He likes calligraphy since he was a child. While studying the calligraphy skills of predecessors, he gradually formed his own unique style. Its running style is delicate and graceful, and its realm, interest and brushwork form a strong bookish atmosphere. His cursive works are vigorous, free and easy, natural, quiet as a virgin, moving as a shock, with strong performance tension, which has been affirmed and praised by many famous artists. He acquired the skill of the ancients in using a pen. He is quick and short-handed, quick and sick, hanging needles and dew, winding and stretching, spreading and depressing, embellishing elegantly, dazzling in action and shocking in words. Before he began to write, he often sat quietly and meditated, casually and arbitrarily, and then wrote. If the glyph sits and moves, flies and moves, lies and rises, worries and delights, insects eat wood leaves, swords are long, bows and arrows are powerful, fire and water, clouds and smoke are like the sun and the moon in both directions, it can be said that we have done our best to learn books.
Good Dan Qing, work poetry, love stone. At the age of seven, he studied calligraphy, rubbed Yan, Liu, Ou, Zhao and other books, studied with Zhang Xu, Huai Su, Wang Xizhi, Sun, how cursive, and then entered the Central Academy of Fine Arts. 30 years, stick to it.
He is currently the president of China Shudao Academy, director of China Shudao Health Research Center, member of Beijing Calligraphers Association, CEO of Capital Network, vice president of China Traditional Chinese Painting Research Institute, deputy secretary general of China Painting and Calligraphy Creation Base, and general manager of Beijing Huacan Culture Communication Co., Ltd.