Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. In the afterglow of the grass, no one will lean on the fence and be silent.

I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.

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This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow and gloomy clouds." "Spring sorrow" is to leave sorrow to the longing for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, we strive to avoid mediocrity, turn the intangible into the tangible, turn the abstract into the concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky. Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts. In the next film, in order to get rid of his troubles, the hero decided to drink crazy songs: "I'm going to get drunk." However, trying to be cheerful will eventually make you feel "tasteless". From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. Nodes "the belt is getting wider" write tenderness with a healthy pen, and swear that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's perseverance and persistent attitude, and the poetic realm is sublimated. He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Whoever is a romantic teenager in a foreign land, my concubine is suspected of marrying for life. Even if you are mercilessly abandoned, you can't be ashamed. These sentences are "decisive speech is really wonderful"; The last two sentences of this word are based on Wei's words, but they are "angry and elegant". "In fact, Yan Feng has said in" The Magpie Treading on the Moon "that" every day before bloom, the wine is often ill, and the mirror is not shameful ".Although the language is decadent, it also belongs to its category. Later, Wang Guowei talked about "the great cause of ancient and modern times, the university questioner must go through three realms" in "The Thorn on Earth", and he borrowed it to describe the "second realm" as "clothes are getting wider and people don't regret it, and they are haggard for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.