Bai Juyi (772-846), a famous poet in the late Tang Dynasty, was born in Taiyuan [present-day Shanxi], Han nationality, whose name was Lotte, and whose name was Xiangshan lay man. When I arrived at my great-grandfather, I moved to Shimonoseki (now north of Weinan, Shaanxi). Bai Juyi's grandfather, Huang Bai, was the magistrate of Gongxian County (now Gongyi, Henan Province) and a good friend of Xinzheng County magistrate at that time. Seeing the beautiful mountains and rivers and simple folk customs in Xinzheng, Huang Bai loved it very much, so his family moved to Dongguozhai Village (now Dongguo Temple) in the west of Xinzheng. Bai Juyi was born in Dongguozhai on the 20th day of the first month in the seventh year of Dali, Tang Daizong (February 28th, 772). In August of the sixth year of Wuzong Huichang (846), he died in Luoyang [Henan] and was buried in Xiangshan at the age of 75. He is the author of seventy-one volumes of Bai Changqing Collection.

In his later years, the official was the Prince with less Fu, and posthumous title was Bai Fu and Bai Wengong. He actively advocated the new Yuefu movement in literature, and advocated that "articles should be written in time and poems should be written for things". He wrote many poems lamenting the times and reflecting the sufferings of the people, which had a great influence on later generations. He is a very important poet in the history of China literature. Yuanhe was a bachelor of Hanlin and a doctor of Zuo Zanshan. Because of offending powerful people, he was demoted to Jiangzhou Sima, and he was a good Buddha in his later years, so he was called Shi Fo, and he became a free and unfettered layman himself. He wrote many poems in his life, among which allegorical poems are the most famous, and the language is easy to understand, so he is called "the eloquent old woman". Narrative poems such as Pipa Xing and Song of Eternal Sorrow are all famous.

Sauvignon blanc Bai Juyi

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Bianshui flow, Surabaya flow, flows to Guazhou ancient ferry. Wu Shan is a little sad.

Think long and hate long, until it's time to pay back. Yue Mingren leaned against the building.

Bianshui and Surabaya are the two largest tributaries in the lower reaches of the Huaihe River in ancient times, and they are also the two ancient north-south arteries in China. Today, these two rivers have become "cultural relics" and "urban treasures" in Suqian City. Guazhou: the north bank of the South Yangtze River in Yangzhou, Jiangsu. Guazhou used to be a sandbar in the middle of the river. The sand grows like a melon. Wu Shan: In Hangzhou, Zhejiang, it was the southern boundary of Wu in the Spring and Autumn Period.

Who is this word addressed to? There are many sayings on the white altar, such as Su Fan and Herry Liu. But more inclined to Su Fan. "Cherry Su Fan mouth, willow small waist" Su Fan and Xiaoman are two white poets in China. When Bai was 29 years old, he won the fourth place and bought it when he was a scholar. Su Fan's good song "Yang Liuzhi" is also called "Willow Branch". For various reasons, I asked to leave and stayed in vain.

[Appreciation]

The only way for Su Fan to return to South is written in the first half of the poem. As a native of Hangzhou, the author felt sad when he looked at Wu Shan. This is a thoughtful lyric word. Shang Kun started writing from the running water he saw before his eyes, and watched the waves in the distance. He imagined that the flowing water would flow to Guazhoudu and join the Yangtze River, and then he thought that the mountains in Wuzhong (south of the Yangtze River) were also sad. In fact, he deeply misses his lover in the south of the Yangtze River, hoping that his lover can return from Wu, cross Guazhou Gudu and meet him upstream, but the same Bianshui and Surabaya are gone forever, and then the lover who went south is probably. Therefore, in the author's imagination, Wuzhong Mountains are like the condensation of sadness and hatred. In just a few words, the focus and sadness of returning home were conveyed concisely and profoundly. Although the beauty has gone and the makeup building is empty, the author is still infatuated and unforgettable, so he expresses his lovesickness pain in the next place. These two "leisurely" describe the depth of the poet's thought. The intensity of this emotion can only stop when the lover comes back. However, it is only an illusion, and there is nothing to do. In this case, the author can only lean back and look forward to recalling the joy of the past to relieve the depression in his heart. But let's think about "people leaning against the building in the moonlight" and imagine such a picture, a bright moon in the sky, leaning against the building alone. What kind of artistic conception is it?

