1937 after the outbreak of War of Resistance against Japanese Aggression, he was mainly engaged in revolutionary cultural work in Jizhong district led by China. He has edited and published revolutionary poems and copied the Song of Haiyan, and published papers such as Realistic Literature and Lu Xun in Red Star magazine and Jizhong Herald. Sun Li; Betty Sun
/kloc-0 taught in the Anti-Japanese War College run by Jizhong District in the autumn of 1938,/kloc-0 was transferred to Fuping in the spring of 1939 to work in Jinchaji News Agency. Since then, he has worked as an editor and teacher in Shanxi-Chahar-Hebei Federation of Literary and Art Circles, Shanxi-Chahar-Hebei Daily and North China United University, and at the same time, he has created literature. 194 1 Back to Jizhong District, he participated in editing a large-scale mass reportage collection "A Day in Jizhong" and wrote it as a literary writing textbook for the district, village and company (later renamed "Introduction to Writing" and "Literature Learning" and reprinted it many times). From 65438 to 0944, he went to Yan 'an, studied and worked in Lu Xun College of Literature and Art, and published famous short stories such as Lotus Lake and Luhuadang. From 65438 to 0945, he returned to the rural areas in central Hebei, and from 65438 to 0949, he was the editor-in-chief of Tianjin Daily Literary Weekly. He used to be a director of the Chinese Writers Association and vice chairman of the Tianjin Branch of the Writers Association. Starting from 1956, I stopped writing due to illness. After 1977, I wrote many essays and comments, as well as several novels. Since the 1940s, Sun Li's works have been compiled into short story collections, such as Luhuadang, Lotus Lake, Vegetable Garden Terrace, Charge, novella Village Song, Prequel to Tiemu, novel Fengyun Story, Narrative Poetry Collection, Communication Report Collection, Country Sketch, etc. Complete works of sun Li
In July 2003, Sun Li Memorial Hall was completed in Baiyangdian Lotus Grand View Garden, Anxin County, Hebei Province. In July, 2004, People's Literature Publishing House published seven volumes of The Complete Works of Sun Li with more than four million words. Sun Li's novel and prose collection "The Chronicle of Baiyangdian" is a representative work of his elegant and meaningful style of writing, among which the short stories "Lotus Lake" and "Charge" are famous chapters in the history of modern literature. It is regarded by literary and art circles as the main masterpiece of "Lotus Temple School". Sun Li's novels are set in the rural areas of central Hebei plain and western Hebei mountain from War of Resistance against Japanese Aggression to the early days of the founding of the People's Republic of China, which vividly reproduce the life and fighting scenes of local people. Mao Dun said: "Sun Li's creation has a consistent style, his prose is full of lyrical flavor, and his novels don't seem to pay attention to the text structure, but they never branch;" He described the change of the situation with a calm attitude of talking and laughing. The advantage is that although he is funny, he is not frivolous. "("Reflecting and Promoting the Leap-forward Era of Socialism ") 1944 went to Yan 'an to work and study at Lu Xun College of Literature and Art.. In Yan 'an, he published Lotus Lake, Luhuadang and other works, which attracted the attention of literary and art circles with his fresh artistic style. 1945 after War of Resistance against Japanese Aggression's victory, he returned to rural areas in central Hebei to write until liberation. During this period, he participated in the land reform and wrote short stories such as Zhong, Bei, Zhu and some essays. After the founding of People's Republic of China (PRC), Sun Li worked in Tianjin Daily and continued his literary creation. At the beginning of the storm
The novel The Story of the Wind and Cloud was written in the early 1950s, with two villages along the Hutuo River as the background, and around the life history of Gao, Wu, Tian and Jiang in the early days of the Anti-Japanese War, it carefully outlined the living conditions and mental outlook of all social strata in the Central Hebei Plain, showing the magnificent picture of the people in Central Hebei organizing people's armed forces and establishing anti-Japanese base areas under the leadership of China after the July 7th Incident. The author describes the changes in the anti-Japanese base areas with a calm attitude of talking and laughing, although the language is humorous but not frivolous. The novella The Prequel to Tiemu was written on 1956. Through the process of establishing and breaking the friendship between iron (craftsman) and wood (craftsman) for more than ten years, the novel reveals the profound influence of the lifestyle and agricultural cooperative movement in northern rural areas in the early 1950s on rural society. The work successfully created Xiao Maner, a character with contradictory personality at the crossroads of life, which left a deep impression on readers. After 1956, the author stopped writing for a long time because of illness, but he found and trained many young writers with the supplement of Tianjin Daily and Literature Weekly. During this period, he also wrote a collection of essays, a collection of essays and a short literary essay. Sun Li's works before and in the early days of liberation include Chronicle of Baiyangdian (1958) and Chronicle of Baiyangdian.
