What are the benefits of learning vocal music? I believe everyone knows that vocal music is also called artistic singing. Pleasant auditory images can make the meaning highly concentrated. Many friends say that music learning is not accomplished overnight, and it needs long-term practice. So come with me and see the benefits of learning vocal music!

Benefits of learning vocal music 1 benefits of learning vocal music

1: Vocal training, learning to sing can strengthen the body.

Scientific vocal methods need the cooperation of all parts of the human body, such as breathing and the qi in the abdomen. When practicing vocal music, exhaling invisibly promotes the circulation of qi and blood, which is definitely helpful to the body. There are also the contraction of waist and abdomen muscles, the ringing of cavities and pipes, and so on.

2. It can improve people's aesthetics.

Vocal music art is an aesthetic art, no matter what songs are, they are closely around life and our emotions. In songs, we experience various emotions such as joy, anger, sadness and joy, which subtly cultivate our certain aesthetic habits and opinions.

3. There is no harm in improving the education and learning ability of vocal music learners.

The content of the song is very wide. In addition to reflecting certain thoughts, feelings, principles and policies, there are a lot of little knowledge about life and science. The process of singing is also a process of learning knowledge, so singing is a good way of education.

4. Easy to sing.

There are no fixed occasions and no big restrictions for singing. Children sing, so do teenagers and old people. Sing while walking, standing or sitting. Your body is the instrument of your life, so it is convenient to sing wherever you go. You don't have to take it with you. And the songs and melodies you learn to sing will never be forgotten in your life. As the saying goes, sing until you are old, learn from them and use them for reference.

5. Use sound scientifically to protect vocal cords.

We know that a person's voice is a way for us to communicate with others. Not just for singing. People's voices are different, the timbre is good or bad, the voice is bright, brittle and hoarse, and so on. However, when we were born, the cries sounded the same, all crisp.

Why did many people have voice problems later and their voices were ugly? There are many reasons, such as heredity, pathological changes, ignorance of sound science and neglect of protection.

When learning vocal music, we must learn to use our voice scientifically, know how to protect our voice, and at the same time improve the quality of our voice to make it more mellow and sweet.

Benefits of learning vocal music 2 Why do you want to learn vocal music?

1, easy to use

Vocal music is more intuitive than instrumental music in music expression, so it is easier to get started. The biggest feature of acoustic music is that it has lyrics, which can let you know what the music is talking about and what you want to express at once. Moreover, you can feel the pleasure of singing by yourself to express this kind of music.

2, not boring

Most people like singing, and many people have had a growing stage of singing and composing music for themselves. Since childhood, everyone will unconsciously hum a little song when they are happy. It can be seen that singing can be integrated into daily life and make us feel more cordial.

3, singing is convenient

Singing doesn't need a fixed occasion, and there are no big restrictions. If you are willing to sing, stand or sit while walking, your body is the instrument of your life, so it is more convenient to sing wherever you go. And the songs and melodies you learn to sing are generally hard to forget.

4, easy to get a sense of accomplishment

Compared with instrumental music, songs are short and pithy, and learning to sing a song takes much less time and is much easier than learning an instrumental music. It won't be long before you can concentrate consciously and effectively. Good short songs will make us happy to succeed in a short time.

5, exercise memory

Memory needs constant training. When you play, you must remember all the marks on the score in a very short time, which is undoubtedly an excellent exercise for us.

Step 6 cultivate concentration

When learning music, you must concentrate on it in order to remember the notes and various marks on the score. Only by concentrating on it can you learn the playing methods and various musical theories taught by the teacher.

7. Cultivate hand-brain coordination ability

When you start playing against the score, you must remember the notes and marks you see in a few seconds, react immediately, and then give instructions through your brain to make your fingers move skillfully. The brain gives instructions to make the fingers move dexterously.

8. Cultivate temperament and aesthetic feeling

When playing musical instruments and singing, let yourself learn to understand the emotions conveyed in music.