The whole poem is set against the flowing water under the moon, symbolizing the long-term parting, deep thoughts and the continuous resentment caused by it, and frequently using overlapping words to rhyme, coupled with the soft folk song flavor, expressing endless "thinking" and "hate".

This work is a more formal and mature word in the middle Tang Dynasty. Although the form is short, it uses a repetitive sentence pattern, and the rhythm of flowing water runs through the same rhyme at every intermittent end, which has an enduring charm and shows the pain of lovesickness and parting more incisively and vividly.

Imagine such a picture of the bright moon in the sky and leaning against the building alone, which is more artistic.

"Sauvignon Blanc" is a epigraph name, but the content of this word is closely related to it. Words are divided into two parts, with the same meter and number of words. Four sentences each, rhyme.

This is a thoughtful lyric word. Shang Kun started writing from the running water he saw before his eyes, and watched the waves in the distance. He imagined that the flowing water would flow to Guazhoudu and merge into the Yangtze River, and then he thought that the mountains in Wuzhong (south of the Yangtze River) were also sad. In fact, he deeply misses his lover in the south of the Yangtze River and hopes that his lover will return from Wu, cross Guazhou and meet him upstream. Xia Tan confessed directly that because the person he missed didn't come back, he had to lean on the tall building alone on this moonlit night.

Endless "thoughts" and "hates". The whole poem is set against the flowing water under the moon, symbolizing the long-term parting, deep yearning and the endless resentment caused by it, and frequently using overlapping words to rhyme, coupled with the soft folk song flavor, can deeply touch the hearts of readers.

& lt& lt Sauvignon Blanc >> Chen Dongfu

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The flowers are deep. Liu. Go through the flowers to find the letter. Your heart carries my heart.

Complaining about singing and playing the piano Hate loneliness. Where can I find vows? Who expected this at the beginning?

Distinguish and appreciate

This is an accusation of abandoning his wife.

"The flowers are deep. Liu Yinyin. " When I started writing, I used Lian Mian's words to express the prosperity of spring flowers and willows. At first glance, you may think that this is really depicting the spring of nature. Actually, it is not. "Liu Du wore flowers to look for the letter." It turns out that flowers and willows are metaphors, referring to the world of two emotions. This sentence describes the heroine's experience of finding a lover. If you find the right word, it will echo the deep Liu Yin of flowers, and then you will know the enchanting prosperity of floating flowers and waves. The woman finally understood: "You are a concubine in your heart." The lover has always been treacherous. It is conceivable that the woman is deeply grieved.

"Hatred the harp. Hate loneliness. " These two sentences describe the desolation and bitterness of an abandoned woman. Endless days, just to send loneliness and anger to the piano. In the long night, I always toss and turn in loneliness. Qin Heyi is the witness of love and joy in that era, but it has become a symbol of tragedy, touching and sad. How can people be so miserable? The words are extremely short, but the bitterness is infinite. "Where can I find the oath?" Looking for words, looking for words in a film, all show women's sense of loss and unwillingness, and they all look at temperament. That day, I vowed to do this with a solemn pledge of eternal love, just because I believe that "our souls belong to each other", she said, "just like this gold and this shell", but now all this is disillusioned. Looking for confusion, I revealed all the infatuation of women. "Who expected this?" The last sentence is the echo of old feelings, and the last sentence is the repentance of obsession. Abandoning a wife is full of ups and downs, and it is difficult to calm down. It focuses on the word inside and outside.

What is commendable is that the poet sympathized with his abandoned wife and put himself in her shoes to write lyrics. This is purely a woman's voice. Understanding it will be like crying, so it can infect people. It is short and concise, but it vividly shows the love tragedy of women's infatuation, so it has rich meanings.

Sauvignon Blanc Linbu

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Wu, Yue.

The green hills on both sides of the strait greet each other, and who knows when to leave?

Your tears are full and mine are full.

The ribbon knot has not yet formed, and the tide at the head of the river has subsided.