It is the most famous collection of novels and essays by the author, which can best represent his creative style. It mainly reflects the life scenes of War of Resistance against Japanese Aggression, the War of Liberation and the early days of the founding of the People's Republic of China, and the people in the Central Plains of Hebei Province and the Western Hills of Hebei Province engaged in war, land reform, labor production, mutual assistance and cooperation, and changing customs under the leadership of China. The work outlines the historical customs of the times and society from many aspects, and has aroused strong repercussions among readers with its bright and smooth style, elegant and meaningful style and rich image of workers. Among them, Lotus Lake and other works have become widely circulated masterpieces, and literary and art circles even regard it as a symbol of a genre of modern literature and as the main representative of the "Lotus Lake School". The articles he wrote in his early years are fresh and meaningful, full of beautiful longing and yearning for life, while the articles in his later years are old and spicy, lashing and criticizing the society and the world. He not only wrote a novel as beautiful and lyrical as Lotus Lake, but also wrote a novel such as "Don't believe Penglai without self-decoration". It's sunny and cold day by day, and this life just needs to be turned into dust. "Such a gloomy and pessimistic poem. The contrast between Sun Li's works is so great that reading his articles in different periods before and after gives people a completely different feeling. Why on earth is this? What is the real Sun Li like? Sun Li loves life, otherwise he can't imagine that so many beautiful scenery and people are depicted in his works, even though he was born in a period of great national and national disasters. The great War of Resistance against Japanese Aggression once called on countless revolutionary youths to join in it, and Sun Li was no exception. The unusually cruel years of bonfire have fully carried forward the spiritual quality of the people and the excellent tradition of hard work and courage of the nation. Sun Li was moved by it and wrote a large number of novels with the background of war, such as Lotus Lake, Reed Flower Dang, Glory, Charge and Fengyun. His novel, "Against the backdrop of the moonlight reed shadow in Baiyangdian and the bright eyes of the red coat in Xishan, Hebei Province, sets off the surging clouds of war, thus discovering the goodness of human nature and the beauty of human feelings that are really worth cherishing in daily ethical life". He focused on describing and praising the scenery and human feelings in his hometown, and created a large number of kind and simple rural women images. Shui Sheng's wife, Xiu Mei, Wu Zhaoer, Chun Er, Niu Er ... Sun Li not only described the characteristics of their beautiful appearance, but also went deep into their rich and complicated emotional world, reflecting the changes of the times from the changes of their fate. He established his ideal kingdom in the literary world. Sun Li once said: "Although literature and art are paths, once published, they will be accepted by the people and listened to by the people. We should take this job seriously and never take it lightly. "So, Sun Li's articles are all his personal experiences. He said, "I avoid things I haven't participated in" and "I write things I have read, but after thinking and choosing". It can be said that all his dreams and ideals are embodied in the beautiful and lovely characters in Sun Li's works. However, reality and ideal are always full of contradictions. As a writer in the Liberated Areas, Sun Li has been widely read and admired, and is known as the founder of the Lotus Lake School. Together with Zhao Shuli's "Shan Yao Egg School", Sun Li forms the double wall of literature in the Liberated Areas. But just when Sun Li was full of enthusiasm for life in his novels, the realistic situation made him feel more and more confused and nervous. 1942 spiritual shock brought by the rectification movement, 1946 publicly criticized the publication of novels, and articles such as Ten Years Farewell and Travel Notes of Xin 'an were regarded as typical during the land reform, and a series of criticisms were made to intellectuals after liberation, especially 1955 Hu Feng Movement's criticism of intellectuals. So there was the later "ten years of illness and waste, ten years of waste." Just like the fate of all traditional intellectuals in modern China, the fate of writers is closely related to the times. When the revolution came to victory step by step and the space for intellectuals to speak gradually narrowed, some writers actively participated in it, some writers hesitated between participation and retreat, and some remained silent. Shen Congwen and Sun Li belong to the latter. If Shen Congwen's silence is full of too much bitterness and helplessness, then Sun Li's silence is a way to take the initiative to retreat to protect his integrity, although there are more helplessness and helplessness. Unlike Shen Congwen, who