1 Zhongyou "Recommended Quarterly Direct Table"

Highlight: The "Recommended Season Straight Table" is simple and broad, with a flat body and proper limit. Although there are many immature places, the structure is not as neat as that of Jin and Tang Dynasties, but it is full of fun and colorful, which is a microcosm of the evolution of Chinese characters from official script to regular script.

2. Zhong You's "Declaration Form"

Recommended reason: Compared with Zhong You's other works, the Declaration Form shows a more mature posture and breath of regular script in brushwork and structure. The font is simple, broad and flat, which fully shows the artistic characteristics of regular script that is maturing in Wei and Jin Dynasties.

3 Xi's "Theory of Music" and "Yi"

Recommended reason: If Zhong You's small script in the Three Kingdoms period was the embryonic form of regular script, then by Wang Xizhi's On Le Yi in the Jin Dynasty, regular script had reached maturity. Le Yi Lun is meticulous in brushwork and mature in composition. Shi Zhiyong believes that On Yue Yi is the first official work of Wang Xizhi.

4 Wang Xizhi's "Monument to the Filial Daughter Cao E"

Recommended reason: Cao Ebei has a flat structure. Compared with other small calligraphy works handed down by Wang Xizhi, the strokes of this tablet are more stretched, which is more obvious in paintings with horizontal strokes. The brushwork of official script is hidden between strokes and structure.

5 Wang Xizhi's "Huang Tingjing"

Highlight: Huang Tingjing's overall composition is similar to Le Yi Lun, with vertical lines and no horizontal lines, but the vertical lines are clear, but not very straight. The shapes with characters are not limited in height, height and width, and the connections between words are patchy.

6 Wang Xianzhi's "Luo Shen Fu"

Recommended reason: Luo Shen Fu (line 13) is elegant in style and free and easy in brushwork, while Bin's man of iron Zhai Shu Hao thinks that "the words are beautiful and elegant, and the lowercase letters are the best in the world".

7 Zhong Shaojing's Ling Fei Classic

Highlight: The Ling Fei Classic has vertical lines but no horizontal lines. Because the size, length and height of the whole word are uneven, the density is natural, and the whole word is taken care of from word to word and from line to line. The whole word is integrated. Although it is regular script, it has the smooth and elegant rhyme of running script, which is varied and interesting.

8 Zhao Mengfu's Biography of Ji An.

Recommended reason: Regarding the Biography of Ji An, Zhao Mengfu claimed that Biography of Ji An was a legacy of the Tang Dynasty, while Feng Yuan in the Qing Dynasty commented that "this book Jun Fang, although mainly in European style, still had to draw his own praise and praise."

9 Zhao Mengfu's Tao Te Ching

Highlight: Tao Te Ching, one of Zhao Mengfu's representative works in lower case, was written in Yanyou three years (A.D. 13 16) at the age of 63. Zhao Mengfu wrote Tao Te Ching in lower case many times in his life.

10 Wen Zhiming Lisao Sutra

Recommended reason: The style origin of Wen Zhiming's Lisao Jing is mainly influenced by Zhong You's Xianbiao, Wang Xizhi's Huang Ting and Ni Zan's style in Yuan Dynasty. The brushwork is calm, calm and leisurely. During the whole practice, ethereal spirit and Xu Shu's spirit emerged, especially when writing horizontally, as fine as a needle tip and as fine as a wheat awn.