Imaging has its own merits. First of all, see what kind of focus you like. Generally speaking, 35mm is more suitable. 28mm wide, not easy to control. But the visual impact effect of 28mm and wider viewing angle are also lacking in 35 mm, both of which are suitable for street shooting. It takes courage to use a 28mm lens and be closer to the main body.

Not to mention the advantages, there are many introductions on the internet, and the colors have their own tastes and characteristics.

TC- 1 I used it, and now I have another one. The lens is rokkor G head, which is said to have two groups of apertures, which can automatically control exposure and make excellent imaging. There are two kinds of so-called perishable, one is cable aging, which actually does not belong to perishable category. Any PS machine may appear, and the service life of the cable is between 5- 10 years. The common situation is caused by improper operation, that is, when changing the aperture size, the aperture control lever is not set in place. For example, when the aperture is set to 3.5 to 5.6, the aperture lever is not at the position of 3.5 or 5.6, but at the position of 3.5 to 5.6. At this time, when the shutter is pressed, one is broken and the other is accurate. So if you consult the old players of TC- 1, they will give you a piece of advice, don't move the aperture lever, and always shoot only with F3.5 As mentioned earlier, the special aperture structure can ensure that TC- 1 is always accurately exposed at the maximum aperture, at least not overexposed.

Konica Jos is a good camera with a lens of 35mm F2, which is said to be comparable to Leica's 35 F2. The only drawback of this machine is that it is too big, which is not much smaller than the paraxial G 1 and G2 of the interchangeable lens. Another disadvantage is that the highest shutter speed is only 1/500 seconds, which is a serious injury. The common fault should be automatic rewinding, which belongs to electronic performance defect. But I haven't used Joss, only Joss RF, which is the kind that can change the lens, and just happened to have the problem of automatic rewind. The models are slightly different, so the common faults I described may not be accurate.

Ricoh GR 1 series, GR 1, GR 1s and GR 1v, including GR 10. I have used three in this series. There is no last one left. The machine is really a good machine, light and thin, with a good grip, and such a big Moriyama master speaks for it. The lens resolution is very high, and Ricoh has moved from the film age to the digital age with this 28mm lens. At present, the PS machines of the same generation have not survived to the maturity of the digital version (Kangtai introduced the digital camera TVSD, but with Kyocera withdrawing from the camera field, it became a masterpiece). Only GR series has been firmly established in the legendary swordsman, and the new digital GR continues to be popular, with numerous iron powders. The biggest advantage of GR 1 series film machine is good lens and good control. It is said that it is suitable for documentary news, and the black and white performance is also good. The biggest drawback is poor quality control, viewfinder cataract (which looks hazy in the viewfinder) may appear even if it is a new machine, and the LCD screen lacks strokes, which is almost a common disease and inevitable. Stroke can be tolerated, but cataract can't be tolerated.

Kangtai T3 has a titanium body, as small as TC- 1, 35mm 2.8 T* lens. It comes from Xian Yi, Xian Yi, old and young, and is known for its perfection and sinister color. There are two disadvantages. First, the accuracy of autofocus is not high. If you are unlucky, you will encounter examples of easy defocusing. Secondly, the gear will wear out, so people who sell this camera will generally indicate whether it is single-toothed or double-toothed. It is said that double teeth will wear more.

Leica Mini, I think you mean minilux, not the plastic body of Leica Mini made by Minolta, nor the CM. Needless to say, the color of this machine is Leica. The disadvantage is that the focal length is relatively general, 40 F2.4, not as wide as 28 35. Another disadvantage is that it is big and heavy. It's too much for you to call it a brick, which is a bit against PS. The common fault is that the flat cable is easy to break, which is called E02 fault.

Fuji klasse w and fuji natura, I have never used them, and I have no right to speak. However, from the perspective of the fuselage, both the materials and the classics are not as good as the above four models. It seems that the lens is still 38 mm. If you are interested in Fuji, you might as well take a look at the famous Fuji Moonlight Machine Natura Black F 1.9, with a wide angle of 24mm and a large aperture. Unfortunately, it is difficult to find ISO 1600 film in the market to give full play to the strength of the moonlight machine.

The above summary is for reference only.

Finally, if you want to recommend a PS player with excellent workmanship, excellent lens, stable performance, low failure rate and high cost performance, I recommend Condex T2.