The ancient poem about fatness is 1. Fat and beautiful in ancient times, related poems
Ancient poems, sentences and articles about the beauty of fatness can be seen that this idea was not unique in the Tang Dynasty. > drought is mentioned! Since ancient times, China people have stubbornly believed that the standard of beauty is to be tall and fat.
The beauties sung in The Book of Songs, whether male or female, are tall and fat: Li praises a beautiful dancer: "The master is fat, and the master is tall, which shows that being fat is the standard of beauty; Feng Weishuo praised a lady and said, "Shuo people are beautiful and well dressed. "Tall is tall, tall and fat.
How fat is it? -"Soft, the skin solidified. The collar is like a cockroach and the teeth are like rhinoceros. "
"Soft catkin" is the tender bud of plants, and "coagulated fat" is coagulated lard. "collar" is the neck; "Gryphon", later read as "Griffin", is the larva of Gryphon, white and fat.
Think about it: a fat bug with a bulging neck and swollen fingers, is this image worthy of the nickname "a basket of oil"? Later, in Cai Yong's Xie Chufu, the metaphor used to describe beauty is more elegant: "The face is like a full moon, the brightness is like the morning sun, the color is like lotus flowers, and the muscles are like condensed honey", but the overall image is still the same as "a basket of oil". But in ancient times, this "basket of oil", like Madonna, was definitely an idol that people admired and worshipped.
At that time, people not only advocated that women were obese, but the fatter they were, the more beautiful they were. "Tang style pepper chat" praised the woman: "His son is clumsy and huge; His son is clumsy, huge and clumsy. " Huge and friendless, that is, "Big Mac", in the eyes of the ancients, women of this tonnage are beautiful at home.
When we read the Book of Songs, we can notice that almost all sentences praising beauty are inseparable from "saying": for example, Chen Fengze Pi: "There is a beautiful person who is huge and curly"; "Postscript of the Wind and the Wolf": "The skin of the public is a little red"; Feng Qiyi: "Yi Chang Xi, Shuo Chang Xi"; "Feng Wei says people": "Say people are proud" and so on are examples. Some people may say that the Book of Songs mentioned above are all poems in the north, and the aesthetic standards in the south may be different? Please look at the beauty described in The Songs of the South: "Flesh and bones are weak, just for entertainment".
The so-called "skinny flesh" means that you can't see the bone shape in the light, which is just the opposite of the "skinny feeling" required by modern beauty selection; Look down again-"once your cheeks were leaning against your ears, your eyebrows were just right", which is even more amazing. The so-called "Zeng cheek" means "cheeks", that is, the shape of the face and neck is not very clear. This is exactly the same as the beauty sung in The Book of Songs, because Feng Wei once praised it as "giant and elegant", while Volume 368 of Taiping Yulan was quoted as "giant and beautiful".
Note: "Yi, heavy Yi also", "heavy Yi" is synonymous with "Zeng cheek" and is also a double chin. One more chin than others, which was a rare beauty in ancient Wei and Chu.
This shows that in ancient times, the beauty standard of hypertrophy was not only men and women, but also north and south. It is precisely because in ancient times, obesity was the most important thing that the word "Shuo Ren" became synonymous with "beauty", such as Xiaoya Baihua: "Singing hurts feelings and thinks for others"; Cai Yong's "Qing Yi Fu": "Xuanguang is moist, and the collar is like a cockroach.
Lanky Ran Ran, a great man "; Chen Lin's "Zhi Yu Fu": "Bright and beautiful, more beautiful than people" and so on, are all such use cases. The description of beauty in Zuo Zhuan is called "beautiful and gorgeous", and "gorgeous" is interpreted as "good and long" in Shuowen, that is, beauty is high.
Literally speaking, the word "Yan" comes from "Feng", which itself means hypertrophy and fullness. For example, Sima Xiangru's Beauty Fu, Ge Hong's Miscellaneous Notes on Xijing, Cai Yong's Xie Chu Fu and Xiao Yan's Ye Jing Fu. , all directly use "muscular" to describe beauty.
This reflects the tendency to focus only on the quality of meat to measure beauty. In addition, ancient women were also called "Niang". The word "Niang" is a vulgar word, and its original meaning is "Niang". According to Shuowen, "Niang" is "fat".
"E" is also a good name for a beautiful girl. The word "E" from "I" comes from my word and has the meaning of being tall. In ancient times, female beauty was also called "Yan" and "Ai".
