor, there are China National Arts and Crafts Museum, China Ancient Jade Museum, China Ming and Qing Furniture Museum and China Currency Museum. I saw the most valuable Genghis Khan gold coin and the least valuable nameless coin in China Currency Museum. The biggest and smallest, the Yuan Xiang * * and commemorative silver coins on the signature board, and knife coins like keys. There are also banknotes of one yuan, ten yuan and one hundred yuan in Qing Dynasty, banknotes of Ming Dynasty and Song Dynasty, and so on. There are more than 500 exhibits. Most of the exhibits in the furniture museum have been handed down from the Ming Dynasty and unearthed from the Ming Tombs, including school supplies, wardrobes, tables, halls and chairs. The Jade Museum has more than 300 exquisite jade articles, some of which are simple and mysterious, and some are masterpieces handed down from generation to generation.

There are so many things in the Shanghai Museum that I haven't finished this time. I will visit them again next time.

Reflections on Shanghai 4

On the morning of June 6th, we went to Shanghai Museum. The museum is free to visit.

Shanghai Museum, located on the south side of People's Square in the city center, has a circular tripod structure, which symbolizes the traditional saying of "the sky is round and the place is round" in China. Seen from a distance, this building looks like an ancient Chinese bronze ware. Stepping into the circular central hall seems to be isolated from the hustle and bustle of the city and in a silent world of culture and art. Because it is early in the morning, there are not many audiences. What impressed me is that more than half of them are foreign tourists, from Europe, the United States, South Korea, Japan and so on. Among them, I met a Japanese woman, dressed in bright kimonos and clogs, hunched slightly and faltered, as if attending a grand ceremony. Foreigners eager to know the traditional culture of China came to pay their respects.

The whole museum has ten fixed exhibition halls, including bronze, ceramics, calligraphy, painting, sculpture, seals, jade, coins and ethnic handicrafts, as well as international exchange painting and calligraphy exhibitions.

The museum of ancient Chinese bronzes is located on the first floor. It shows all kinds of bronze wine vessels, utensils, musical instruments and weapons from the Xia Dynasty in the 2nd/Kloc-0th century BC to the Warring States Period. At that time, bronzes, as valuable alloys, were made into ceremonial utensils, which were mostly used to worship ancestors and gods, entertain guests and hold grand ceremonies. Bronzes show the aristocratic status, status and rights of the owner. Sacrifice in the late Spring and Autumn Period shows the superb casting skills of the ancients, with complex shapes and exquisite patterns, which is embarrassing. There are bells with different sizes and sounds, which are arranged and combined to play music. The ancients were quite creative and lived a leisurely life.

China ancient ceramics museum is located on the second floor. Ceramic varieties are rich and colorful, simple and elegant, lifelike; Jingdezhen kiln, blue and white riding animals blowing snails, the old people look different and lifelike; There is also the gorgeous tri-colored Tang Dynasty, which brings together the wisdom and exquisite talents of the ancients.

China Painting and Calligraphy Museum is located on the third floor. More than 100 paintings were exhibited. This time, it is mainly the representative works of various schools in the Ming and Qing Dynasties, with diverse styles, exquisite, neatly arranged, rich in ink and exquisite and subtle college paintings; Or pen and ink indulgence, simple, freehand pictographic painting; Sketch works, sentimental landscape flowers and birds, pay attention to pen and ink feelings, slightly take off the shape, emphasize a lot of charm. China's traditional Chinese painting, with different pen and ink, colorful and long history, is a wonderful flower in the world art world. I especially like the works of Yangzhou Jinnong Eight Monsters.

Jin Nong (1687— 1763) was born in Renhe, Zhejiang (now Hangzhou). The word gatekeeper, known as Mr. Dongxin, is nicknamed Liu Jishan, Qujiang Waishi, Yejushi yesterday, Suolong Xianke, the old man of the Three Dynasties, and Jingmanmin. He is well-read and versatile, and has great attainments in painting, calligraphy, poetry and appreciation.

Jin Nong's landscape painting, 26.2 cm long and 34.9 cm wide, is now in Shanghai Museum.

