I found similarities between Hong Kong directors. Most of them are comedies, vulgar and relaxed romantic films, and martial arts films related to gangs (in fact, this is also the characteristic of Hong Kong films-gangs).
Tsui Hark is a man who changed Jin Yong's martial arts beyond recognition without being criticized by Jin Yong. His films can be described as "ghosts", and the pictures are hazy, whether it is cold or warm, which gives you a feeling of dreaming. Because most of them work with geniuses like James J.S.Wong, the women he plays give people the impression that they are erotic, not erotic, which stimulates people's instinct, and so is music. (e.g. green snake)
Wong Kar-wai (only one person likes his work-Chongqing Forest) shakes the camera in Chongqing Forest, which makes you feel dizzy and even bored. The camera shakes for a long time, and the blurred picture will make you unhappy. Maybe he just wants to achieve this effect. There are very few people during the day, and they have been shuttling through crowded streets, but they have nothing to do with each other, but they meet at the last focus. In fact, the sentence formats of his protagonists are almost the same.
"When I was closest to her, the distance between us was only 0.0 1 cm. I know nothing about her. Six hours later, she fell in love with another man. "
"An event+a circuitous time+a boring event.
I wrote: I am answering a question that Baidu knows, and my chrysanthemum tea is lying 23.34 cm away from me.
Wong Kar-wai should be regarded as one of these directors who dare to challenge comrades. I only watched a little of Gathering together, but I like his black and white pictures (when I think of Leslie Cheung, I think of Farewell My Concubine, so I won't get tired of watching movies more than three times a day, and I think spring is like this).
Sorry, the other two directors seldom see their works.