What are "Yan" and "Ai"? Shuowen said: "Yan Yan, long appearance"; "Hey, he looks good"; "My Fair Lady" in the poem "Watching Luo" is the most classic name for beauty. The so-called "My Fair Lady" is to change Feng Wei's adjective "ao ao" into "ao ao" and "Mao Chuan". In addition, the reduplication of the word "ao ao" was changed to two-syllable "e e": Liezi Zhou Muwang: "Zheng Wei's maiden, e-e-e-e-e", later changed to "e-e" and "Songs of the South": "Many women are jealous of-e-e-e-e".
It turns out that ao ao, my fair lady, e-e-e-e, e-e-e all mean tall. Later, the so-called "slim" was also transferred from "slim" and "slim". Its positive meaning is only tall and does not include the meaning of "thin" now.
Yu Meiren, an ancient man, only emphasized that growth is an important condition. In Er Ya, it is "entrusted to be beautiful", and Sun Yan said that "it is beautiful to grow up" and "On Balance": "Everyone in the world is good."
Historical Records Biography of Su Qin: "There are beautiful women." On Salt and Iron: Talking about the beauty of Motome in Zhongshan, "she is also a woman in a long white dress."
There are many such examples. In ancient times, the word "graceful posture" was often used to describe the beauty of men, indicating that "fat" is also the primary condition of male beauty.
There were two famous handsome guys in the pre-Qin period, one was Zi Zi and the other was Zi Chong. And everyone, big also; Full, long and tall.
As can be seen from their names, they are handsome because they are big. When it comes to names, it reminds us of the names of the ancients, and their choice of "names" and "characters" also highlights the concept of growing up as beauty at that time.
"Zuo Zhuan Yin Gongyuan" contains the name of Zheng Gongzi, which is sealed. "Lu" is also called "Fu" in ancient Chinese (see "Lu Punishment" in Shangshu, Liji and Xiaojing).
And "Erya" said: "Fu, uncle." "Huainanzi Astronomy": "Those who are loyal to Lu are grand things; Nanlu, Renbaoda also "; Dialect: "Lu, Nagano.
Lu Yue, Song Lu, is also big. As his "word", "feng" means "big". The Book of Songs, Shang Song and Yan Wu: Feudal Jue Fu, Mao Chuan said:
2. Poems about fat people
Ten reasons to like fat people. First, it is ergonomic to use his chubby arm as a pillow. His body is the best big pillow and he is comfortable to sleep. Second, a generous chest is your best refuge. You can find comfort in his chest when you are tired, tired and wronged. Third, the average fat person has an optimistic and open-minded personality, so such a man is your best pistachio; Fourth, when he kisses you with soft lips, your heart will fall; Fifth, the meat tastes good; Sixth, the fleshy neck can just bury your face, let you smell him, relieve your mood and have a decompression effect; Seven, a round belly is a good place for you to play; Eight, because he is fat, his movements will be gentle, but when his hand slides over your body, it will make your bones crisp; Nine, because of fat, it has the characteristics of warm winter and cool summer. It can be used as a quilt in winter and an air conditioner in summer, which is both environmentally friendly and energy-saving; Ten, that kind of warm and fragrant nephrite is full, only a fat man can give you trust in me, it's really exhausted, but I haven't found it yet.
3. What poems describe "women are fat"?
The waist is thick and the legs are flat, and one person is better than the other.
Busy in the east and busy in the west, tears streaming down her face at sunrise and sunset. Poetry describing women: 1. There will be no beauty in the future! Beauty is pleasing to the eye! Dump the national 62616964757a68696416fe59b9e7ad943133363396337 city appearance! Surprised for the world! 2. Hibiscus is not as beautiful as beauty makeup, and the water temple is full of fragrance. 3. Being receptive, indifferent, sweet and sincere, with soft and delicate skin and well-proportioned bones. As beautiful as Zhi Tao in March, as beautiful as chrysanthemums in September. 5. The eyes and eyebrows are delicate, and the voice and smile are gentle. 6. Beauty is drunk, and Zhu Yan is a little. 8. Ice muscles are naturally thin, and flying away is more important. 9. She will never powder her face with her own hands again. Lotus is ashamed of jade 1 1. There are beautiful women in the north, who are peerless and independent 12. People are like the moon on the side, and frost and snow on the wrist 13. Laugh at spring peaches first, clouds pile up. The lips are full of cherry blossoms and the teeth are fragrant. 14. Silence is like a flower shining on the water, and action is like the wind. 15. If you are not leaning against the fence alone, you will find it difficult to see the time at other times. 16. A graceful girl is ashamed, but the years are not sad. 17. Beauty is more enchanting, and autumn water is like snow.
The so-called Iraqis are on the water side. 20. Who will twist their hearts and feel dizzy? Yang Yuhuan: Yang Yuhuan (AD 7 19- AD 756): This figure is too real. The court musicians and dancers in Tang Dynasty were plump, good at singing and dancing, and smooth in melody.
