Examples of green beads and gravel beads are thrown out, but why is Wei Shi so charming? They were all born before the stubborn blessing, and they were more comfortable and lonely. [Note] 1. Shi Chong's concubine in Jin Dynasty. Biography of Shi Chong in the Book of Jin: "I admire prostitutes, who are called green beads, beautiful and gorgeous, and are good at playing the flute. Sun Xiu sent someone to ask for it, and Chong was furious and said, "I love green beads, but I can't get them! "Anger, correct the imperial edict (lied about the imperial edict) and accept (arrest) worship. Chongzheng was having a banquet upstairs when the usher (samurai) came to the door and said, "I have offended you!" "Green Pearl cried and said,' When primary school lives and dies in front of the monarch.' Jumped downstairs and died. "2. The sentence of" rubble "-throw away the pearl (Yu Lvzhu) as rubble. Shi Chong once fought with Wang Kai to get rich. He smashed Wang Kai's two-foot-high coral tree with iron wishful thinking and gave him his three or four-foot-high coral tree. So this metaphor. 3. Wei Shi, namely Shi Chong, used to be a constant waiter and a middle waiter in Sanshui, so he was called because he was quite a captain. Charming, beautiful woman, refers to the green bead. 4. The sentence of "Du Yuan"-After Lvzhu jumped to her death, Shi Chong's family was also killed. The poem says that he was blessed by his previous life, because there are green beads to accompany him to hell, which can comfort his loneliness. Thanks to tragedy, the so-called "novel meaning is unique." Red stroke is long and men talk about their own state, and beauty is blind. Yang Gong curtains, who is still alive and can't hold her husband? [Note] 1. Red stroke-the maid of the family, whose real name is Zhang, was later called red stroke because she held the red stroke when serving. On one occasion, Excavate went to see Su Yang in a cloth and talked about world affairs calmly. When Hongfu was around, he saw his momentum and superman's talk. Knowing that he would not be a mediocre person in the future, he went to Excavate overnight and went to Taiyuan with him to help Li Shimin crusade against the Sui Dynasty. See Du Guangting's Biography of Campus in Tang Dynasty. 2. "Longbow" sentence-When Li Jing praised Yang Sushi, he took a contemptuous attitude. Li Jing bowed to him and accused Yang of being rude to the guests. Yang hurriedly apologized, and later listened to Li Jing's eloquent speech, which made him more convinced. Cheng Gaoben mistakenly changed "Yi Long" to "Long Sword". 3. "Beauty" sentence-Hongfu could see that Jing Li would do something in the future when he was still in a humble position, so she was very discerning and knowledgeable. 4. The sentence of "Dead House"-said that Hongfu ran away from yangfu. A corpse is full of residual gas, which means that a person will die, meaning that although there is residual gas, it looks like a corpse. From the Book of Jin: Li Sheng once said to Cao Shuang: "Sima Gong (Sima Yi) is still alive, and his form and spirit have left, so he doesn't care." Hongfu went to Excavate, and Excavate was afraid that Su Yang wouldn't give up. Hongfu also said: "The corpse is full of gas, so there is nothing to be afraid of." Yang Gong Curtains, Su Yang Government Office. Bound, bound Female husband, refers to red stroke. Later generations called her, Li Jing and Qiu Ke "The Three Heroes of Dust". [Appreciation] This is a gift from Lin Daiyu, who cherishes "a talented woman in ancient history". The written personnel are not all based on historical facts. For example, the effective writing of Dong Shi is from Zhuangzi, which is allegorical; The plot recorded in Miscellanies of Xijing that Zhao Jun refused to bribe the painter without being known to Yuan Di is just a legend. As for the image of Hongfu in The Passer-by, it has been artistically processed by the legendary author. The discussion in the poem satirizes the present by borrowing from the past, which is made for the realistic feelings. Daiyu lamented the beauty of "a generation of beautiful cities", such as the river flowing eastward, the waves fading, and the empty memories and family ties could not come back. The misfortune of her fate is far above the "East Village Girl" wearing a white gauze. This is a sad story. She sent herself to Jia's house, where she had no relatives and thought that she would be ill for a long time. He, who is contemptuous and capricious, competitive, and willing to be humiliated, feels that he is not as good as "drinking the sword" in Chu Ci, but entrusts her with his wish of "leading an honest and clean life rather than falling into a ditch". She mocked the abdication of Emperor Han Yuan and obeyed the painter, showing her independent character of refusing to be pushed around. She sympathized with Lvzhu and blamed Shi Chong. She thinks that Shi Chong's kindness to Pearl and Jade before his death is not enough for Green Pearl to repay him with her death when he is in danger. It can also be seen that he pays attention to emotional feelings in love and has a tacit understanding in spirit. She admired Hongfu's resourcefulness and courage, which freed her from the "fetters" of the prime minister's power and feudal ethics, and more prominently demonstrated her bold pursuit of the ideal of a free and happy life. Does the song in the poem also take care of the plot of the novel? This is a problem that can be studied. It seems no accident that these five poems are all about death or separation, and some of them also involve being arrested or convicted. The theme of the last poem seems to be far from the plot of the novel, but some terms are like puns, such as "knowing the end of the road" Hongfu ran away and was not detained by "residual gas corpse" Yang Fu. Didn't Dai Yu finally leave Jia Fu, a "corpse with residual gas", and return to the heaven of hate? Of course, it is not easy to clarify the author's intention exactly when there are not many existing materials. By the way, in Qi and Chen Jia's Preface, there is an early comment that "five verses are better than ten verses". There are no poems written by Baochai or Xiangyun in the second half of the last forty chapters of Ten Duyin. Judging from the title of the poem, it is probably based on the worries of ten lonely women in ancient history, such as widows, abandoned wives, nuns and divorced women, and writes the realistic feelings at that time. The so-called "contrast" is not limited to poetry.