Appreciation of Lin Bu's Ci

This word is repeated and is very common in folk songs. With the rhythm of whirling, singing and sighing, and fresh and beautiful language, she expressed her sadness that she was forced to say goodbye to her sweetheart by the river because of the destruction of her love life.

In the first two sentences of the first film, the word "Qing" is superimposed in the form of traditional folk songs, which vividly depicts the beautiful scenery of Jiangnan on both sides of Qiantang River. The next two sentences personify empathy and resentment, set off hatred with the ruthless contrast of green hills, and profoundly reveal the pain of lovers when they say goodbye.

After the movie, the two sentences changed from writing about scenery to expressing feelings. Write about the traveler and the sender. When I was leaving, my eyes filled with tears and I choked up. The conclusion implicitly points out the unspeakable details of their suffering, and expresses the feelings of lovers' parting with a river of hatred after parting. When men and women were in love in ancient times, they often tied a heart-shaped knot with ribbons, which was called "concentric knot". "Unfinished marriage" indicates that their love life has suffered misfortune. I don't know what the power of rape is, which makes it difficult for them to get married. They can only come here to cry and say goodbye with their own wounds. These two sentences end with scenic language, creating a meaningful, ethereal and memorable artistic environment.

Sauvignon Blanc Yan Dao Ji

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Sauvignon Blanc.

If you ask acacia, unless you meet each other.

Sauvignon Blanc.

I don't know who to talk to about acacia.

Appreciation of Yan ci

This word is purely a folk form, and both the upper and lower films are "Sauvignon Blanc". The first part says that only when we meet can we end lovesickness; The next film says that because we can't meet each other, there is nowhere to tell the feelings of lovesickness, and shallow lovers can't understand their feelings, which sets off their deep feelings.

The first piece of the word comes out in one breath, full of words, without modification. "If you ask", ask yourself and answer. Saying "meet each other late" is the only way to solve "lovesickness", which is pure idiocy and infatuation. However, Xiao Yan is very serious, just like Huang Tingjian said in "Preface to Mountain Residence" that "its idiots also bring their own destruction". The conclusion is extraordinary, expressing greater sadness than missing each other in lovesickness.

"Say like who", say to whom, say to whom. Even the love of acacia can't be understood by shallow people. Shallow affection is the opposite of deep affection, but deep affection Xiaoyan always meets such people. However, when that person forged a friendship for a while, and then there was no news from him, he failed to live up to his unforgettable lovesickness, while the poet remained single-minded, suspicious and not hateful, but was sad alone. In the next four sentences, Xiaoyan's love for the person she loves is set off by "shallow lover".

This word is a different tone in the author's words, with extremely shallow language and deep feelings. Simple and straightforward, indulgent and graceful, lingering and repetitive, with changeable posture, You Mei's syllables are thrilling.

Dance drama-Sauvignon Blanc

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Plot introduction

What happened to Xu Qinling

During the Tianbao period of the Tang Dynasty, the mausoleum of Qin Shihuang at the northern foot of Mount Li. Chao Heng (a Japanese friend who came to China) and Li Bai invited each other to collect information, look for China cultural relics, and met a boy in white. Teenagers and Chao Heng exchanged seismographs and Japanese folding fans.

The first song "Jiang Chunhui"

On March 3, Chang 'an Qujiangchi. The literati followed the ancient custom, strolled drinking and danced "hearts and clubs". On that day, Li Bai and Chao Heng joined hands for a spring outing and wrote poems for their friends. Liu Qingniang met Chao Heng and presented a folding fan. It was a boy in white who met Qin Mausoleum. Their poems are in harmony with each other and admire each other. Li Bai improvised "Bai Zhu Ci" as a congratulations.

When I arrived at No.2 Middle School, I was homesick.

A few years later, Chang 'an Chao Heng official residence. After Liu Qingniang married Chao Heng, she actively supported her husband to learn China culture. Chao Heng collected decades of learning from the Tang Dynasty and wrote a hundred volumes of "An Overview of Tang Sheng". July 15 is the Mid-Autumn Festival for China people and Japanese people to worship their ancestors. Japan's first 1 1 Ren Tang envoy Qinghe arrived in Chang 'an. Chao Heng was homesick and wanted to go back to his hometown with Fujiwara, and wrote a song "Homesickness" to express this wish.