Her musical talent is rare among the queens of past dynasties, and she is praised by later generations as one of the four beauties in ancient China. There are five versions about its native place: Xiang Kun, Zhou Guo (now Lingbao, Henan), Yongle, Zhou Pu (now Yongji, Shanxi), Huayin, Hongnong (now Huayin, Shaanxi), Chengdu, Sichuan and Rongzhou, Guangxi (now Rongxian, Guangxi).
She was born in an official family, and her father, Yang Xuanyan, was a manager in Zhou Shu. First of all, she is Princess Li Mao, the son of Emperor Xuanzong of the Tang Dynasty. After being ordered to become a monk, he was canonized as a imperial concubine by his father, Emperor Xuanzong of Tang Dynasty.
In the 15th year of Tianbao (756), An Lushan rebelled, went into exile in Shu and passed through Mawei Post Station, where he died on June 14th.
4. Did the ancients have any poems, sentences and articles? About the beauty of being fat?
Since ancient times, China people have stubbornly believed that the standard of beauty is to be tall and fat.
The beauties sung in The Book of Songs, whether male or female, are tall and fat: Li praises a beautiful dancer: "The master is fat, and the master is tall, which shows that being fat is the standard of beauty; Feng Weishuo praised a lady and said, "Shuo people are beautiful and well dressed. "Tall is tall, tall and fat.
How fat is it? -"Soft, the skin solidified. The collar is like a cockroach and the teeth are like rhinoceros. "
"Soft catkin" is the tender bud of plants, and "coagulated fat" is solidified lard. "collar" is the neck; "Gryphon", later read as "Griffin", is the larva of Gryphon, white and fat.
Think about it: a fat bug with a bulging neck and swollen fingers, is this image worthy of the nickname "a basket of oil"? Later, in Cai Yong's Xie Chufu, the metaphor used to describe beauty is more elegant: "The face is like a full moon, the brightness is like the morning sun, the color is like lotus flowers, and the muscles are like condensed honey", but the overall image is still the same as "a basket of oil". But in ancient times, this "basket of oil", like Madonna, was definitely an idol that people admired and worshipped.
At that time, people not only advocated that women were obese, but the fatter they were, the more beautiful they were. "Tang style pepper chat" praised the woman: "His son is clumsy and huge; His son is clumsy, huge and clumsy. " Huge and friendless, that is, "Big Mac", in the eyes of the ancients, women of this tonnage are beautiful at home.
When we read the Book of Songs, we can notice that almost all sentences praising beauty are inseparable from "saying": for example, Chen Fengze Pi: "There is a beautiful person who is huge and curly"; "Postscript of the Wind and the Wolf": "The skin of the public is a little red"; Feng Qiyi: "Yi Chang Xi, Shuo Chang Xi"; "Feng Wei says people": "Say people are proud" and so on are examples. Some people may say that the Book of Songs mentioned above are all poems in the north, and the aesthetic standards in the south may be different? Please look at the beauty described in The Songs of the South: "Flesh and bones are weak, just for entertainment".
The so-called "skinny flesh" means that you can't see the bone shape in the light, which is just the opposite of the "skinny feeling" required by modern beauty selection; Look down again-"once your cheeks were leaning against your ears, your eyebrows were just right", which is even more amazing. The so-called "Zeng cheek" means "cheeks", that is, the shape of the face and neck is not very clear, like the male host of a foreign TV station (sorry, I forgot my name). This is exactly the same as the beauty sung in The Book of Songs, because Feng Wei once praised it as "giant and elegant", while Volume 368 of Taiping Yulan was quoted as "giant and beautiful".
Note: "Yi, heavy Yi also", "heavy Yi" is synonymous with "Zeng cheek" and is also a double chin. One more chin than others, which was a rare beauty in ancient Wei and Chu.
This shows that in ancient times, the beauty standard of hypertrophy was not only men and women, but also north and south. It is precisely because in ancient times, obesity was the most important thing that the word "Shuo Ren" became synonymous with "beauty", such as Xiaoya Baihua: "Singing hurts feelings and thinks for others"; Cai Yong's "Qing Yi Fu": "Xuanguang is moist, and the collar is like a cockroach.
Lanky Ran Ran, a great man "; Chen Lin's "Zhi Yu Fu": "Bright and beautiful, more beautiful than people" and so on, are all such use cases. The description of beauty in Zuo Zhuan is called "beautiful and gorgeous", and "gorgeous" is interpreted as "good and long" in Shuowen, that is, beautiful and tall.
