File configuration file
Birthday: August 6th, Leo
Place of residence: Tokyo
Use computer: MAC
Interests: listening to music, writing, reading, sleeping and eating. ...
Industry: スペスクラフトズロデュス Music Division.
Address: 2-6- 107-0062, Nanqingshan, Port Area.
Tel: 03-3796-8650
Organizer: Kang Sen zhemorris @ entjoy.ne.jp.
Engineering classification list
film works
Brother and sister in Tokyo 1995
Ruby fruit 1995
Rainbow 1999
Buji pop music and others 2000
Moon 2000
Animation works
New orange road? The story of that summer movie 1996
Cannibal TV 1997
Black TV 200 1
Aquarium TV 2002
. Hacker//Signature TV 2002
. Hacker//Extreme OVA 2002
Little Cosette OVA 2004
Madras TV 2004
Game works
Double-faced girl PS 1998
めぐりして PS 1999
The Last Vampire Blood PS2 2000
Xenosga Episode 2 PS2 2004
Music performance
Sakura wars 1998
Fines 1998
1998
Step 2 1999
Christmas Juliet 19992000
High school revolution 2000
Christmas Juliet 2000
Shooting -Srar- lullaby 200 1
The futility of love /SET 2002
Personal photo album
novel
のの の の の の の の の の の の の の の の の の の の の の の の の 12
Lyrics, composition and arrangement: a memoir of a tour
Singing: Qujieyuka (Nan Li)
I'm here (I'm here) TV animation MADLAX episode 5'03
Lyrics, composition and arrangement: a memoir of a tour
Singing: Qujieyuka (Nan Li)
Chole (Chloe's theme) TV animation "Black" BGM 2' 26
Composed by Ueura Yuki
Open your heart' TV animation' Hacker Time' episode 4' 38
Lyrics and composition: nobuyuki, arrangement: Song Ming Volante.
Singing: Emily Bindiger
A song that poured sincere feelings into Wei Pu's inner world, but after doing this song, she felt that she could not find the right person to sing. Until we find Emily Bindiger. As a singer and composer living in new york, she has accumulated rich experience in musical, film and television creation outside Broadway. For Whip, this episode of Hacker Time sung by Emily Bindiger can be regarded as one of her wishes.
"Jr.》 PS2 game" Alien Family II, The Other Side of Good and Evil "did not include Song 3'26.
Lyrics, composition and arrangement: a memoir of a tour
Singing: Margaret Donne
As one of Jr's themes, the unrecorded "Jr." is obviously different from other songs that Op is proud of, which do not take a strong folk line, mainly because it absorbs the elements of West Asia in the melody of singing style, which is really rare in her previous soundtrack. However, the middle board is still the signature violin, and the guitar is as gorgeous as ever. Lyrics are widely used words in this EP2. As for the singer Margaret Donne, she is not a solo girl with the flavor of Kita in the past, but she has a particularly deep confusion, which can be deeply understood in the ending theme.
Canta Per Me (Sing for me) TV animation Black Episode 3' 1 1
Lyrics and composition: Uepu Yusuke
Singing: Debbie Lyons
"Iteman" TV Animation Theme "Iteman" BGM 2'06
Composed by Ueura Yuki
A Lost Child (Lost Child) TV animation "Hacker Time and Space" episode 2' 49
Lyrics, composition and arrangement: a memoir of a tour
Singing: Emily Bindiger
Twilight Key TV Animation Hacker Time Episode 3' 49
Lyrics and composition: Ueura Yuki was adapted by Hitoshi Konno.
Singing: Emily Bindiger
しぃぃけ (Gentle Dawn) TV Animation しけ Hacker Time and Space け ED 5' 10
Lyrics, composition and arrangement: a memoir of a tour
Singing: seesaw
Corsican Corridor (Corsican Corridor) TV Animation "Black" BGM 3' 49
Composed by Ueura Yuki
LIMITY OVA animation ". Hacker//Extreme, episode 4 16
Lyrics, composition and arrangement: a memoir of a tour
Singing: Kasahara YuriYuri Shinada
"sweet song) PS2 game" Alien Family II, The Other Side of Good and Evil "ED 5' 33
Lyrics, composition and arrangement: a memoir of a tour
Singing: Margaret Donne
Novel album novel title song 4'08
Lyrics and composition: nobuyuki, arrangement: Song Ming Volante.
