Everyone can't agree with several signs of "greasy middle-aged people" at the same time: slightly bald head, exposed nose hair, wearing a string on the wrist, straight stomach, love to show off tea, openly talk about sex, love education, put on airs, and don't read ... This pokes the pain point in many people's hearts. Feng Tang also summed up ten greasy standards in his article, which hit the nail on the head, especially the two requirements of "don't be fat" and "don't be dirty", which almost swept the straight men who are famous for "not paying attention to appearance".
This is Feng Tang, who always stands at the forefront and makes you follow him unconsciously.
Li Yinhe said, "The first time I saw Feng Tang's words was his" Alive, Old ",and I felt scared at that time." Chai Jing said: "His words are arrogant and Machamp is confused." Qiu Huadong, who has been writing novels for many years, said after reading his "No Two", "I'm so scared, I don't want to write novels anyway." This time, the amazing Feng Tang came again with a new book "Fearless".
"Fearless" contains 38 essays full of life wisdom, including how to avoid becoming a greasy middle-aged wretched man, and the autograph of Feng Tang 1 1 and 38 personal photos.
Among the post-70s writers with diverse styles and fragmented ways, Feng Tang is a peculiar existence. 197 1 was born in Beijing, 1990- 1998 studied in union medical college and obtained a doctorate in clinical medicine. Later, he obtained a master's degree in business administration from Emory University. He used to be a partner of McKinsey & Company, and now he is the head of a large state-owned enterprise. Such a dazzling resume belongs to a doctor and a businessman, but if he is labeled as a writer, his works are destined to be different from mainstream literature. Li Jingze wrote in the preface of Jinghua Trilogy: "No one can tell which school he belongs to ... In the Chinese medicine shop, every medicine has a drawer, but Feng can't put it in any drawer, so he has to put it under the counter, knowing that he is here, so he is not here."
Reading "Huo Yuanjia" can clearly see that, unlike most code writers now, Feng Tang has no pressure to survive. Perhaps it is because of this insatiable state that his writing style is very temperament and full of unique imagination, which is the pleasant realm of "miscellaneous peanut trees, insects singing" that he particularly expects. Through such writing, it is not difficult to understand Feng Tang's temperament, and temperament writers and temperament writing may be the greatest gifts that Feng Tang's writing has given us in this era.
In Huo Yuanjia, Feng Tang wrote about the crisis of middle age, the death of his father, his mother's philosophy of life, and his introspection of the past and the future, which probably conforms to his ideal life state of "living on the edge, aiming high and expressing in the present". He even summed up this state of life-
He summed up several characteristics of men's dressing ability: writing letters, running, drinking tea, antiques, calligraphy, reading, feeling, drinking, keeping in good health and practicing Buddhism.
He summed up the "ten elements of success": one life, two luck, three feng shui, four virtues, five studies, six places, seven phases, eight respects for God, nine friends and ten health preservation.
He summed up the comfort tips during the trip: always keep a good box; Wear a flight suit; Take a pen and notebook; Bring one or two books; In a new city, if time permits, give yourself two hours to visit the largest museum in the area; Prepare some av; Bring some good portable tea, thread incense, favorite teacups, rosary beads or broken jade, which you can throw away; Prepare a good pair of headphones; Bring running shoes, quick-drying T-shirts, shorts, swimming trunks and goggles; Always bring your favorite and familiar travel toilet set.
He summed up the reasons for "why write": reducing swelling, being different, picking up girls, killing boredom, not being crazy, pursuing cow force, cultivating wisdom, fighting ignorance, supplementing the family and living forever.
Critics like to compare Feng Tang with writers such as Wang Xiaobo and Wang Shuo, but Feng Tang doesn't think so. He is not satisfied with their writing. "If you look at their language, you can't feel the context handed down from Tang poetry, Han Fu, even Ming and Qing literature, or like Zhou Zuoren and Lin Yutang." And the temperament words revealed by the pure feelings of life are what he is most proud of. For example, in his much-watched translation of Birds, he bluntly said: I don't want to argue who understands his original intention better. What I want to argue is that I have the freedom to understand Tagore's original intention. On the other hand, the bamboo in the yard, the bamboo in the eyes, the bamboo in the heart, the bamboo in the brain, the bamboo drawn by his staff and the bamboo in the eyes of the viewer are all different. Tagore's English translation of birds is also different from his Bengali poems. Is this his original intention? "There are two trees in the yard, one is jujube and the other is jujube." What was Lu Xun's original intention?
No wonder some people say that Feng Tang is a wild child with no talent at all. In the 1970s, people's experiences became magical again because of Feng Tang's writing. Of course, even if you are not the author's contemporaries, you can see that this is a dynamic writing with real joy, freedom and fighting spirit. The noblest and the most vulgar, the most elegant and the most vulgar, the most harmonious and the least high-profile, are intoxicated by Feng Tang's words.
18th century German philosopher Hegel said: "Why is literature eternal? Because it inadvertently entered the reader's vivid memory. " This sentence just reveals the reason why Feng Tang is popular-under the cover of mainstream culture, it reaches your heart and touches your heart. He Liwei, a contemporary writer, wrote in his "I Come to Read Feng Tang": "In a word, it is pleasant. In short, addiction is not enough. Feng Tang's essays are pungent and humorous, full of fun and sharp words, grasping people's itching spots and hitting snakes seven inches. " However, due to Feng Tang's special brushwork and willfulness, while winning readers' appreciation, he was naturally labeled as vulgar, rogue and pornographic. But in my opinion, the characteristics of Feng Tang are true, bold and smelly and poor. I have to admit that Feng Tang's writing does provide us with a special reading experience. It may be an exaggeration to say that reading Feng Tang's works will completely change the world outlook. However, his deviant writing skills always challenge readers' aesthetic reading experience.
The greatest feature of Feng Tang lies in its language, which is overwhelming and transcends structure and plot. Therefore, Feng Tang's writing is more like an emotional writing. Words with stories make readers follow him unconsciously, resulting in a pleasure of reading.
To read Feng Tang's works, readers need wisdom. Feng Tang's writing style is concise, concise and accurate, and his words and sentences are fascinating, with great personality. He writes poetry, books, medicine and business. He is a man of god who is both connected with the literary world and down-to-earth "Fearless" shows his unique charm and maverick.
In any case, Feng Tang is a special existence that can be met but not sought in the current literary world. Just like what he wrote, "things that can be met but not sought": a yard with trees in Houhai, jade with work in Xia Dynasty, clouds at the moment, and you in your twenties.