More than half of 20 19.
Sir, only Lin Jiaxin in Narcotics 2 is remembered.
How long has it been since you saw a wonderful performance by a Hong Kong actress on the mainland big screen?
Mr. Wang's first reaction is Tao Jie, 20 1 1 year.
Did you find out—
The once familiar Hong Kong actress is slowly disappearing.
Wu Junru turned director and made a film "Fairy", Douban 4.2. There is probably no next movie.
Sammi Cheng, a seven-time finalist for the Best Actress Oscar, recently appeared in the public eye because her husband Xu Zhian cheated her.
Miriam Yeung, the "Hong Kong spokeswoman", disappeared from the film circle after the series of "Chun Jiao Zhi Ming".
Cherrie Ying, Ada Choi and Anita Yuen. What we remember is their status as good wives and good mothers in mainland variety shows.
As for the younger generation.
Cecilia Cheung, the flag bearer, gave up himself.
Asa, Wu Qianyu and Janice Man struggled.
Count down, no one can name it.
Christina stood on the stage last night and suddenly pulled Sebrina, Song Jia and Liang Jing together, calling on directors and producers to give Mesozoic actresses a chance.
But for Hong Kong actresses.
I didn't even have a chance to speak (or dare not).
What the hell happened?
Sir wants to talk to you.
Some time ago, a pure Hong Kong film was quietly launched.
The title of the film is hot enough, "Not a Mature Woman".
The content is bold enough. After "Child Prostitute", Ah Sa once again broke through the scale.
In this movie, Asa plays a young woman.
Married for five years, still a virgin.
She is naturally frigid?
No, no, no.
This is a story in which desire is awakened.
In the film, Asa is both a passionate play and a pole dance.
But relax.
The blood in the stills just now was so bloody that it all disappeared.
Pussy Girl is released in Hong Kong 108 minutes, and the video website version is 66 minutes.
The perception can be imagined.
The story of disintegration and sudden stimulation made mainland netizens angry at 4.2.
How did Charlene Choi end up like this?
Now she can only spin around in this low-level erotic film?
Of course, whether "Mature Woman" is a "low-level erotic film" remains to be tested by the full version.
But Mr. Wang's question is, if Asa doesn't make "this kind of film", what kind of film can she make?
This is Charlene Choi's next starring work.
Appropriate local "small" production.
I believe that 99% of people have never heard of it.
And Sir's two most anticipated co-productions
Juno Mak's Wind Forest Volcano is a collection of four trump cards: Takeshi Kaneshiro, Tony Leung Ka Fai, Liu Qingyun and Louis Koo, and the heroine is Gao Yuanyuan.
Weng Ziguang's When the Wind Comes Again, starring Tony Leung Chiu Wai and Aaron Kwok, the heroine is Du Fu.
Ah Sa's embarrassment is just the embarrassment of Hong Kong actresses at present-
Local movies can't go out of the circle; High-quality co-productions can't be squeezed in.
Why is it so far?
The time goes back to 2003.
At that time, the annual output of Hong Kong films was less than 100, and the so-called saving infernal affairs was nothing more than complacency.
Hong kong filmmakers' journey to the south.
Also in that year, the Mainland and Hong Kong Closer Economic Partnership Arrangement (CEPA) was promulgated.
The proportion of co-produced actors is specified as follows:
"The proportion of main actors in the Mainland shall not be less than one third of the total number of main actors in the film".
Actors can't move.
Four Kings, every Monday, the golden age figures we are familiar with in Hong Kong movies are all men.
Nick Cheung dialect is not rough;
"If you don't invite us to play, investors will lose!"
As a result, Hong Kong men and mainland women have become the standard of co-production.
Bing, Gao Yuanyuan, Zhang Jingchu and take turns to occupy the position of hostess.
"Star Girls" have changed from Athena Chu, Karen Mok and Cecilia Cheung to Eva Huang, Yuqi Zhang and Jelly Lin.
Long Nvlang has changed from Chingmy Yau, Shu Qi and Yang Caini to Lin Peng, Yao Xingtong and Jing Tian.
Commercial blockbusters began to be insulated from Hong Kong actresses.
In 20 18, the only non-mainland actress on the China box office list was Shu Qi.
The first place is Bai Baihe (close to10 billion).
-blockbuster monster hunt 1, 2 contributed a lot.
No role, no box office.
No box office, no role.
This is a vicious circle of logical consistency and impenetrability.
Slowly, we heard the saying:
Co-produced "killed" Hong Kong actresses.
Lin Lingdong:
Wu Siyuan, the godfather of Hong Kong films:
But there are many "ice and ice" in our mainland, all of which are caused by co-production.
Jing Wong:
Co-production has opened a big market for Hong Kong, but it has also caused far-reaching sequelae.
Zhou Dongyu and Sandra co-produced A Peace in July and won the Golden Horse Award, but it is difficult for Hong Kong to produce new people.
To put it bluntly, the disappearance of Hong Kong actresses is behind the decline and transformation of Hong Kong films.