Singing: Emily Bindiger
The novel, included in the album "Novel", was first released in 2004 on the birthday of Yuki Koura, and it is one of the few new songs in this album. For this song, the feeling comes from the style of "black ~ black in white ~", which is far from the future. Heck and the current madras route. Fiction-meaning "fiction", Op himself once said: "... I think it's like being addicted to the wind. Only humans dare to invent words, which are' virtual products born in human hands'. The so-called music, books and paintings are also empty fictional worlds, which are the products of manufacturing. I feel very happy in all kinds of beautiful fictional worlds. " -personal style can be seen.
KyosukeNo. 1 (Kyosuke) theatrical animation "New Orange Road? The story of that summer. "
Composed by Ueura Yuki
Compared with her present style, there are not many similarities.
1992 10, Yuki Kokura made his debut as a keyboard player of the seesaw band at FUNHOUSE. This trio, with her high school friend Xing Zi Nishioka as the bass player and Akiji Ishikawa as the lead singer, formed a friendship when they performed, studied and created together as students, and finally ended. Before Xigang Xing Zi 1994 quit, Omura focused on band activities. The next year, she began to compose music for movies and CM, and her work soon expanded to animation, games and musicals.
After [NOIR] became famous, people realized that some well-known and moving music was her work, such as the piano music expressing irresistible yearning in the music album [New Orange Road-Summer of that year] [KeisukeNo. 1].
Nearly ten years of experience and skill growth in the music circle have laid the foundation for the success of [Black] Music 200 1. K?ichi Mashimo, the animation director, doesn't seem to mind that the score goes beyond the position of the picture plot, which gives VIP a lot of room to play, so [NOIR] exquisite music is more conspicuous than low-cost rough animation. Plus the music matches the exotic flavor of the story itself. Beauty killer, mafia and extreme world outlook are rare elements in general animation themes, and the frontline style is unique. Ueura Yuji was born to play the keyboard. He was exposed to light music in college. Naturally, he is good at making different sound effects with electronic musical instruments. In addition to exercising and learning previous music experience, her reading hobby is also a way for him to ponder Italian and Latin folk music.
The musical style of Oupu Yuji can be roughly divided into two types: new era music and old world music. In [NOIR OST 1], there is a song [shispering hills], the wind is rustling, and the female voice is faintly sung in the background, and the echo is loud. Naturally, the artistic conception of the Italian desert plain is vividly displayed, which accords with the visual impression of the audience watching the animation. This kind of music in [NOIR] series often uses electronic and impact sound effects, such as echo, echo of electronic music and other sounds created in space, to create a beautiful and soothing style. Simulating the illusion of spatial texture is the basic skill of the new era music school.
Wold music is simply a musical style that samples folk music materials that do not belong to North America or Britain, such as Africa, Central Asia, Eastern Europe, the Mediterranean, etc., and integrates them through the improvement of skills or the emphasis on rhythm. [NOIR] We are familiar with the wonderful performances of China and Italian traditional harps and accordions. Violin, one of the main musical instruments, can also be associated with Italian music made by talented violinists. And it can be traced back to the Italian Baroque style period 1600 years ago. This form of music broke the old polyphonic music format, with one tone as the main part and bass accompaniment (continuous bass) as the auxiliary part. Accordingly, the cool forms commonly used in the tail pond are recorded. An Italian song [Salva Nos] (Save us) is fast-paced and exciting. I really didn't expect this to be a requiem at first. In another oratorio "I" played in a similar scene, the singer Yuriko Kaida's voice is much sweeter and softer than the former's serious tone. At that time, the smell of fog and chic movements contrasted with the enemy's "tragic" ending, which is the meaning that music helped convey.
Vip You Ji's music has three characteristics: the color rendering of various national music elements, the dazzling rhythm to drive the mood of the audience, as popular as pop music, catchy, so her music often leaves a strong first impression. After forming this style that made him stand out from the crowd, Tomoko Omura continued to explore further along this road.
In 2002, the animation [Aquarius Age] (Aquarius Century) adapted from the card game was produced and broadcast, and the music independently created by Upu Yuji appeared again. The feelings of beautiful girls, fighting and confusion are the intersection with the setting of [black], and the mystery brought by the fantasy and civilized world in the film facilitates the play of Oupu Yuji's style.
Among them, the main force is female chorus or violin, nervous electronic beat and discordant mixing accompaniment. The bright and warm timbres of several piano solo lyric ditties [Just You] [Tears] and [Sweet Smile] specially created by Yuji Omura are becoming more and more gentle and moving in that environment, arousing fans' memories of [Jing Jie 65438 +0].