The third grand event with elements

In Daming Palace, Emperor Xuanzong of the Tang Dynasty entertained Ambassador Fujiwara Kiyoshi with music and dance, and Fujiwara specialized in fuso fan dance. Liu Qingniang took Chao Heng's poem "Homesickness" to see Xuanzong, requesting permission for Chao Heng to return to China.

On August 15, Emperor Xuanzong of the Tang Dynasty hosted a banquet for foreign envoys in Fengdan Building in front of the Han and Yuan temples, and sent Japanese envoys back to China. He ordered them to wear dresses and feathers to perform dancing, sword dancing, and the broken music of the king of Qin, and to spend the festival with friends from all over the world. He wrote a poem "Send to the Japanese Ambassador", and Qin ordered to return to Japan as the ambassador of Datang.

The fourth scene is full of love.

At the bridgehead of Bashui Bridge, the villagers of Huansha bid farewell to the craftsmen and agronomists who volunteered to go to Japan. According to the ancient style, village women danced "folding willows" to send their relatives on a long trip. Chao Heng wrote a poem entitled "Returning home" and presented a sword to his best friend Li Bai. Despite the danger of navigation, Liu Qingniang resolutely left her youngest son, Ying Chao, to cross the sea hand in hand with Chao Heng.

Scene 5 wyndell dichinson Island

The ship encountered a storm at sea, and the sailors and officers of China and Japan were in the same boat and shared weal and woe. The ship drifted to Indo-China Peninsula, hit the rocks and sank, and was attacked by pirates, causing death and injury. Friends of the two countries fought to the death and stained the beach with blood.

Game 6 Nara

When Li Bai learned of the tragic death of Chao Heng and others, he was heartbroken, and wrote the eternal swan song of Sino-Japanese friendship "Crying for Chaoqingheng". The island was in distress and Qing Niang was killed. Chao Heng survived and returned to Chang 'an. On the Mid-Autumn Festival in August, when the bright moon was in the sky, Chao Heng missed his mother, missed his motherland, couldn't sleep at night, and fell in love with Nara ... Chao Heng pulled himself together and rebuilt the lost victory exhibition of the Tang Dynasty to exchange Chinese and Japanese cultures and serve the motherland.

Finally, Geng Guang Chiba.

On the Bashui River Bridge, young Ying Chao bid farewell to his old father, Chao Heng, and went to Japan with another generation of monks, craftsmen, technicians and students who volunteered to cross eastward, writing a poem of friendship between the Chinese and Japanese people for generations. Three poems involved in the ballet "Sauvignon Blanc" were sent to Japan, which made the Tang Xuanzong go from bad to worse. Thinking about Huai Yu's righteousness is far away, but I am afraid of this road. The sea is wide, the autumn moon is wide, and the evening sails. Wang Huayuan showed his talent because he surprised another gentleman. Awarded title [Japanese] Ma Lu (Chao Heng) in Abe was awarded the title of resignation. He was not a courtier. Love the God in heaven and cherish the kindness from overseas. Fu hit Jin que and went. Penglai township is far away, just like a garden. Look at Wyoming Day in the West and feel justice in the East. A sword in life is reserved for making friends. Cry to Chao Qingheng

Lipper

Japanese friend Chao Heng Heren said goodbye to Chang 'an and returned to Penglai Islands in the east.

Like a bright moon, the sea does not return, and the mood of missing you is like a faint cloud hanging over Yuntai Mountain.

Performer: Shaanxi Song and Dance Troupe

Creator and screenwriter: Wei Tianxi, Kang, Lu Bing. Director: Wei Tianxi, Zhang Manshi, Kang, Gong Dingyuan. Composer: Lu Bing. Percussion design: Shunzhi. Dance Design: Cai Tian (scenery), Zhao Xiang (costume), Marco Lin (props), Zhang Yachun (lighting), Li Jinbao (makeup) and Cai Xiaohe (effect).

The main performers: Wu Shimin, Zhao Changshui (played by Ma Lu Abe as Chao Heng A and B), Hu Jie, Arqie, Hu Yanfen (played by Liu Qingniang A and B), Ren Yuan, Luo Zhigang (played by Li Bai A and B), Zhang Yongchun (played by Tang Xuanzong), Qiu Feng (played by Yun Niang) and Mao Fei (played by Ambassador Fujiwara Qinghe). Backsinger: The chorus of our group. Lead singer: Yang Qiao, Zhang Xiuzhen, Che Kai and Zhang Dongfang. Conductor: Yang.