When the great ship of the times began to turn around, it was wrong for you to run in the original direction.
What was the initial direction?
What Mr. Wang will say next may be something that some people don't like to hear.
However, this is a fact.
In 2009, the day before the 28th Hong Kong Academy Awards.
Wu Junru hosted the talk show "Star Homecoming", and two Hong Kong men came.
Chen Jiashang, Donnie Yen.
-"The Painted Skin" was nominated for the Hong Kong Film Awards 12.
In this film, the heroines are Zhou Xun and Zhao Wei, and the female companion is Sun Li.
This is one of the "fuses".
There is also a "explosive charge" that has to be mentioned.
-Following Cecilia Cheung's "Never Forget" seal in 2004, mainland actresses won the Best Actress Award for four consecutive years.
The 24th Zhang Ziyi 2046.
The 25th Zhou Xun if love.
The 26th Gong Li "Golden Flower in the City"
The Postmodern Life of the 27th Aunt Gaowa Siqin.
At first, the dialogue was friendly, but when it came to the ownership of the film, the atmosphere slowly turned sour.
Wu Junru slightly angrily said to Donnie Yen:
"You work with many mainland actresses. Are their qualities really higher than those of Hong Kong actresses? Is it a good work attitude? "
Donnie Yen is back:
"They have a good academic and performance foundation, and they really work hard."
Wu Junru listened to more gas:
"Really spell? Is this what they are willing to do? "
Donnie Yen Taiji is also first-class;
"This is for the director."
As the president of the Academy Awards, Chen Jiashang had to accept it.
It should be said that his answer is appropriate and objective.
It's time for Hong Kong actresses to work hard. Some staff are so disappointing.
He mentioned a detail-
When filming "The Painted Skin", Zhou Xun stayed on the set to accompany the director even after work. Even after the discussion stopped, Zhou Xun stayed in the movie world with tears in his eyes.
And some actors in Hong Kong, as soon as filming, rush to call it a day, and as soon as they stop here, they catch the next movie.
Which means-
They are neither professional nor dedicated.
Let's talk about professionalism first.
Everyone knows that Hong Kong artists either graduated from TVB training courses or switched careers after becoming very popular.
In other words, Hong Kong actresses lack solid basic skills training and systematic performance education.
Mr Wang's two favorite Hong Kong actresses are Maggie Cheung and Sammi Cheng.
There is no doubt that they are all good actors.
But "good" comes from talent and luck.
Maggie Cheung met Wong Kar-wai and Sammi Cheng met Du Qifeng.
-The former once admitted that Wong Kar-wai enlightened himself, and the latter (Sammi Cheng), if you look at the behind-the-scenes tidbits such as "Lonely Men and Few Women", you will find that the crew is almost partial to Sammi Cheng, trying to inspire Sammi Cheng's greatest personality charm.
What about other Hong Kong actresses?
I'm afraid there is no such luck.
Desire and jade girl are two major designs of Hong Kong actresses.
This man seems to be a world apart, but in fact, all roads lead to the same goal: anyway, just make a symbol that can excite men.
Symbol, talk about what major.
Besides, dedication.
I have to mention Cecilia Cheung.
In 2000, Cecilia Cheung made a blockbuster with king of comedy.
Dust and innocence, maturity and innocence are so appropriately and naturally contained by a woman.
This is her first novel.
Even the star leaves with extremely high standards also generously praised:
In 2004, Cecilia Cheung won the best actress for the first time in "Never Forget".
There is a scene in "Unforgettable Tonight" in which Cecilia Cheung sits by and watches Liu Qingyun and his children having fun and smiling.
There is love and affection.
There is happiness, and there is liberation beyond happiness.
Dong Chengyi was also impressed.
She is the best actress in Hong Kong at present.
Except for her, there is basically no one in Hong Kong, and it is time to return what should be returned.
We all know the later story.
Cecilia Cheung went to the porn gate, took a rest and came back; Pei-Pei Cheng and Andy Lau criticized him for his bad attitude after his comeback.
What happened to Cecilia Cheung?
This passage is the key.
"Do you hate Hong Kong entertainment circles?"
Cecilia Cheung:
This is her life choice, which is understandable, but the implication of her words may be that Cecilia Cheung, from the beginning, did not aim to be a good actor.
Many Hong Kong actresses actually pushed themselves into the circle and pushed them to the top of the mountain in a daze.
In 2005, the twins participated in Kangxi Coming.
When Gillian was filming House of Fury, she said that she liked and was good at slapping.
Cai Kangyong asked her to draw two strokes.
What can I say? ...
It's not showy at all.
In the same year, Liu Yifei made a drama version of The Condor Heroes.
For this play, she fell into the water and was almost washed away by the waterfall.
17 years old, she dragged her hair more than one meter long and lifted her legs in winter.
Of course, Liu Yifei also has a dance foundation.
Comparing the two, you can easily find the difference between Hong Kong and mainland actresses.
One is gnashing one's teeth and looking for opportunities.
One is to dress up beautifully and wait for an opportunity.
