How to write poetry? For who? Write what? What is a good poem? I think different times, different stages, different readers and even the same reader will have different understandings and understandings at different stages. Is a good poem good in technique, writing or content? These are all worthy of our consideration and discussion. Some poets have written high-level poems on love, nature, humanities and history, but they have nothing to do with life and times. Some poets shout out the strongest voice of the times or events, which is shocking and arouses * * * voices, but it is not the ultimate of real poetic art.
Jiang said that a real poet is quiet, and only when he is quiet can he go to his heart, go deep into life and explore language. Peng Jingyu speaks poetry with infinite affection and absorbs modern elements. Li said that poetry is like a woman, but it can be light; The wasteland compares poetry to a screw, and every sentence should be tightened; Lu Zi said that poetry is like high jump, which requires not only the preparation for running, but also the leap of words. Ning Fangying speaks a good poem worth a hundred mediocre poems, and the angle is always unexpected; Dong Xinyi believes that poetry is great beauty and poetry is the song of the soul. First of all, we must adhere to tradition, and then innovation. Zou Dingguo should find another way to talk about poetry, avoid fixed patterns and repeat the same mistakes; Ma Zhaoping thinks that every sentence in poetry is useful, and every word and even every punctuation mark has an irreplaceable position.
Poetry is the jewel in the crown of literature. I have always thought that poetry gives people beauty, thinking or pain. It has touching emotions, tense language and innovative images. Good poetry can be met but not sought. It depends not on skill, but on the creation of talent and inspiration. It is the strings and heart sounds of words, so as to get more bosom friends.
Interpretation of a poem is nothing more than three aspects: first, the theme; The second is language; The third is the realm. The theme is the shape and skeleton of the poem. When the theme is selected, you can concentrate and express it carefully, which naturally attracts a certain readership. Trying different themes will also enrich your horizons, exercise your writing ability, and even find another way, surpass or break through. Language is the flesh and blood and meridians of poetry. Its rhythm and skills, narration and expression all determine the character, beauty and ugliness of poetry. Good language is pleasing to the eye, painful or suddenly enlightened, and good sentences are unforgettable and unforgettable. The realm, that is, people's thoughts and the soul of poetry, depends on the poet's personal accomplishment. Of course, it is also inseparable from talent and mood, and sometimes it needs inspiration. How high a poet's accomplishment is, how high his writing may be. Reading, communication, collecting customs and life training are all effective ways to improve personal cultivation. As a poet, you should first stick to your soul and conscience, and then stick to your correct angle and direction. Writing requires integration and innovation.
Celebrities are not all masterpieces, and beginners are not necessarily without masterpieces. The easiest way to interpret a poem is to look at its articles and sentences. The so-called article is actually the conception and layout of the poem, and the sentence of course refers to the text of the article or a good sentence. The poems of mediocre people are either wordless and tasteless, or simply piled up words and groaned without illness. The words in the sentence are not satisfactory or familiar, and they are forgotten after reading, so reading is of little value; Those who enter the Tao have a sentence without an article. Although their ideas are not too high, they can express some ideas, which is often gratifying because of wonderful sentences. Mature poets often form a certain pattern. Except for some representative works, most of them are written without sentences and skills. Although it is not too high, there is no flaw in their words. I call this kind of poem the work of a craftsman. A really good poem is ingenious in structure, high in conception, intriguing in sentence and touching. Sentences complement each other, even every sentence and every punctuation mark has irreplaceable significance. Of course, not everyone can do this kind of poem, which requires both high cultivation and extraordinary inspiration.
Thomas Trondstrom, the Nobel Prize in Literature laureate, said, "Write less, write better and spend more time on each poem. Responsible for the text, responsible for the reader, this is a sentence I often tell myself. Only praise good works, not blindly worship individuals, so poetry does not mean that the more you write, the better, but depends on how many finished products you have, whether you can represent your own level and whether you have made any breakthroughs. Do you have your own representative works, which one can really be remembered, even if it is a sentence or two?
Poetry is not a diary, it is a more advanced form of writing, which requires both less writing and more writing. Writing less requires less but better, instead of always staying at one level. It is not only the expression and recording, but also the concentration and explosion of emotions through brewing and thinking, artistic creation and polishing. Therefore, it is required not to repeat, not to scribble casually, and strive for a breakthrough. It's best not to write plain words. Responsible for the words, responsible for yourself, and responsible for the readers. And writing needs to be diligent in writing, thinking and hands-on, even going to thousands of books and Wan Li Road. Enrich yourself through learning and communication, seek inspiration, and even listen to the voices of the earth, nature, fish, insects, flowers and birds. Of course, listening to some good songs is also good. Like a welder, you should not only collide frequently and spark frequently, but also be good at grasping fleeting inspiration and capturing and recording it in time.
As for writing poetry, there are differences between ancient and modern times, inside and outside, and each has its own style. Without a fixed pattern, it is impossible to evaluate which is good and which is not. It is a good work to be able to write yourself and impress readers. Imitation can sometimes be improved, sometimes it will lose its authenticity, and sometimes it will go into a dead end and go astray. We should explore the way that suits us best, read more works that we like, and even learn from some works that we don't like or are difficult to read. For the choice of subject matter, we should be broader, for the language, we should constantly innovate, and for the realm, we should pay attention to improving personal cultivation and writing quality (MeiWen.com.**).
There have always been different opinions about the schools and circles of poetry. I think everyone has different preferences, different cultures, different education, different realms and different environments, so there is no need to reject them unanimously. I don't want to say more about poetry, because it's just a personal hobby and has nothing to do with others. I can't comment on fame and fortune, because some people value it very much, and their purpose is to gain respect and satisfaction in the circle. However, for real literary and art groups, poetry clubs, or salons, I still suggest being cautious, choosing a good tree to live in, paying attention to digging and cultivating new people, and having a serious and lively writing style and a life style. To tell the truth, I joined the circle because of friendship, hobbies, and being able to organize and participate in some important literary exchange activities. But what I want most is communication and improvement. The real circle is not hello, he is good, everyone is good, but a hundred schools of thought contend and a hundred flowers blossom. Really good poetry should be the blood flowing from the heart, the salt in the sea and the essence extracted from everything, which can be seen, read and imagined. Communication should also be to express one's own views, instead of following other people's advice and just being Nuo Nuo. Don't be conceited, don't blow your own horn, don't be complacent, don't do something that goes against the written conscience in the name of literature, let alone guide others, especially young people who love literature and have no experience, to go astray and mislead children. In the final analysis, it doesn't matter what you talk about, whether you are famous, what awards you have won, and who you have met. Words don't deceive people, only works can convince people.
You can't live without poetry. Only poetry can make life more meaningful. On the question of who poetry is written to, I think it is written to myself first, and then to meet the readers. Readers generally don't like it if they don't read it.
There has always been a debate about the minority and the public of poetry. I think poetry is actually like playing football. If you write well, more people will naturally read it. If the performance is not good, you will gradually lose the audience. Of course, every reader is also a clever teacher and can give some advice at any time.
Sometimes I think words are more important than anything else, maybe the only thing that can stay in this life. Sometimes I feel that poetry is not indispensable. Compared with life, health or family and friends, it is actually insignificant.
Afraid of words, afraid of literature, honest, serious writing. Speak with works and encourage you.