In the animation, the protagonist Xiang Fu is the lead singer of a band composed of classmates, and Mr. Yusuke caters to the production of several popular music scores. For example, Sightseeing is a standing instrument of a pop band, which uses a simple combination of several people. Electric guitar, bass, percussion drums, melodies and musical instruments are all relaxed and lively, not to mention Op, who has long-term team building and creative experience.
Looking at the comparison between [NOIR] and [Aquarian Age], we can see that Ueura Yuki's music style is just beginning to appear in the former, while the latter shows that her style has taken shape. For example, this common technique, based on the main melody music, uses percussion rhythm to arouse momentum, human voice or synthetic harmony to create anger. The melody of music is generally a single-line development, and the structure is not complicated, but in the gorgeous audio-visual effect, the exchange and application of many instrumental timbres are in place. Wei Puyuji's music route not only has the familiar impression of ordinary people, but also has novel elements and dynamic rhythm in line with the weather of the times, which makes her works win the love of young people close to pop music.
In 2002, animation [HACK//SIGN] came one after another, which pushed the reputation of VIP from Ji to the second peak after [NOIR]. The second cooperation between K?ichi Mashimo and Ueura Yuji is still to let her perform freely.
On the basis of previous achievements, you have tried to introduce new flavors and made some small breakthroughs.
As early as 1997, The Orange Road Theater Edition "Back to the Summer of that Year" won unanimous praise from people in the industry with its exquisite performance. A song "Gong JieNo. 1" touched countless audiences with its extremely beautiful and smooth piano melody, and the touching legend told by its melody is still regarded as an immortal classic in the history of animation music. 1999 As the music producer of "Eating Man", his style gradually took shape. In this era when a large number of excellent music works come out every year, NOIR OST can create a rare sales miracle and is unanimously rated as one of the most classic works in the history of animation music by the industry, which shows the powerful strength of Ueura Yuji. The dark atmosphere, cool shots, black themes and hazy and simple pictures in NOIR are completely set off by Ueura Yuki's music. This extremely harmonious combination of heaven and earth is definitely a must in the animation industry, including the film and television industry. (But it's hard to say whether it's a coincidence ...) The musical style that Ou Youji is good at and her profound attainments in classical music are the cornerstones of creating a black miracle. To ask how powerful Opus is, all this is reflected in Granrit ("Manor" in black).
OST2' s first song "Le grand retour" appeared in 20 stories, which is a three-stage music with typical classical style, European folk music verve melody and modern music mix and match techniques. As the name implies, it is the theme melody of Manor. Hale's "Manor" is located in the closed mountain area on the border between France and Spain, and it is "the only holy place in the world that can be preserved in the long river of time that has passed". This song depicts this theme to us with an unprecedented atmosphere in the history of animation music. Its atmosphere is not a large-scale technique played by traditional big bands, but just a small band. Through its unique instrument collocation, loud and clear bagpipes, melancholy and deep violins, and the profound mystery of electro-acoustic instruments, it creates its auditory impact with the overall sound effect span. Its atmosphere theme makes people feel that it is not just the greatness of the manor. At first, the towering bagpipes gave people a feeling of flying, full of pride, as if they were in the vast Central European continent, and the scenery they faced was so beautiful. The turning point in the middle and the reappearance of the ending tell us about the vicissitudes of the Millennium, while the steady electronic background music makes people feel a sense of sureness, heaviness and depth, and finally the extremely high-pitched ending represents "revival", which can not help but make people sincerely awe the greatness and profundity of the manor, which is the magic of the manor.
But this short song of 6 minutes and 24 seconds is full of continuous ups and downs and stormy climax from beginning to end, and it doesn't feel as simple as the standard slow-paced new era landscape theme music. Let's take a look at NOIR's story again, and see what we can find: At the beginning of the 20-sentence story, Clovis clamored for Aarttila to tell her a story or she couldn't sleep, and Aarttila told the "story" that was told many times but was fully shown to the audience for the first time. The full text is as follows:
It happened at the end of the tenth century.
The evil plot around power killed many people, including old people and children.
Very inhuman and cruel, people have witnessed such a lie.
Some people survived such a cruel purgatory, and they realized:
People's debauchery keeps the world in evil and despair.
Those who survived vowed to take revenge on the world and save the weak who were abused and destroyed.
Let justice last forever, and swear absolute secrecy and loyalty. ...