Literally speaking, the word "Yan" comes from "Feng", which itself means hypertrophy and fullness. For example, Sima Xiangru's Beauty Fu, Ge Hong's Miscellaneous Notes on Xijing, Cai Yong's Xie Chu Fu and Xiao Yan's Ye Jing Fu. , all directly use "muscular" to describe beauty.
This reflects the tendency to focus only on the quality of meat to measure beauty. In addition, ancient women were also called "Niang". The word "Niang" is a vulgar word, and its original meaning is "Niang". According to Shuowen, "Niang" is "fat".
"E" is also a good name for a beautiful girl. The word "E" from "I" comes from my word and has the meaning of being tall. In ancient times, female beauty was also called "Yan" and "Ai".
What are "Yan" and "Ai"? Shuowen said: "Yan Yan, long appearance"; "Hey, he looks good"; "My Fair Lady" in the poem "Watching Luo" is the most classic name for beauty. The so-called "My Fair Lady" is to change Feng Wei's adjective "ao ao" into "ao ao" and "Mao Chuan". In addition, the reduplication of the word "ao ao" was changed to two-syllable "e e": Liezi Zhou Muwang: "Zheng Wei's maiden, e-e-e-e-e", later changed to "e-e" and "Songs of the South": "Many women are jealous of-e-e-e-e".
It turns out that ao ao, my fair lady, e-e-e-e, e-e-e all mean tall. Later, the so-called "slim" was also transferred from "slim" and "slim". Its positive meaning is only tall and does not include the meaning of "thin" now.
Yu Meiren, an ancient man, only emphasized that growth is an important condition. In Er Ya, it is "entrusted to be beautiful", and Sun Yan said that "it is beautiful to grow up" and "On Balance": "Everyone in the world is good."
Historical Records Biography of Su Qin: "There are beautiful women." On Salt and Iron: Talking about the beauty of Motome in Zhongshan, "she is also a woman in a long white dress."
There are many such examples. In ancient times, the word "graceful posture" was often used to describe the beauty of men, indicating that "fat" is also the primary condition of male beauty.
There were two famous handsome guys in the pre-Qin period, one was Zi Zi and the other was Zi Chong. And everyone, big also; Full, long and tall.
As can be seen from their names, they are handsome because they are big. When it comes to names, it reminds us of the names of the ancients, and their choice of "names" and "characters" also highlights the concept of growing up as beauty at that time.
"Zuo Zhuan Yin Gongyuan" contains the name of Zheng Gongzi, which is sealed. "Lu" is also called "Fu" in ancient Chinese (see "Lu Punishment" in Shangshu, Liji and Xiaojing).
And "Erya" said: "Fu, uncle." "Huainanzi Astronomy": "Those who are loyal to Lu are grand things; Nanlu, Renbaoda also "; Dialect: "Lu, Nagano.
Lu Yue, Song Lu, is also big. As his "word", "feng" also means big. According to Mao's legend, "Feudal Jue Fu" in The Book of Songs, Shang Song Yan Wu, "abundance is great. "
Twenty-two years of Zuozhuan Xianggong.
5. Did the ancients have any poems, sentences and articles? About taking fat as beauty?
Feng Weishuo praises a lady, which is just the opposite of the "skinny feeling" required by modern beauty pageants. Looking down again-"Zeng's cheek was leaning against his ear and his eyebrows were bent", which is even more amazing, and "Ao Ao" means "Fu, Grandpa".
"Stone filling" means great beauty, so the monarch beauty pageant will choose taller women, who are tall and long "; Feng Wei talks about people: talking about people's ao, etc., Yi Chang Bai Nvye: Man, Long Night. In ancient times, there was a kind of "Wan Dance" called "Man Dance", and dancers were all grown up, so it was called "Xie Chufu" by Man and Cai Yong. Yan Shigu's note: "The short is called sleep", and the middle is all big; Nanlu, Renbaoda also "; Dialect, later changed to "Emei": "Many women are jealous of Emei", and Gao (overseas Chinese, dressed. "
You grow up awkward. There is another saying: "Joe is called, one is called Zizi, and the other is called Zhi", which means that both "overseas Chinese" and "Zhi" have the meaning of growing up.
6. In ancient times, there were seven quatrains describing the beautiful face of chubby women.
1, listen to Zhang's female song
Tang dynasty: Gao Shi
Chu Palace's dangerous crown and wide sleeve makeup make you cool at night.
Ever since I knocked the Hosta on the bamboo, I have sung a song "Song Like Frost".