Excerpts from comments

Artistic Features of Dance Drama Sauvignon Blanc

The directors of Sauvignon Blanc collected a large number of written records, poems, pottery figurines, stone carvings and murals, studied their forms, simulated their dance styles, studied their dance styles of convergence and transition, and created and designed dance forms that fit the social life of the Tang Dynasty to express people's thoughts and feelings. What a hard and meaningful artistic labor it is! We can see the broken music, sword, costume feather dance and white mi dance of the king of Qin. The famous music and dance in Tang Dynasty reached ten stages. What a difficult and meticulous project! These dances are not isolated in the dance process, but organically combined in the drama plot and character development, which shows us the social outlook and life pulse of the Tang Dynasty in the eighth century.

The author of "Sauvignon Blanc" mainly used the vocabulary, dancing, modeling and combination of the Tang Dynasty dance, and appropriately absorbed a small amount of techniques and movements of China opera dance and ballet, successfully shaping the touching artistic image of Liu Qingniang.

The inheritance, transformation and development of national heritage are the unity of opposites. First of all, we should inherit the traditional "filial piety" spirit as completely as possible, but we should have the courage to criticize it, transform it and develop it. Inheritance and development are both means, with the aim of making the past serve the present. (Excerpted from Song and Dance of the Masses No.4 198 1)

Li Bai of Sauvignon Blanc

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Sauvignon Blanc, in Chang 'an.

Autumn insects are singing by the golden well, and the frost is shining on my mat like a small mirror.

High light flashing; My desire is getting deeper and deeper. I lift the curtain, sigh and stare at the moon.

Lonely as a flower, rising from the clouds.

Above, I see the blue and deep sky, below, I see the green and restless water.

The sky is high and the land is wide; My sadness flies painfully between them. Can I dream of crossing the mountain gate? .

Sauvignon Blanc destroys the heart and soul.

Li Bai's seven-character songs are often bold and unconstrained, but some of his poems can be bold and elegant, and at the same time have implicit thoughts. Like this song "Sauvignon Blanc", he recalled his past feelings in meditation after he left Chang 'an, which obviously belongs to this kind of work.

"Sauvignon Blanc" is a poem written by China in the Han Dynasty (such as "Ancient Poetry"): "Leave me a letter when you come from afar. During the Six Dynasties, most poets were famous (such as Chen Houzhu, Xu Ling, Jiang Zong, etc.). ), and began with "Sauvignon Blanc", which belongs to Yuefu's miscellaneous songs. Most of the existing songs are about women's grievances. Li Bai's poems are unique and there is no accommodation.

Poetry can be roughly divided into two paragraphs. From the beginning of the article, "single flower, heart from the cloud" to "people in Chang' an", I wrote poems about acacia. This poem depicts the image of a lonely man. He (or she) lives in luxury-this can be seen from the "golden well", but he feels lonely and empty inside. The author expresses the feelings of this character by rendering the ambient atmosphere layer by layer. Write first, then listen-Weaver Girl sings sadly under the steps. Insects will be late when they are old, and the loneliness of being alone can be imagined. Secondly, I wrote about my skin feeling, and he couldn't sleep when first frost sent Han Xiao to be invaded. "Slight frost sadness" should be felt by pressing cold. And "cool color" implies that this person is awake. At present, "there is a faint light in the tent", which increases anxiety. A word "solitary" is not only a lamp, but also a psychological portrayal of the characters, which leads to some thinking. "My heart aches" (I also want to call names) shows the suffering of my feelings. So he continued to write about what he saw on the curtain. It was an elusive bright moon. What does the poet have in mind? He sighed helplessly. This leads to the key phrase in the poem: "Single is like a flower, with the cloud as the center. The meaning of the name "Sauvignon Blanc" is clear only here. This flower-like beauty missed by the poet seems to be close at hand; But it's far away, far from the clouds. Like the moon, within reach. This explains why he "sighs". It is worth noting that this sentence is the only single sentence (independent sentence) in the poem, which gives readers a particularly outstanding impression, so this image is exactly what the poet wants to emphasize.