After this passage, the grand melody of Grant's Return sounded again. At the beginning, drums sounded, and it rained heavily on the screen, infiltrating into the red land and merging into rivers. Then, "The blood of Solda will permeate the wilderness, flow into the sea, and people will make a covenant all over the world, living in seclusion behind the society …" Isn't this the development history of Solda! Isn't the high-pitched bagpipes at the beginning of "Manor" and the melody it creates as full of vitality as the magnificent scene of Solda "infiltrating into the wilderness and flowing into the sea" described by Chaoyang? From the above "story", we can relate it to the real history. The tenth century was the darkest period in the European continent, and the whole continent was shrouded in the white terror of church rule. Solda played a brilliant role in "saving the weak who were abused and destroyed". However, this vigorous allegro lasted only a little more than two minutes, and then it turned to the second heavy depression: when the blood of Solda penetrated the wilderness and flowed into the sea. This is the inevitable darkness of this cruel "justice". Although the glory of Solda is described in the first "Manor", the darkness of Solda is not only reflected in the low tide of the second paragraph of music, but also in most plots of NOIR. In order to "make justice last forever", it is necessary to carry out horrible high-pressure rule and killing corpses everywhere. Isn't this the theme of "killing" in the second paragraph? When the cold electronic violin climaxed with the violent background music, a scene that shocked all the audience appeared in the picture: a little girl in rags, dragging a tattered puppet, hobbled barefoot in the ruins of war (in fact, Aarttila was a child), and her sad eyes seemed to pour out all the evils in this world. This is the root of Aarttila's abnormal philosophy that "if love can kill a person, then hatred can save people".
At the end of the previous climax, the only piano solo of the whole piece, just like Aarttila's monologue in the film, is another great beginning: Aarti's great ideal. Nowadays, Solda is a backwater, and Aarttila, as a radical in Solda, is eager for revival. Aarttila hopes to control Solda by resurrecting the legendary angel of death-Hale's right-hand man, so as to set off a magnificent revolution, reproduce history, turn back the clock and realize the great beginning and glory of the tenth century again. The copy department clearly expressed a theme. As the opening paragraph, this variation has higher melody, more active rhythm and stronger appeal, and depicts the bright future after the "revival". Finally, the whole song ended in a vigorous ending, and the atmosphere of its "ideal" theme deeply shocked me ... ◎ resurrected city &; Cat all rights reserved, refused to reprint ◎vR4rT3t4xD
When the black people followed the "road sign" and set foot on the holy land, the theme of "manor" just reflected the original English meaning of "grand retreat" and the theme of "great journey". Aarttila said that "seedlings should always get sunshine and water", but "sunshine and water" is a cruel test. The whole story is accompanied by the killing of NOIR. Isn't the first paragraph expressed? This sunrise-like melody makes people feel not ordinary simplicity, but a trace of dignity, which is reflected in the unique melody of Ueura Yuji and a cruel beauty. Isn't this atmospheric "test" the nobleness of NOIR's "People are in the crowd, love is in love, and sin is in sin"? The second paragraph expresses darkness and fate in a heavy and depressing way. Isn't it a true portrayal of NOIR's resistance to fate? When all the time is ripe, men in black will be baptized and become real men in black, which is the end of this "great journey". This more atmospheric cycle shows us a new beginning, the real beginning of Aarttila's great ideal. ...
Whether it is Aarttila's great ideal or the heroine's resistance to fate, the highest black theme of "light finally conquers darkness" reappears in this great Return of Grant. Aarttila and Mireyou Booker, two key figures in the two plots, both have the ultimate ideal of breaking through the darkness and being baptized by the sun. Although their "light" is contradictory, the "light" generated after the suppression of this song can't bear to remind people of the * * * essence of these two people. That "light" is the last most touching, exciting, shocking and positive essence of black.