Wearing a high hat and waving wide sleeves, the girl dressed as a southern aristocratic woman walked alone in the cool and quiet courtyard at night. I knocked on the bamboo under the steps with my Hosta and beat the time. After a beautiful song, the moonlight is very bright.
2. Liang Zhu Yue Nv picked lotus and autumn water.
Song Dynasty: Ouyang Xiu
Yue Nv picked lotus in autumn water. The narrow sleeves are light, revealing double gold cymbals. Take a picture and pick flowers like noodles. Only * * * silk confusion in my heart.
? It's getting late at the beach. The fog is heavy and the smoke is light, and there is no companion when you come. The faint song spread to the distance. Sorrow leads to Jiang Nanan.
Next to the clear autumn water, a beautiful Jiangnan girl is picking lotus flowers. Lightweight sleeves and a gold ring hidden on the jade wrist outline her graceful posture and figure. Her charming face is reflected on the water, competing with the lotus flower. She picked the fragrant lotus root with delicate hands, but it did not hinder the "silk" of the lotus root and aroused her feelings.
In a blink of an eye, it's getting late and the wind is blowing. The girl immersed in reverie suddenly wakes up and sees a group of frivolous evening smoke, thinking of her companions. At this time, there was a faint song in the distance, only to hear it farther and farther, and the lingering sound curled up on the bank of the south of the Yangtze River, as if it had spilled all the way.
3, the female crown, midnight last night
Tang Dynasty: Wei Zhuang
You appeared in my dream late last night. Talked for a long time. Looks a little shy and happy.
When I am young, I will turn back frequently and I am reluctant to leave. When I woke up, I knew it was a big dream. The surroundings were still empty and I was still alone. A person's heart was unconsciously full of sadness.
Last night, you appeared in my dream. We talked a lot and found that you are still so beautiful and lovely. As before, peach blossoms are in full bloom, eyelids are drooping and arch eyebrows are curved. Seems a little shy and happy. When it was time to leave, I looked back frequently and was reluctant to part. Woke up to know that it was a big dream, and my side was still empty. I am still alone, and I feel unbearable sadness in my heart.
4, Yue Nv's five poems, one.
Tang Dynasty: Li Bai
The girls in Wu area in the long drought area are beautiful and delicate, and the bright moon is in the sky.
Those feet that are not on the clogs are very good.
The girl who grew up in Wudi is as beautiful as the moon. Clogs without socks, skinny Bai Rushuang.
5. Five poems by Yue Nv. Second.
Tang Dynasty: Li Bai
The girls in Wu area are all white jade, so they are good at fighting in the field.
Glaring affectionately, falling in love, folding flowers and mocking passers-by
Wudi girl is as white as jade and can fight in the field. Cast affectionate eyes, throw away the longing for love, fold flowers and mock passers-by.
In ancient times, there were seven quatrains describing the beautiful face of chubby women.
Of course, the most famous fat women in ancient China were Yang Guifei and Yang Yuhuan.
The poem describing her is also wonderful ~ Song of Eternal Sorrow Bai Juyi, the emperor of China, is eager to shake the beauty of an empire. He has been in office for many years and has never found it. Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
However, due to the gift of heaven and no concealment, it was finally elected royal one day. If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin. Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head. But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly. Sisters and brothers are in this country because she illuminates and glorifies her family.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire. ... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
Singing and dancing slowly, the emperor's eyes can't stare at her enough. Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses. The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears. Hidden in the yellow dust blown by the cold wind, they crossed a cloud line at the crack in the path of the dagger tower.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun. But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest. Heaven and earth in last contact, the dragon car comes home, and the emperor never leaves.
8. How did the ancients describe women's chubby poems as poems?
The Book of Songs:
Hands are soft, hands are soft, skin is solidified, collar is like dragonfly, teeth are like rhinoceros, cicada's head is like moth's eyebrows, and you are smiling.
Bai Juyi's Song of Eternal Sorrow;
"But there is an undeniable gift from heaven."
"As long as she turns her head and smiles, a hundred spells will be cast, and the powder and paint in the sixth house will go up in smoke."
"Warm and smooth her creamy skin."
On a spring night, the warm hibiscus curtain covers her fluttering bun, petals on her cheeks and golden ripples on her crown.
"But the petals are like her face and the willow leaves are like her eyebrows."
Three songs of Li Qingzhao in Qingping Tune
Clouds need clothes, flowers and capacity, and spring breeze blows the threshold to show wealth.
If it weren't for the head of Yushan Mountain, I would meet Yaotai under the moon.
A red dew incense, heartbroken in vain.
Excuse me, who looks like Han Palace? Poor Yan Fei leans on her new makeup.
Famous flowers fall in love with their country and are often laughed at by the king.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is listless in the north.