Paper books. Set the color. This volume is twelve volumes. Every opening is a blend of poetry and painting. Only a few scenes are drawn in each opening, but the idea of creating scenery is ingenious and unique, and the brushwork is clumsy and beautiful, which is the true color of Jinnong's painting style. At that time, Jin Nong was in his twilight years, and his art had reached the state of perfection. Because he has seen countless places of interest in his life, read widely and is knowledgeable, he not only has profound attainments in literature, but also has superb calligraphy skills, so he can "paint the past and get rid of the habits of painters" in his painting creation. Although this "Landscape Book" is only a desk sketch, it shows the viewer a broad vision, and its exquisite pen and ink skills and bold composition give people a sense of novelty and lofty charm.

It is generally believed in art history that Jin Nong began to learn painting after Bo Hongxue's ci failed. Although this statement is universal, it is different from historical records. In Li E's "Xie Fan Mountain Residence Collection", there is a phrase "supervising cattle to plow the fields and Ouyang Guizhai". Shoumen is a picture, because the topic is behind. This postscript was written in the fifty-seventh year of Kangxi (A.D. 17 18), and Jinnong was 3 1 year old. This is the earliest record of Jinnong's painting activities. In Mr. Dong Xin's own library, there are also written records of his paintings before he was 40 years old, but his creations at these times were accidental, not his main business, not to meet the needs of food and clothing. In Jin Nong's mind, poetry comes first, followed by painting and calligraphy. He didn't start selling paintings until he was 50 years old, not only because the paintings at that time were close to maturity and formed his own style, but more importantly, he had to use them as a means of making a living.

In the first year of Qianlong (1736), recommended by Ling Qiu (Lu Qing) of Gui 'an County, Zhejiang Province, 49-year-old people had to choose knowledgeable and ambitious ci subjects, but none of them were selected, so they wandered between Qi, Yan and Zhao, and finally went to Yangzhou to make a living by selling paintings, and lived in Sanzhuan and Xisi successively until they were 77 years old. Seeing a painting is like seeing a person, and there is a feeling of reluctance in my heart. It was difficult to accomplish in ancient times.

The lighting in the painting and calligraphy exhibition hall is inductive. When people go to the front, the lights automatically light up, showing the whole picture of the painting. When you leave, the light fades. Such careful design may take into account the influence of strong light on image quality. It's so careful. Reflect respect and protect works, moisten things silently.

The exhibition hall is spacious, dimly lit, spacious and quiet. You can browse quietly and freely, and you can also take pictures. Here, there is no noise, people silently abide by the contract, watch with their eyes and hearts, be peaceful and quiet, taste historical, cultural and artistic treasures, and bathe in a kind of spiritual enjoyment.

On the fourth floor, quaint and elegant Ming Dynasty furniture is displayed. qing dynasty furniture, which is rich in materials, complicated in decoration and heavy and gorgeous, restores the use scenes of halls and ancient furniture in the Ming Dynasty, and Four Treasures of the Study is full of books and ink. I enjoyed it quietly. A foreigner moved to the front with a focused expression, "I'm sorry". I was shocked when the foreigner blurted out. Oh, he blocked my view and couldn't help laughing. It is a virtue to apologize, feel cultural accomplishment and consider others.

Do you care about yourself and neglect to cover others when you are in a hurry?

Advocate nature, calm and calm. Being a man and drawing, going your own way, drawing your own pictures and expressing your feelings have become your own pen and ink procedures and modeling norms. Pingping? Is it easy?

Reflections on Shanghai Chapter 5

During the summer vacation, my mother said that she would take me to Shanghai to play. I don't want to mention how happy I am. One day in July, my mother and I went to Shanghai. It was a beautiful day. There are no clouds in the sky. It seems that God knows that we are going to play today, so the sky clears up.

Mom said that she would take me to visit the museum this afternoon, and I was very happy. In the afternoon, my mother and I took the subway to the museum. Out of the subway station, a tall building appeared in front of us. It looked strange, like the shape of a flying saucer. We waited in line for more than two hours, and finally it was our turn. As soon as we stepped into the magnificent museum hall, we immediately bought tickets and rented two digital voice machines.