remained silent for the rest of his life until his death, after the Cultural Revolution, Sun Li's conflict between ideal and reality not only stimulated his creative enthusiasm, but also formed a sharp contrast with his previous aesthetic creative tendency, exposing and criticizing social injustice and human viciousness. For example, in his article The Man Who Becomes Rich Later, he once satirized and criticized the social injustice and the resulting disparity between the rich and the poor. By describing the daily life of a foreigner who keeps picking up junk in a high-end residential building, especially when he was walking in the early morning, he met a little girl from other places who had just come out of a garbage room in a building and was covered in black and gray. He raised such a question: "Many people in China have already got rich first. These people who came to live in cities from rural areas can be said to be people who became rich later. "In the letter" Letters from Zhai Yun to Han Yingshan ",he quoted a simple answer, which made people think it was ironic and even bitter. As a result, this person later became the leader of the rebel side of the Cultural Revolution, and he did his best to retaliate. " His wicked heart and acrimony almost killed me. "Reveals the sinister human nature in real life. Regarding the literary world that he regarded as sacred all his life, he sharply criticized the phenomenon of "businessmen" and pointed out many times: "Because of unhealthy writing style, some promising writers can't stand the temptation and go astray. "Sun Li is dismissive of the popular practice of" spending money to buy fame "in the form of" discussion "and" celebration ":"spending money to buy fame ",especially" spending other people's money to build a momentum for yourself ",is extremely unwilling to do, and I am ashamed of it. Regarding the phenomenon of officialdom in the literary world, Sun Li pointed out: "It is not an overnight event for literary and art groups to become officialdom, but the more they clamor for reform, the greater the officialdom, but it is puzzling." "The literary and art circles have become officialdom, which is a great tragedy." Further, he pointed out: "If the literary road is also like the official road (in fact, it is difficult to distinguish the official road in the literary world), quick success and instant benefit will never have a good result." He criticized and admonished the shallowness and ignorance of some so-called trendy writers: "Some so-called trendy writers in contemporary times, their famous debut works also met the political needs at that time and became popular. That's understandable. Keep working hard and you will naturally become a noble family. However, whenever you enter the officialdom (literary and art groups are also officialdom), you will get carried away and do nothing. Politics is changeable. If you encounter a little setback, you will blame others and even play tricks on others. This not only loses political grace, but also damages the writer's style. " For some ugly phenomena in the literary world, he sighed with indignation: "Alas! The literary world is the literary world of the people, the literary world of the country, not the literary world of one person, one family or a group of people. Why not allow people to watch it? Can it stand up? Sadly, in recent years, some figures in the literary world. If you don't care about yourself and act recklessly, people will no longer care about and care for this altar. "Sun Li's literary career began in the early days of War of Resistance against Japanese Aggression and lasted nearly 70 years. Especially in less than twenty years in his later years, he wrote a work of 1 more than ten thousand words, which ushered in another peak of his creation. From the fresh and beautiful works in his early years to the timely abuse in his later years, he completed Sun Li's personality shaping and life journey from ideal to ideal. Looking back on his life, Sun Li was filled with emotion: "I don't know if what I see now is my dream and pursuit when I was young. ..... "Sun Li, once a soldier, lived alone in a humble room in his later years, was sickly and wrote endless books. He often misses those lost years, chews lonely and aging life, and sometimes tears come down his face. He once lamented in an inscription: "Now, the old friends in Shanxi, Chahar and Hebei have withered, and the mountains and rivers are no longer old. Recalling that year, I can't help but burst into tears. " Writing here, I suddenly remembered a poem in "Three Hanging Hills" by Yan Suiling of A Qing Sui Dynasty: "There are strange things under the cloud account, and there are many tears in front of the drum horn lamp. "The image of this poem is a summary of Mr. Sun Li's life image, so I simply use it as the title of this article. Sun Li ended his life at the age of 90, without fame or great wealth. He left the world only simple words, as well as sincere humanity and fiery heart hidden under the words, which made the latecomers cry ... The article "Luhuadang" was compiled into the junior high school text.