Among many famous crosstalk artists, Ma's crosstalk is the most exquisite "dead outline and dead mouth", and Ma can be said to be the pinnacle of dead outline and dead mouth. What kind of state did Ma Lisan reach in his later years? It is that he can "forget words" in the performance of "dead outline and dead mouth", and it is difficult for the audience to distinguish between true and false. Ma's "forgetting words" has been specially interpreted in the cross talk variety "Greeting with a Smile" produced by Tianjin Satellite TV. Take out the manuscript written by Ma himself, and detail every modal particle and the number of repetitions. Ma uses the same word repeatedly in some places because this detail can enhance the authenticity of the characters and let the audience better enter the plot. This way of dealing with horses is exactly the same in different performance occasions, and even the way of "forgetting words" has not changed. This is a typical example of Ma's "dead outline and dead mouth".

The state of the horse can only be said to be unattainable. His typhoon is so warm, but it has such tension. Even a few plain lines can make you laugh. Tianjin dialect crosstalk performers all make a living from horses, but almost no one can make a living from horses, even Ma's eldest son, Ma himself taught them. They are far from the horse.

Ma Lisan in the typhoon, a typical non-selling faction, is a typical non-selling faction. All efforts are in the bones. Only if you can reach the realm of Ma Lisan can you stand on the stage for more than 80 years. The older you are, the more tasteful the audience will be. Compared with his father, Master Ma is very hardworking. As for actors whose core output is "selling", once their strength fails to keep up in their later years, art will collapse immediately. This is the reason why Ma Zhiming couldn't carry a lot of work in his later years, and the peak of Jiang Kun was terrible directly, because his temperament could not sell pies. Degang Guo is a typical example. It was so popular in 0506 that even Xue Duqin admired his comments on Quyi. But after the peak, he began to keep in good health, and now he is basically muddling along in his own business and the burden of the next three roads.

A big misunderstanding Now many viewers have been brought into a big misunderstanding, that is, crosstalk is mainly hanging, and only TV crosstalk is reciting lines. In fact, small theater crosstalk pays more attention to dead words, and a program can only be ground into fine products on the basis of dead outline. It's not a language art, it belongs to the category of playing with bears in the zoo, or it's like the car accident version of Fenhe Bay that really forgets words, and fans blow all kinds of praises. Ma is an old-school crosstalk artist who has abandoned the soil. He attaches more importance to cross talk than these young actors who want to behave themselves as long as they don't follow the rules. In those days, when he was teaching horse crosstalk, he typed every word wrong, even if the word was right. He even gave a full house of applause and was beaten backstage because of rhythm problems. If Hou is the artistic founder of contemporary cross talk, then Ma is the originator of contemporary cross talk. Hou can discard its dross and Ma can develop its essence. Describe me in Ma Lao's own words: I am a master of art! No, I am an engineer of the human soul! I am not only the soul engineer of human beings, but also the soul engineer of all animals and all creatures!