An actor who believe in it.
One takes an actor as a profession.
Please don't misunderstand me. Sir does not deny the ability and attitude of all Hong Kong actresses. What Mr. Wang wants to say is that laziness is our nature.
When "lying" can make money, most people will not "stand".
Brigitte Lin's Dong Fangbubai is a classic.
The most classic is that she is dressed in red, standing in the lake, singing to the wine.
Do you know where this classic comes from?
Brigitte Lin:
Typical is Jing Wong, which accounts for half of the commercial films produced in Hong Kong.
But when you look back at the mistress of Jing Wong.
Lin Xilei, Chingmy Yau and Christy Chung. ...
What are the essential differences between these names?
-just a variety of "meat bombs."
To some extent, Hong Kong actresses are the fig leaf of Hong Kong films.
They each have their own beauty, only beauty.
They succeeded, but success is a man's victory, depending on the times.
Finally, they lack the strength to put out a fire like a moth, and they don't have the strength to gain a foothold in the trend.
To put it bluntly, it is euthanasia.
Hong Kong actresses have been abandoned.
Abandoned Hong Kong actresses are funerary objects of Hong Kong films.
Now, is it China actress's turn?
Last night, Christina's speech was rude and boasted of contempt.
But there are a few words, Mr. Wang is still sad.
In Sir's view, the value of "Christina's speech" is not what she said.
That's why she said so.
The resentment behind her is that today, our film and television works just have no place for women.
In other words, the actress is the foil.
This is the top ten box office last year (20 18).
Top three, Operation Red Sea Chinatown Case 2, Life and Death.
Starring, none of them are women.
This is the top three box office in China in China film history.
Wolf Warrior 2, Wandering Earth and Operation Red Sea.
Starring, not a woman.
Mature women are even less popular.
The first batch of "eliminated" are all older actresses.
Looking around, how much room is left for "old actresses" in today's market?
Chen Chong once had an interview with Lu Yu and talked about the marginalization of elderly actresses in the current film and television environment in China.
Especially actresses under 30+ and 50.
I remember an issue of "I am an Actor".
Yang Rong, Wang Yuanke and Xi Lan staged a "harem play".
These actors all talked about the same dilemma.
Yang Rong said that she is over 30 years old, but in order not to be eliminated by the market, she is still maintaining the girl's design; Wang Yuanke said that before The Story of Yan Xi Palace, no one asked her to act for nearly a year, and she almost wanted to give up. Xi Lan's anxiety is that she will fade out for a year or two after giving birth, and then completely fade out of the sight of film and television producers.
Is this anxiety a special case?
Is "Song Jia" still maintaining the girl design?
Isn't it "Sebrina" who is anxious after giving birth?
As for the TV series.
Do those hot search bureaus with the theme of "big women" really care about women's psychology?
At present, the most popular "Dear, Dear" The Untamed and others, what are these plays doing?
Distribute candy to women crazily.
The story of the most popular Yan Xi Palace last year.
Wei Yingluo is, of course, the "big lady".
But what does this story tell from beginning to end?
The maid turned herself into a concubine and the concubine turned herself into a wife.
A nest of hens ran around, clutching a rooster.
This is the "prejudice" against women in today's hot search dramas with women as the main audience.
Either treat a woman as a doll stuffed with sugar or treat her as a puppet at the mercy of others.
Under the guidance of this idea.
Women don't have to think, just the body.
Under the guidance of this idea.
A woman must be young and always guilty.
Therefore, 39-year-old Wallace Huo can play a role in the wishful Love in the Palace. Zhou Xun, 44, went crazy when touching a girl.
Therefore, the 58-year-old Zhao Wenxuan can be said to be more interesting as he gets older. When Joey Wong of 5 1 came out, he was often said to be old and ugly.
This is not the dilemma faced by women in Hong Kong in the past.
Look back at abroad.
At the age of 57, Frances McDormand can still see Auliffe kittredge and three billboards.
Robin Wright can still meet House of Cards at the age of 47.
Not to mention top actresses like Hooper, Meryl Streep and Charlize Theron.
-You know, Charlize Theron can still dominate the commercial blockbuster Crazy Max 4 at the age of 44.
Speaking of which, Sir can't help but mention a scene of his favorite female drama "The Battle of Pride".
Diane is broke, unemployed and helpless. She couldn't help crying.
At this time, the derailed husband comforted her: I am your friend.
Hearing this, Diane stopped crying She dried her tears, stood up and insisted on a divorce.
Why?
She doesn't need pity.
Especially in the case of emotional breakdown between the other party and himself, any goodwill of his is charity from high to low.
And she knows very well that this kind of help will make you happy for a while, but it is also the beginning of tearing yourself apart.
You become submissive, please, and finally, accept it.
From this perspective, Mr. Wang's quantitative denial of women's value is actually a vigilance against the power that is often labeled.
The label is gender or age.
Whether power is fierce or gentle.
When Hong Kong women are disappearing, they will become adult actresses in mainland China tomorrow.
Next, all the actresses.
You're next.
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