Gambling God 1 Chinese name: English name: God of gambling God Origin: China Hong Kong type: gangster hero | funny comedy | romantic love director: Jing Wong Screenplay: Jing Wong dialogue: Mandarin/Cantonese subtitles: Chinese and English subtitles Release date:1214 Main actors. He accepted the invitation of a famous Japanese gangster and went up the mountain to fight Chen Jincheng, who is known as a gambler. Before the decisive battle, he accidentally stepped into a trap and fell. After AG lost his memory, he lived in a rogue's house, and his girlfriend Jane took good care of him. Daozi has benefited and suffered from the gambling of AG's amnesia. Gao Yi, the cousin of AG, raped and killed Janet, the girlfriend of AG, and sent someone to kill AG. Fortunately, the mountain guard dragon five saved him. I was injured by a car when I escaped, and my memory recovered. The moment of decisive battle between AG and Chen Jincheng has finally arrived. He is better than Chen, using Chen's mark on poker to beat Chen. At the same time, it also exposed the ugly face of senior one. With the help of dragon five, he defeated the villains, avenged himself on going up the mountain, and traveled around the world with Daozi to gamble. Edit this paragraph | Back to the top of "Gambling God 2" Chinese name: Gambling God 2 English name: God of Gambling God 2 Origin: China Hong Kong Type: Funny comedy/dialogue: Mandarin/Cantonese subtitles: Chinese and English subtitles Director: Jing Wong Screenwriter: Jing Wong Duration: 126 minutes Main actors: Chow Yun Fat, Tony Leung Ka Fai, Chingmy Yau, Xiang Huaqiang, Ke Shouliang Edit this paragraph | Back to the top. His opponent, who hates and laughs, is ambitious and deliberately eliminated gamblers, thus replacing gamblers in the gambling arena. Qiu Xiaoji forced gamblers to return to the Jianghu and decided to go to France himself. It happened that dragon five (Xiang Huaqiang) came to France to visit his old friends at this time, and Kim was very happy. In order to entertain this friend from afar, Jin took the dragon fishing in the lake, while he stayed at home alone to prepare dinner. At this time, Qiu Dai's men visited and saw that Jin was not at home. They killed the immature unborn fetus by cruel means and began to hunt down Jin. Kim was very sad when he learned that his wife and children had died. Persuaded by the dragon, Jin decided to go back to the mainland alone for fun. During the trip, Jin met the Taiwan Province gangster and his beautiful daughter Zhen, and also met the mainland youth Xu (Tony Leung Ka Fai) and his sister Qian (ornaments). Ke was killed in revenge. Ke was entrusted to take care of his daughter when he died, and money was shot under cover. In order to avenge his relatives and friends, Kim finally put on his combat suit again and accepted the challenge of revenge ... and finally won. Edit this paragraph | Back to the top "Gambling God 3 Teenagers Gambling God" Director: Jing Wong Year: 1997 Dialogue: Mandarin/Cantonese Subtitles: Chinese and English Subtitles Duration: 1 10 Minutes Region: Hong Kong Starring: Chen Hao, Jordan chan Zhang Daming, Dawn Wu Zhixiong, Wu Zhenyu Xu Jinjiang and Liang Yongqi Edit this paragraph | Back to the top story. His 8-year-old son AG lost his home, joined a cheating group and learned all the skills from Qian Jinneng (Zhong Jinghui). 17-year-old AG (Dawn) became a master of magic, and fell in love with Jin Qing (Liang Yongqi), the daughter of Jin Neng. Unexpectedly, the situation suddenly changed. In a "God of Gambling" contest, AG was betrayed by his most trusted master and shot. AG was shot in the head and was dying. Fortunately, his friends Qi Girl () and Long Wu () helped him avoid death. After his recovery, AG realized that his younger brother Gao Qian (Wu Zhenyu) had won the title of gambler, married Jin Qing and became a man himself. Edit this paragraph | Return to the top. Jing Wong, the film critic, reinvented Judas in the form of People's Prequel, and performed the youth of AG with Dawn and dragon five with Jordan chan. At the same time, he explained AG's amnesia and delicious chocolate candy in one fell swoop, and successfully completed the trilogy "God of Gambling". As soon as "God of Gambling" appeared, the audience was stunned by its colorful gambling methods, but many years later, when the film was released, all kinds of gambling methods flooded the screen, and the audience was not surprised. Therefore, in this new work, Wang Jing turned to pay attention to the relationship between characters. From the love of Seven Girls (Anita Yuen) to the envy and pride of Big Brother (Wu Zhenyu) to the fact that dragon five and AG are heroes, they are vividly and hierarchically described, which makes the first half of the film look quite youthful and humorous. Unfortunately, the pool sister of AG (played by Liang Yongqi) is too fake, like a puppet manipulated by choreography, so that she can betray AG after being forced to marry Aoan, which makes people unconvincing and makes the plot of the finale even less convincing. Edit this paragraph | Back to the top movie tidbits Jing Wong said he never wanted to change. From 65438 to 0989, The God of Gambling, directed by Jing Wong and starring Chow Yun Fat and Andy Lau, set a box office record of 40 million Hong Kong dollars that year, thus leading the gambling wave of Hong Kong films. "God of Gambling" set a new box office record. The whole process of filming "God of Gambling" was very easy. Although some people say that this film leads the trend of gambling films made in Hong Kong, I have no pressure at all, because I never think about the height of this film before making it. In fact, the first film I made included gambling elements, including scams, kung fu and, of course, jokes. Shooting "God of Gambling" was a little successful, but it expanded some elements more fully. Moreover, it was the hottest time in Chow Yun Fat, and Andy Lau was on the rise. At that time, they had passed the struggle period of desperately trying to gain the recognition of the audience, so we all regarded filming together as an opportunity to relax, talking and laughing all day, and this relaxed mentality can be seen from their performances. The film was made smoothly, and it only took two months. At that time, * * * invested HK$ 6.5438+million, but the box office