The following is the second paragraph until the end of the article, following the sentence "single as a flower, cloud-centered", I wrote a sleepwalking pursuit. This is quite similar to the scene of "begging for women" in Qu Yuan's Li Sao. In the poet's romantic fantasy, the man in the poem dreams of flying and looking for the person he misses. However, the sky in the sky is extremely high, the turbulent backwater and the heavy mountain closure are still the same "but he failed, and in two places, he didn't find the person he was looking for" despite its constant pursuit. Here, the poet's imagination is really wonderful, and the tone and emotion of the poem are also excellent. "Green Ghost" and "high sky" are the same thing. It is not necessary to write "waves" and "land water" at the same time, but to write "there are green ghosts in the world, and below, I see the agitation of green and water" is equivalent to a crime. However, if it is a poem "There is a sky above and waves below" (short sentences can be mixed in songs), it will be greatly discounted, and how to read it is not enough. The original poem with the word "Zhi" and repetition seems long and pleasant in tone, which can form a sense of language for chanting. It is the so-called "lamenting the lack of poetry, so singing forever" ("singing forever" means singing with a long sound) that can convey infinite feelings. This sentence pattern is Li Bai's favorite, such as "It's harder to walk Wan Li Road than climb the sky" and "I had to leave me yesterday"; Today hurts my heart even more. "You can't see how the water of the Yellow River moves out of heaven" and so on. The words "difficult", "day" and "water" in the sentence are indispensable in context, but they are indispensable in sound and emotion, which is very important for poetry. Looking at the last two sentences, semantically, the word order seems to be: Tianchang Road is far away from the mountains, and dreams are not (so) flying. Write "the sky is high and the land is wide; My sadness flies painfully between them. Can I dream of crossing the mountain gate? "Not only for rhyme, but also for renju. Through the continuous voice, it can be said that clear pronunciation and mellow voice are very touching. Because this pursuit is fruitless, the poem ends with a heavy sigh: "Sauvignon Blanc, destroying the heart! "The word" Sauvignon Blanc "responds to the beginning of the article, while" destroying the soul "is the further emotional development of" white thinking ". The conclusion is short and powerful, giving people a sense of persistence. Although poetry is sad, it has never been in a state of depression.

This poem is well-proportioned, and the independent sentence "single flower, cloud as the center" divides the whole poem into two parts with balanced length. The front begins with two three sentences and begins with four seven sentences; Followed by four seven-character sentences and two three-character sentences. The whole poem begins with "Sauvignon Blanc" and ends with "Sauvignon Blanc". It has the beauty of symmetry and order in form and a strong sense of rhythm, which greatly contributes to lyricism. It seems that the poem repeatedly describes only the suffering of lovesickness of men and women, which shows the suffering of lovesickness to the fullest; However, "single as a flower, cloud-centered" is not like a portrayal of real life, but it shows a sense of trust. What's more, China's classical poems have a tradition of pursuing ideal figures with "beauty" as a metaphor, such as "fear of death of beauty" in Chu Ci. The specific location of "Chang 'an" even implies that this place is a kind of political entrustment, indicating that the purpose of this poem is to express the poet's frustration in pursuing political ideals. In this regard, this poem is poetic, deeply hidden in the image, deeply hidden, and has a subtle demeanor. Therefore, Wang Fuzhi praised this poem: "The title is obvious and the image is more than enough. One thinks it's graceful, the other thinks it's dripping, and it's over. " ("Tang Poetry Selection")

Sauvignon blanc II

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Author: Li Bai

In the evening, the sun sets in the west, the flowers are covered with smoke, and the moonlight is like practice. I miss my lover all night.

I won't play with the phoenix carving on the pillar. I thought I was afraid of touching Yuanyang after playing with Qin Shu.

This is a song full of feelings, but no one has passed it on. I hope it will be sent to the distant Yan.

Think back to her lover, lover, the person far away from the horizon, the eyes that sent her away, and the source of tears now.

If you don't believe in sword cutting, please come back and look in the mirror in front of me!