My mother and I visited every museum. First, we visited the pottery museum. Here, I enjoyed the rough and simple painted pottery, the rich and gorgeous three colors of the Tang Dynasty, and the exquisite blue and white porcelain ... I know that the invention of pottery is one of the important symbols of the Neolithic Age. With the emergence of primitive agricultural production and the need of settled life, we humans have learned to make pottery. The Neolithic cultural relics in China are widely distributed, and the pottery production is almost all over China, with a very rich variety. Many products are exquisite in craftsmanship and exquisite in production, with distinctive characteristics of the times and primitive art. We also visited the Bronze Museum, which is very large and displays many bronzes, among which Dakeding is the most striking. Dakeding was a treasure of Wang Xiao's Western Zhou Dynasty more than 3,000 years ago. It is engraved with beautiful animal face patterns with more than 2900 words written on it. It is said to be the treasure of the whole museum. I also learned that around 2 1 century BC, China began to enter the bronze age, and Erlitou culture in the late Xia Dynasty was the earliest bronze culture in archaeological discoveries. Bronze containers, musical instruments, weapons, tools and decorations were unearthed in the site, and casting sites were found. The modeling of bronze ritual vessels has begun to take shape, the walls are even and thin, and the casting technology has reached a skilled level. Then, we visited the Sculpture Museum, Coin Museum, Jade Museum, Calligraphy and Painting Museum, Minority Museum and Furniture Museum. The more I watch it, the more energetic I am. So many art treasures seem to be asking me to visit them carefully! But when the time came, I reluctantly left the museum and kept looking back as I walked, as if I heard them saying goodbye to me.

I learned a lot during this visit. What impressed me most was that the working people in ancient China were really amazing!

Reflections on Shanghai 6

The sun rises slowly from the eastern horizon, and a happy day begins again! Today, we are going to visit the museum to see the splendid history, culture and cultural relics of our country! Shanghai Museum is one of the four major museums in China. It's very big. Generally, it is divided into more than ten museums, including ancient furniture museum, temporary building ceramics collection, national customs museum and so on.

First, we went to the bronze museum. One of the treasures of the town hall is called Dakding. Its appearance has a solemn feeling. Exquisite patterns are carved on both sides. Due to the passage of time and being buried in the soil for a long time, it adds a trace of patina and a trace of ancient incense, which adds a mysterious feeling to people! There are many bronzes in this museum, which dazzle us.

Next, we went to ceramics museum. There were many ceramic utensils in the Ming and Qing Dynasties. There are porcelain pillows for medical treatment, tea sets for drinking tea, and decorations for display. Not only do they have a variety of uses, but their models are also different. There are blue and white porcelain, monochrome, colored porcelain and so on.

Then we went to the ancient seal museum. There are many seals carved by ancient people on display here. Made of gold, ivory, crystal and hetian jade.

Finally, we went to the ancient jade museum. The ancients valued jade most. Look at this person's position through the color, hardness and variety of jade. They think that jade is an artifact of communication between man and god, and even think that eating jade can live forever, so jade pieces are beautifully carved. One of them is particularly beautiful. This jade is as white as snow, as white as snow on the snow-capped mountain in Shigatse. The patterns at both ends are beautifully carved, which makes people stop to watch this amazing handicraft carefully.

The sun is going down. Sprinkle the last ray of sunshine through the window. We also ended our pleasant trip to the museum. Next time, I will go to museums, visit those museums I have never been to, learn about the history and culture of our country, and see the history and protected cultural relics of our country. What a pleasant and interesting trip to the museum!

Reflections on Shanghai 7

At present, party member is moving forward. In the current severe struggle to prevent and control novel coronavirus, Party organizations at all levels and the vast number of cadres in party member acted quickly, bearing in mind that people's interests are above everything else, so that party spirit can shine in the front line of epidemic prevention and control.

Walking through the streets, the commando team was built. "I am party member, I take the lead!" In party member, Party organizations at all levels responded positively, enthusiastically signed up, and set up a party member assault team to go retrograde and protect their homes. The pioneer group of policy propaganda walked on foot, touching village by village, taking the temperature of every household and carrying out epidemic prevention propaganda. Walking 10 thousand steps a day has become commonplace; The order maintenance pioneer group is on duty 24 hours a day in the cold; The comprehensive service pioneer group is concerned with the masses, purchasing living materials for isolated people at home and calming their emotions. "You were laborious! Thank you! " On the daily patrol of party member Commandos, we often get enthusiastic praise from the villagers. Villagers living nearby will also send hot water and biscuits to the personnel on duty to warm the hearts of volunteers who are sticking to the front line. The epidemic situation is ruthless, and the support of all villagers makes everyone more enthusiastic about prevention and control. They made suggestions for epidemic prevention and control, and more and more villagers joined the ranks of volunteers.

