Appreciation of Fine Fine Fine Calligraphy of Xijin
Fine gold calligraphy works +0
Figure 2 Exquisite thin gold calligraphy works
Exquisite calligraphy picture thin gold body 3
Figure 4 Exquisite thin gold calligraphy works
Figure 5 Exquisite thin gold calligraphy works
Characteristics of hand-painted calligraphy
Thin gold book is a unique font, with its erratic and fast strokes and thin handwriting, it is thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. This book is based on imagism and should have been "thin". Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote the famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with delicate brushwork and poor form and quality.
A famous work in thin gold style
There are many handwritten works handed down from ancient times, among which the well-known ones are Wen in regular script, Shi, Shi Jian Kai Tie, Peony, Wind and Frost, Daguan Monument, Yu Xu Gong Zhao, Ganzi Wen and so on. At the age of twenty-three, Evonne wrote a thousand words in regular script for treacherous court official Tong Guan. At this time, the thin gold body has begun to take shape, and the cursive script with thousands of characters was written by Song Huizong in his forties, which belongs to wild grass, and his brushwork is free and easy, which shows his profound calligraphy skill. Most of the thin gold books are in small print, while Fang Shi is a masterpiece of thin gold books, which is dripping with water, sharp-edged and full of lofty sentiments and unique charm.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote the famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with delicate brushwork and poor form and quality.