Precautions:

1, Zhao Se: According to legend, ancient Zhao people were good at playing musical instruments. Arthur: stringed instruments.

2. Phoenix pillar: Or the pillar is engraved with the shape of a phoenix.

3. Qin Shu sentence: The old note said that Qin Shu was related to the story of collecting wind in Sima Xiangru. Reporter: There is a saying in Bao Zhao that "Qin painted snow".

Bai Juyi also has the phrase "Qin Shu is on his lap and Zhouyi is beside the bed". Li He's Shu Ji, Wang

Qi Zhu Yun said: "The tung tree in Shu is suitable for making musical instruments, so it is called Shu Tong." Shutong is actually Qin Shu. Shu seems to be often used in ancient poetry.

Qin Yu Jia Qin may have nothing to do with Sima Xiangru and Zhuo Wenjun. Yuanyang string, just to be strong against the phoenix column.

Rhyme translation:

The sunset is hazy, and the stamens are shrouded in light smoke.

Yuet Hua is like practicing, missing my lover all night.

Zhao Se, the phoenix is engraved on the column, so I won't play.

I want to play Qin Shu again, but I'm afraid of touching the strings of Yuanyang.

This affectionate song, unfortunately, has not been passed down.

I hope it can be sent to distant Yanran with the spring breeze.

Remembering my love, my love drifted across the sky,

The eyes that pass the eyes,

Now it has become a source of tears.

If you don't trust my concubine,

Please come back and look at my face in the mirror!

Comments:

These two poems are both about the suffering of lovesickness.

Second, spring flowers and spring breeze are very popular, writing that women miss men. Looking at the full moon, fondling the piano to send feelings, remembering the husband and cherishing the gentleman, lingering.

Mian Zhen has a sigh that "people are thinner than yellow flowers".

These two poems, in Li Taibai's poetry anthology, have been rolled for three times and six times. The writing place is different, and the style is different.

It's totally different, but totally irrelevant. However, the series of scholars returning from Hengtang is sequential, as if a man and a woman were living in different places.

On the one hand, each expresses the pain of lovesickness, which is actually not the case.

Chang Xiang si Yu si wan Yong

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One by one, one by one, watching, the lights of the banana window outside the window.

Infinite love at this time.

Dreams are hard to achieve, hate is hard to decide, and people who don't care don't like to hear it.

Empty steps lead to bright places.

[Notes]

1. One more watch: several more drums that tell the time over and over again.

2. Tao: Know.

Step: step.

[analysis]

This poem describes a lonely person who listens to the rain and worries. The first film focuses on the lonely atmosphere of rainy nights; The next movie expresses sadness. It is full of rain, but there is no word "rain".

Sauvignon blanc nalanxingde

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Ching Dynasty

A ride on the mountain, a ride on the water, and a trip to Guan Yu, with thousands of lights at night. When the wind changes and the snow changes, it is impossible to break the dream of hometown, and there is no such sound in the garden.

translate

Walking through a mountain road and a waterway, we are heading for Guan Yu. It's late at night, and people are lighting lamps in tents. It's windy and snowy at night,

The noise shattered my dream of homesickness. There is no such sound in my hometown.

Make an appreciative comment

Nalan Xingde (1655- 1685), whose name is Rong Ruo, is from Huang Zheng of Manchu. This word was written in the 21st year of Kangxi (1682), and the author followed Kangxi.

The emperor went out of Shanhaiguan to worship Changbai.

"The mountain is a journey, and the water is a journey." It seems that my relatives have sent me one journey after another, and there are relatives on the mountain and by the water. "The body to guan yu (here

By referring to Shanhaiguan, the mission is to hurry. Midnight Lights is a night camp of Emperor Kangxi and his party, with many tents.

Against the background of the night, the lights present a unique and spectacular scene. "Riding on the mountain, riding on the water" pinned the farewell feelings of relatives.

; "Going to Guan Yu's side" is full of heroic and spirited words "Wan Li goes to Rongji and flies through Shan Ye"; "midnight light" gave birth to

"The desert is lonely and straight, and the long river falls in yen." This triple jump of emotion not only reflects the poet's deep attachment to his hometown, but also reflects his opposition.

Reflected his ambition to make contributions. Young people in their twenties, in their prime of life, came from a scholarly family and had an emperor by their side.

