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On August 29th, 2005, the classic tango music in the movie True Lies and the Taste of Women.

This film shows its symphony version. It was composed by carlos gardel and written by Alfredo Le Pera, and published in 1935.

I think someone must have bought this work because of Al Pacino's provocative tango. This is a typical Argentine tango, and the enthusiasm and romance are beyond measure. So much so that I was completely infected after watching The Smell of Women, and I can no longer appreciate the effect at the beginning of Schindler's List.

Classic, never tired of listening to the melody.

Translated into Chinese, it is called "one step away".

The violin leads the melody in a high-profile and restrained way, just like a woman stepping on the tango. She has a noble attitude and refuses to welcome her other half, and she is entangled in it. The piano hits the keys forcefully before the climax of the music, as if taking a deep breath before the next rotation, and then setting out to conquer the dance floor.

Since its birth, it has become the first choice dance music for tango in movies, and the melody of combining rigidity with softness seems to adapt to the psychology of each character and the foreshadowing of any scene.

Por una cabeza is only one step away.

Paalmann, a violinist, has played all the famous classical violins, especially the film Schindler's List. John williams, a composer who won five Oscars for best film score. This is the first time that the two giants of contemporary music have joined hands to perform one famous movie music after another in this album. The most famous one is the song Por Una Cabeza written by Gardel, the uncrowned king of Argentine tango, which is a famous tango dance and has appeared in Schindler's List, Fragrant Woman and True Lies. This tango-style song, in the form of ABAB, has a lazy and humorous tone in the first paragraph, then goes to the minor in the second paragraph, then to the passionate feeling and then to the major. The counterpoint and harmony of violin and harmonica. The inconsistency and patchwork of the styles of the two parts fully show the tacit cooperation between the two in tango dance. The passion after entering the B section pushes the emotions of dancers and audiences to the highest point. Then suddenly slow down and go back to the first tune. The whole music is euphemistic and moving under the exquisite performance of Paalmann, which shows the exquisiteness of tango dance music.

A song is finished, but the melody in my head is lingering, just like a dance that I have never appreciated. There is always only the last step, and I am always disappointed.

Listen to it, and only once.

Baidu mp3 can be found!