I was on the "epidemic" line, and the horn sounded at the head of the village. "Villagers and friends, staying at home is a contribution to society!" Volunteers in party member wear masks, carry portable speakers, and broadcast epidemic prevention and control slogans in cycles to ensure that every household knows and everyone knows. Stop when you see a crowd or a crowd gathering, verbally publicize the knowledge of prevention and control, and persuade the villagers to wear masks. When you meet people from other places, you also ask about the situation in detail and advise them to do isolation protection. Volunteers are conscientious and villagers take the initiative to cooperate. Although there are constantly negative news about the epidemic on the Internet, as long as you walk in the village, you can feel the positive energy everywhere. "

Relay between young and old, epidemic prevention fortress built. Volunteers come and go at intersections and country roads. Among these volunteers, party member, who is over 70 years old, volunteered to take part in 24-hour rotation duty to protect the villagers' safety. party member, who was born after 90, took the initiative to respond to the call, set up checkpoints to check the epidemic situation, register the vehicles coming and going, and take the temperature of foreigners. They said that sometimes they feel very small, and the things they do are very complicated and inconspicuous; Sometimes I feel big and fight the epidemic. But we never forget our initiative and stick to the front line. We believe that this epidemic will be defeated soon.

These volunteers in party member stood by silently in their posts to fight the epidemic, and contributed their own strength to win the epidemic prevention and control. No matter which link in the fight against the epidemic, those who stick to their posts are respectable "retrograders" and "pioneers" on the epidemic front.

Reflections on Shanghai 8

With the spread of novel coronavirus epidemic, everyone's daily life has been interrupted, and all walks of life are also facing great difficulties. This is not only a national campaign against the epidemic, but also a big test to test the achievements of thematic education with practical work. As a grassroots cadre in party member, we should play the role of fighting fortress in party member, keep our initial heart, unite people's hearts and strengthen our confidence, so as to win this tough battle against the epidemic.

First of all, in party member, we should keep our initial heart as cadres. This initial intention is manifested in "standing out at a critical moment and coming out at a critical moment." Only by doing a good job in prevention and control can the burden of front-line medical workers be reduced to the maximum extent, and the prevention of micro-duration can be truly achieved. I personally took the fight against the epidemic as a test of my party spirit and character since I received the task of arranging duty, and always worked hard with the belief of "living up to the trust of the organization" and put this "initial heart" through it. Only in this way can we set an example and master the only way to do practical things.

Second, we should rally people's confidence in overcoming the epidemic. In the glorious course of 70 years in China, the people of the whole country have fought against the virus countless times, and we have won every battle! Novel coronavirus is neither mild nor contagious. All fears stem from ignorance of this virus. With the increasing awareness of the virus and the implementation of emergency systems and measures, the mysterious veil of the virus has been unveiled. Under the strong leadership of the party and the government, and with the support of advanced medical and health undertakings, we have the ability to win this tough battle against the epidemic. At present, the enemy should stabilize the morale of the army. As grassroots cadres in party member, they should show confidence in overcoming the epidemic and call on people around them to rationally understand the harm of the virus and take scientific preventive measures. If life is still full of sunshine, don't let the virus live in our hearts!

Finally, we must maintain the perseverance to continue fighting. At this stage, the epidemic situation in most parts of the country has been effectively controlled. But it will take some time for a new virus to appear and defeat it. The highly tense epidemic investigation and prevention and control work still needs to continue. Xunzi has a cloud, "If you don't accumulate steps, you can't do Wan Li Road; You can't become a river without a small stream. "To overcome the epidemic, you need to maintain perseverance, always tighten the strings of your thoughts, resolutely build a dike of responsibility, and always face challenges with the fullest work enthusiasm and the most solid work until you completely win the battle against the epidemic!

The vigorous grass sees loyalty and promotes the implementation of courage. We regard this battle against the virus as a big test of our ideals and beliefs; Take the epidemic prevention and control work as a vivid practice of the educational achievements of "Do not forget your initiative mind, Remember the Mission"; Give full play to the strength of party member, start from the front line of prevention and control, and hand in a satisfactory answer sheet for yourself and the people's life and health!