Four common misunderstandings in vocal music learning

1, the misunderstanding of using sound

The general concept of vocalization is that the airflow exhaled by the lungs causes the vocal cords to vibrate when passing through the larynx. The movement principle of singing vocalization is to adjust the reasonable movement of vocal cords and surrounding muscles to the maximum extent on the basis of human instinctive vocalization, and to produce a powerful and rich voice state that meets the needs of singing technology.

The closing ability of vocal cords is partly its own function and partly depends on the coordination of surrounding muscles. The instinctive vocal habit in life is limited to the audible distance of the other party, and there is no big requirement for volume and vocal area. The use of vocal cords is arbitrary.

Because the vocal cords are only tightly closed when they are high pitched, similar to the instinctive habit of speaking, they often make the vocal cords incompletely closed most of the time. If the function of muscles around vocal cords is misused, such as applying the posterior cricoarytenoid muscle, which should promote the opening of glottis, to singing, there will be problems of insufficient voice and missing voice.

2, the misunderstanding of breathing

Chest-abdomen combined breathing is generally regarded as the most scientific singing breathing method so far, but there are still many students who do well in the training of suppressed breathing, but they don't have enough breath when they speak.

There are two main misunderstandings about breathing:

First, when inhaling, the breath does not reach enough depth, that is, it does not meet the technical requirements of the "lung bottom."

The reason for shallow breathing is related to instinctive breathing habits. The state of inspiratory dilatation is only concentrated in the upper half of the lung, which is obviously different from the requirement of "sucking to the bottom of the lung" in singing.

Second, the lack of effective coordination between breath and sound makes the sound "out of breath". In other words, there is no habit of singing with breath, just singing with your mouth open, separating the breathing action from the vocal action of singing. On the other hand, it pays too much attention to breath, deliberately increasing the strength of waist and abdomen muscles to save breath, forming "breath-holding", so that breath can not act smoothly on vocal cords.

We should establish such a singing consciousness: only the voice supported by breath is an effective voice, and only the breath that acts correctly on the vocal cords is an effective breath.

3. Misunderstanding of * * *

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Pavarotti once emphasized that the voice * * * is mainly in the oral cavity and pharynx cavity, which shows the important role of oropharynx cavity in the whole singing. However, there are also the most misunderstandings in this region.

The so-called oropharyngeal cavity opening is what we often call "opening the throat". Many students mistakenly think that tightening the tongue means opening the throat, which leads to stiff tongue muscles and compression of the throat. On the one hand, it destroys the good state of pitch formation, on the other hand, it also hinders the smooth flow of oropharyngeal cavity, and a good * * * sound is out of the question.

The key to opening the oropharyngeal cavity is to relax the throat and tongue on the basis of stability, so that these parts are in a "free" state.

The second misunderstanding is to mistake rough throat sounds for chest sounds. This kind of sound sounds very powerful at first glance, but in fact, the pressure on the throat and chest is too high, and pure "force" is used instead of "qi", so the relaxation of the chest and lungs and the flow of breath are not realized when the * * * sound is produced.

4. Language misunderstanding

Language action involves five tones (lips, teeth, tongue, teeth and throat) and four tones (opening, adjusting, pinching and closing). Singing vocal action mainly refers to the correct opening of larynx and pharynx and the coordinated use of glottis and breathing. There is no doubt that scientific vocal methods need the stability of the larynx and pharynx, so how can language movements be adjusted to adapt to the stability of vocal movements? Specifically, we should do the following.

(1) When singing, the tongue is always in a relaxed state, and it cannot be stiff or tight with the changes of vowels, pitch and volume.

(2) After the laryngopharynx is stably opened, the consonants should be issued quickly, and the hearing is the same as that of the same period. The key is that removing consonants does not affect the stability of larynx and pharynx.

(3) When relevant parts work, "only use the most necessary force to eliminate any support and combined tension".

Through the analysis of the above problems, we can see that the instinctive habits such as vocal movements, breathing movements and language movements in life are the direct reasons for the misunderstanding of singing. In the study of vocal music skills, only by establishing a correct singing concept and eliminating the influence of speaking habits can we further improve vocal music singing skills.