For the shock of 6 minutes and 24 seconds, we have every reason to think that The Great Return, which contains five themes: manor, Solda, ideal, grand tour and bright, is definitely one of the most artistic achievements in the history of animation music. Through just a few minutes of brewing, it shows a magnificent picture and a complex and profound theme, showing the profoundness of Wei Pu Yu Ji in classical music. Besides, in NOIR's other music, we can still enjoy the auditory enjoyment and spiritual shock brought by Yuji Kokura: I remember the last song of OST2, in Story 2 1, when the truth came out, Mireyou's friendship and hatred collided fiercely but didn't know what to do, and Wuxiang suffered from strong self-blame and was tortured to collapse. Indio, which sounded in the weeping sky, enhanced its tragic effect through extremely sensational performances and singing of church musicals. We can find the shadow of this song in the famous car at dawn in the future. This practice of injecting a lot of personal feelings into music to express the theme can be regarded as a great advantage of Omura Yuji. Cantapere, the most famous BGM in NOIR, is a typical stream of consciousness work. This song successfully strengthens the appeal of the black atmosphere from the perspective of a bystander, while Salva nos directly shows the whole killing scene and atmosphere through the subjective description of the killer duo. Corsican Corridor is the most successful scene music in film noir. It depicts the beautiful scenery of Corsica through a dynamic and exotic melody, and at the same time expresses an extremely gloomy atmosphere. The soundtrack also shows the darkness, which reminds people of white terror, and implies the fierce killing scene in the darkness where mystery and lotus flower are intertwined. People can't help but think of the extinction of Booker family and the tragic memory of "Indy Cabily". This work can be regarded as the best bridge in black, which fully shows the feeling of "zero space full of death" Lullaby is a lullaby that comforts the soul in the dark, and it is used as Clovis' lullaby in the play. However, this warm and lovely lullaby doesn't remind people of any evil plot or Clovis's tragic fate at all. Just like the Virgin Mary, it expresses a great and selfless maternal love and shows Aarttila's gentle side. Loneliness by the Window and Romance express the dark sunny side. The former expresses a kind of plain beauty with a strong French nostalgia and a simple piano melody accompanied by an organ, which exudes a touch of sadness, just like the heroine's beauty with simple lines. Using a simple musical instrument combination: guitar and organ will present an elegant and beautiful theme: black style romance: as smart as riding a horse and whipping, as dripping and carefree as dancing in the street, and a kind of "cool" romance is intoxicating ... "Silent Pain" is Wei Puyuji's work that brings the cold beauty of melody to the extreme, and perfectly expresses despair through extremely smooth, high and low piano melody. Whispering Mountain, similar to Corsican Corridor, is an extremely beautiful landscape music. Using the double meanings of Whisper's "whispering" and "whispering", it depicts the mysterious spectacle of whistling in the distance and whispering in the vicinity for us. Snow, as the name implies, falls like thin snowflakes, expressing faint sadness; Melody, as the theme of memory, is the best in the music box, and the memory theme of "killing" is still strongly outlined in the film (personally, Melody~Salva nos ver included in NOIR Blanc Danc is better to listen to, and its melody has a strong desire for revenge and is more infectious).
In memory of you in OST2 is an incredible tune with a sad atmosphere, with a dull beginning and a sharp turn in the middle. It seems to have experienced a sudden change, which makes people daydream (it feels like describing the feelings and memories of Mireyou and her cousin). "False Garden" describes the daily living environment of the two heroines in Paris with a strong Russian style, which gives us an unusual feeling, just like the title of "False Garden". In Peace, a warm and calm leisure clip with the style of Christian songs, depicts the beauty of a short peaceful time, which makes people feel hard-won and should be cherished. Clovis's theme "The Secret Game" shows us the double appearance and personality of this character. After singing a hymn-like lyric, it suddenly became dignified, and its heavy fate was clearly described through this passage. Personally, I think that version sung by Aya Hisakawa can better express this theme and show the dual characters of cuteness and coldness more thoroughly. )
After listening to so much "black" music, can you find two obvious features in Uepu's music? The first one, obviously, emphasizes melody. Do you find that most of the instruments in NOIR are easy to use? And it has a strong sense of melody. This is from early works, such as "Gong Jie No.65438 +0", which is more obvious, which is in sharp contrast with yoko kanno's style. Sword leaf school pays more attention to music and arrangement to achieve its artistic effect (such as Wandering, which shocked the world and shocked ghosts and gods, and the famous Sea of Miracles is a typical representative). Therefore, Upu Yuji's music language is mainly expressed through the melody itself, so we need to pay more attention to the melody when we appreciate Upu Yuji's music, and as a melody bearing the soul of music, it has a special coldness. Whether it's long symphony music, quiet and delicate piano music, weird new era title music or fierce rock and roll, Opus's music has a faint coldness, which has an internal auditory impact on her works. This is the most obvious symbol of Oprah's music, and it is also the most special and attractive place. I can tell at the first time whether it is the work of Opus ... This is also the most direct place where I love Opus. This feature is not so prominent in other works in the future, and you can still hear it if you have the heart, but it is more obvious in NOIR. This unique stunt makes her music quite lasting.