Ma Ji can speak at least 300 paragraphs, not to mention Jiang Kun. March said in the live broadcast: I don't think March is a "master", let alone Jiang Kun. A master actor, how many things do you have to stuff into your stomach? I think as a "master" crosstalk performer, there must be at least 300 crosstalk in his belly. According to March's thinking, you can become a crosstalk master by saying 300 crosstalk sentences, not to mention Ma Ji and Jiang Kun, not even the late master mentioned at the beginning of the article!
Is the number of crosstalk works the standard to measure whether an actor can become a master? Obviously not, because crosstalk is a traditional art and pays attention to inheritance. After the master creates a work, it needs to be polished for several years, even decades, and then passed on to the apprentice, who then passes it on to the apprentice. Degang Guo said that before him, there were only 100 or 200 works handed down from the whole field of phonology!
There are not many cross talk works, but in essence, old artists have created several or dozens of works in their lifetime and passed them down through word of mouth or other forms. This is the cross talk master!
For March's point of view, many netizens in the comment area turned their attention to Degang Guo, because throughout the comic dialogue circle, only Degang Guo said that the comic dialogue exceeded 300 paragraphs! As for Ma Ji and Jiang Kun, they must be crosstalk masters. Ma Ji is the seventh generation of China crosstalk. He brought many good cross talks to the audience on the stage of the Spring Festival Evening, such as cosmos cigarettes, facial features, music of Xian Yi, young and old, and so on. In addition, Mr. Ma Ji is also very supportive of Degang Guo, and his model is worth learning from many crosstalk peers!
Jiang Kun, like his master Ma Ji, also left many classic works in the Spring Festival Evening, such as Daydream on the Gate of Hell, Worry, Catch the Wind and Catch the Shadow, Feeling a little dizzy and so on! Therefore, if you talk a lot of crosstalk, you are not necessarily a crosstalk master, but you should also consider the influence of crosstalk artists' works on future generations. What do you think of this?