Said the whole film was in a mess and didn't get to the point.
I've never praised Passing Through Your World. I really want to give the ferryman a compliment this time.
It is estimated that many people who are disappointed with the film are brought into impetuous mood by the noise of the opening title, but they ignore the silence of every moment when grasping the inner reversal of each character.
In the film, most scenes are feasts inside and outside the bar. Beer is like nightlife, glass glasses dazzle the king, and men and women are equally coquettish and grandiose.
The pictures are mostly black and red, with realistic helplessness and inner fanaticism, as well as impetuous red in the world and bleak black that can't be obtained.
The whole sound effect is full of malicious and funny bravado, fierce fighting of desperate youth and decadent agitation of drunken riddles. However, every character in the film always has a moment of silence. There is nothing in his heart but sound.
The world is impetuous, but there is always someone who will make our hearts very quiet, so quiet that only your own breathing is left.
This trick is not good for people who don't understand it, and it is very high for people who know it.
Yes, the picture is Wong Kar-wai's and the lines are Zhang Jiajia's, but the story is ordinary people's. Oh, and the narrator's voice-over version.
Xiaoyu grew up listening to Mary's songs when he was a child. The world was as quiet as if there was only one person in his eyes, without the rumble of heavy rain and the shouts of noisy people. In the last round of bar golf, Xiaoyu spoke her inner answer and gave her a little relief. Even though she spent all her savings, ferried horsepower and left alone, she still smiled brightly. Xiaoyu, she loves it very much.
"Ten years, I only looked up to you, and only you can make my world still. 」
Jiang Jie was faced with the "answer" to the last hole of bar golf. After eight rounds of drinking, she was defeated by an unanswered answer. The most important day, I can't guess is the day when Jie Jiang first met Mary, or the day when he broke up with Mary.
"Ten years, I'm looking forward to you, I give up you, I can't catch you. 」
Mary, with an artist's dejected breath, but the first sentence he sang on the stage can give me goose bumps, because he is also Eason Eason Chan. Finally, Mary didn't fall in love with Jiang Jie or Xiaoyu. This is a reality that is not far-fetched.
"For ten years, I only remember the day when you wore a blue skirt and ponytail. That was the first time I saw you. The password of the card is that day. 」
In Jiang Jie's mind, material is more important than love, and in Mary's eyes, music is more reliable than love, but in a light rain world, only young people are ferried by Mary and then ferry to Mary when they grow up.
The passage of Thirteen Sisters is completely supported by the line "The edge is ice". The lines were so beautiful that for a moment, I mistakenly thought I was watching warm chicken soup.
"The edge is like ice, it hurts when you hold it, and it will eventually disappear if you don't let it go. The love that really belongs to you should not be an ice cube that hurts people, but a cup of warm hot tea. 」
But Chris Lee is the most inappropriate one in the whole play. Under the spontaneous and chic appearance of Sister Thirteen, it is the heart that can afford and can't let go. This is a contrast effect that Zhang Jiajia wants to bring to the audience.
However, in Chris Lee's eyes, there is no sincerity. The word "roll" is handsome enough, but there are still a few tears in my clenched hand, which makes me feel no pain.
We thought we couldn't let go of anyone, but we didn't want to let go of that beautified past memory.
Life is learning to let go when you hold the ice.
The reason is simple, but we can't understand and see clearly.
From "I miss him every minute." After 48 hours, "I miss my mother and her braised pork."
The fat bride played by Jia Ling is only a portrayal of most lovelorn people.
A fat bride who has been hungry for 48 hours has stabbed a young lover, a shooter who works out and sweats every day, and a fool who walks around the barren hills alone. In and out of the play, fiction and reality, everyone is just saying goodbye to the past in a way that suits them.
If you want to go through that numb and bleak day to forget someone, then don't trap yourself in a square house and burst into tears. I'd rather put myself outside in an open place, feel the beating of the cold wind and the scorching sun, shivering with cold and unable to control myself. Only in this way can we touch the world, be true, and make us forget to think about him for a while.
You said you couldn't forget him. I believe you.
But you said you couldn't live without him. I don't believe you.
Come on, life is crying when I miss him occasionally, sleeping, eating, working and playing at other times.
Guan Chun and Mao Mao are the most absurd and grandiose couple, but they are also the only happy ending in the play.
Ten years is too long and may change many things. Life is too short to finish one thing.
Guan Chun has only done one thing in his life, helping Mao Mao sell cakes.
No matter how exaggerated the performance is, Guan Chun's lines can tell them that they are the purest and simplest people in the whole film: "In my world, there is no predecessor, only one."
So I think it's you. It doesn't matter if you forget. One day, you can help me find my taste and feeling.
Mao Mao is probably the happiest person here.
The most important thing for ferrymen is empathy. How can you feel the same way without hurt and pain?
Chen is a ferryman, and he is doomed not to go ashore in his life. His son may not remember it again, but he won't forget it.
Let go of memories, you don't need to lock all the records about memories with a car key.
He did not put it down, but buried it deeper.
For ten years, He Zimu drifted in his shallow bay. When others hit him lightly, he made waves. No matter how to ferry others, he could only control his own course and prevent his ship from sinking.
This is a kind of trauma. It hurts when someone touches it.
Now, he locks his box, just like sinking his boat into the sea. For ten years, he never walked out of his heart, and he never went ashore at all. He knows that time has passed, and it won't hurt any more if he touches it, but he also knows that cancer cells are hidden under the healed epidermis.
It's not that he can't go ashore, but that he doesn't want to.
"I am a person who has no tomorrow, but I hope everyone has it."
His son wood is a cancer that he can't cure all his life. When he is numb, he doesn't feel any pain.
The ferryman has no bad ending, no deliberate meeting and no far-fetched climax.
Tony Leung Chiu Wai Takeshi Kaneshiro's old play bones, you can see the strength when you look back at your mouth twitching; Luhan AB Xiong Dailin Dapeng Chris Lee will leave without pain; Ma Su, Sandrine Pinna, Eason Chan, Du Fu, Jia Lingshan, chicken brother, was shocked to tears.
Creation has no boundaries, and movies have no standards. Who said that chicken soup recitation on the screen can't be a good work?
In the noise, there are moments that touch your lacrimal gland, sentences that poke your heart, and similarities that poke your heart.
Then, this work is enough for the audience.