achievement reached 40 million, which set a new box office record for my film. Chow Yun Fat is a little clever in the country. Looking back on this film now, I don't think it is a work that can withstand countless ups and downs. Although it is very successful in creation and commercial operation, it may not get so much attention without the support of popular stars such as Xiang Huaqiang, Chow Yun Fat and Andy Lau. After that, my film will use some big stars. I am proud that I can discover the potential of an actor. I don't deny that my vision is unique. For example, Chow Yun Fat has a little local cleverness, Andy Lau has always maintained a childlike innocence, and Stephen Chow gives people a feeling of restlessness and cunning. Their unique temperament will be used by me in the film, so when the actors cooperate with me, they will give me full trust to tap their comedy talent. In my movies, hope always outweighs disappointment. My movies have always been positioned as purely funny movies, but I don't quite agree with this statement. It's just an outer package in my work to please the audience with humor. Just like "God of Gambling", in fact, if you think about it carefully, it is a very sad drama. Although Chow Yun Fat finally defeated everyone, he lost everything he could, so he had to start another life. The films I have made, such as Black and White Forest and Supreme, are actually very dark, but my films always bring some hope at the end. This has something to do with my growing experience. I grew up in a family full of affection and always rejected the dark things in society. Their existence always makes me feel uncomfortable, so the hope in my movies is always greater than disappointment, and the packaging of entertainment and funny is also based on this. I never thought that changing the style would bring this mentality to my works. For me, making a movie is just a serious job, and I will never let myself fall into a neurotic creative state. When you make money from filming, someone will continue to invest in you, and then I can explore a set of business rules. Whether it is a movie or a TV series, I will do it according to this law and will never be bound by the so-called artistic creation. My movie may be called a bad movie. I have made so many films and never won an award, but in any case, my films always have an audience. I never want to change, this is my style, otherwise there would be no style at all. I don't understand the humor of young people now, but people's minds will change with age and experience. The comedies I made when I was young were more personal. Now that I am 50 years old, I will unconsciously bring more family things into the film when I am filming. In recent years, I suddenly feel a kind of sadness, because I find that I can't understand the humor of young people now. I wonder if the main groups of movie audiences can understand my humor if I continue to make comedies now. So I'm now preparing several serious movies, perhaps just to enlarge the dark and sad elements hidden in my previous creations. For me, it's not a change, it's just something I said at a certain stage. Edit this paragraph | Go back to the top of the movie comment. I miss the confidence in my blood. When I think of the golden age of Hong Kong movies, my blood boils. I am full of the high spirits of the whole era and embrace the infinite hope of that city in Hong Kong. It was the most gorgeous world I could imagine and yearn for when I was a teenager. Fage, Andy, Leslie, gambler, love in heaven, wandering around the world, the most commercial movie born from the most primitive self-confidence, like the blood flowing in your veins, is full of temperature and passion, flapping your most sensitive nerves. When Jing Wong said I was 50 years old, I was even sadder than seeing my brother with a gray beard. In those Hong Kong films of 1980s that are often reviewed now, Jing Wong always appears as a "rogue", flaunting pure love from time to time to pursue his "beloved" Chingmy Yau. In my memory, it seems that he has always been the heartless fat man, shooting a bunch of bad films when the market is booming and switching to TV dramas when the market is sparse. But he actually said, I don't understand the humor of young people now. I don't know if Jing Wong's statement further proves that the golden age of Hong Kong films has long since completely left in the last century. In fact, how big is the plate of the bad film? Beating around the bush can explain how big the market for Hong Kong films is. From different angles, one or two classics can be left in a hundred bad movies, or three or two hot movies can drive hundreds of bad movies, such as ghost movies, gambling movies and martial arts movies. In fact, the whole market needs and digests thousands of bad films, and the main composition of the whole film industry is actually the middle part of the film with average quality, which truly reflects the level and prosperity of the film industry. Now, it is this part that Hong Kong movies are shrinking. The reason why Wang Jing "serves the elderly" is because of his films "Black and White Forest" and "Slimming". In the past two years, they have been serious or perfunctory, and they have failed in the market. No matter how hard they want to cross the bridge or be cynical, it doesn't work. Big production and big lineup are almost the only self-confidence of Hong Kong films at present, such as Infernal Affairs, Initial D and Seven Swords, but the self-confidence of the market is not in Hong Kong, but in the mainland. Small productions, small achievements, striving for victory through stability, such as Early Maturity and A Thousand Cups Not Drunk or Long Wei Jun by Dong Shengyi, are among the few works that still focus on the local market in Hong Kong. But basically, the overall confidence in Hong Kong films has been lost. What Hong Kong movies are losing now is the confidence in their blood. From practitioners to audiences, they are all in a state of wait-and-see and impatience. Jing Wong said that he was old, and Fage wanted to talk about love with Gaowa Siqin, while Andy Lau, a model worker, was still fighting at the front, as if to stand up and prove that Hong Kong films were unbeaten. It's just that what we miss is still the smile of AG and the handsomeness of Daozi.

Satisfied, please adopt.