The superior position of guards is naturally that they have broad horizons and extraordinary opinions, and their ambition to make contributions will be stronger than others. But it is precisely because of this.

This special identity has formed his reserved and introverted personality, and he can't say what he wants to say, so he has to use the method of being immersed in love with his children to reverse it in a tortuous and concealed way.

Reflect your complicated inner world. This is also an important reason for his untimely death.

The Night Light is not only the climax of the emotional brewing in Shangque, but also the natural transformation between Shangque and Xiaque. In the dead of night, I miss home.

Sometimes, what's more, "more wind, more snow." It's a snowy night, and the family is not afraid of anything together. Late at night, I can camp outside the Great Wall.

Quiet, snowy, the mood is very different. It's a long way to tell, tossing and turning, and I can't sleep. "I can't dream of breaking my hometown"

Wisdom and wit can be described as natural.

"Mountain is a journey, water is a journey" and "windy and snowy" reflect each other, which also implies the poet's profound experience of life.

The longer the journey, the bigger the snowstorm, and the more you need the love and encouragement of your loved ones. Because she is the source of strength against the storm of life, with her.

For her, she is not afraid of difficulties and obstacles, and will surely usher in a reunion day. From the magnificent artistic conception of "a thousand lights at night" to "there is no such sound in my hometown"

Euphemism is not only a vivid representation of the poet's personal life experience, but also his ability to discover, create and express beauty from life.

Natural expression of sensitivity to beauty and superb artistic wisdom.

Li Yu-Sauvignon Blanc

[Edit this paragraph]

(1) "One big mountain, two big mountains"

One mountain, two mountains,

The mountains are far away, the sky is high and the smoke is cold.

Acacia maple leaf Dan

Chrysanthemum blooms, chrysanthemum remains,

Goofy goose didn't come back,

Romantic and casual curtains.

1. Smoky water: misty water.

2. Chrysanthemum: Chrysanthemum. Get together.

3. Saiyan: A wild goose in the frontier.

This is a poem about autumn grievances, written by Deng Su. If it is Li's poem, it is a medium-term work.

The first movie started from the mountain. The mountains are very heavy, like acacia trees in the heart, endless. The mountains are far away, just like endless acacia. It's not just the foggy water that is cold, but also the feeling of missing people. Acacia for a long time, maple leaves are red in late autumn, but what is red is only the pain of acacia.

The next movie begins with flowers. Bloom has been lovesick for many years, and the border geese have flown back to their hometown, but those who have gone far away from home have not returned. Compared with a stuffed goose, the pain of leaving people is even worse. Don't return, so we have to let the romantic shut out of the curtain. People are quiet and idle, but they are endless thoughts in their hearts. The curtain is idle and confused.

This little word uses scenery to express feelings. In the poet's pen, distant mountains, kitchen smoke, maple leaves, chrysanthemums, stuffed geese and * * * constitute a cold late autumn. In this late autumn, lovesickness feels more and more lonely and resentful. The faraway person in the word may refer to the kind brother who didn't come back to the Song Dynasty.

Li Yu-Sauvignon Blanc (2) "Clouds, Vortex, Jade, Shuttle"

It is said that it will only take three or two days to go home to visit relatives after the big week. For Li Yu, it was a long night, and we had to write down words to dispel lovesickness. Therefore, "Sauvignon Blanc":

A cloud, a vortex, a jade shuttle, a thin shirt and a pair of snails.

There are many autumn winds, and the rain is mild. There are three or two bananas outside the curtain. There's nothing people can do about it.

After the Big Week, E Huang, the daughter of Zhou Zong, the founding emperor of the Southern Tang Dynasty, was good at singing and dancing, especially at temperament and playing the pipa. She will improvise music, and even restore the long-lost gorgeous feather clothes. Later, she and Li Yu * * * compiled "Dancing in Clothes and Feathers". The political marriage between Li and Li can be described as "an unintentional willow." They got married in the bridal chamber and lived with their children forever.

This song about E Huang's clothes before she left home is beautiful and detached, as if she could smell the faint rouge fragrance on her daughter's house. I wrote that it rained and hit bananas, expressing that it was a cool night and some people were lonely and homesick.