Ma Zhiyuan was an outstanding dramatist and essayist in Yuan Dynasty. His "Jing Tian Shah Qiu Si" has always been regarded as an outstanding masterpiece in poetry and known as "the father of Qiu Si". For hundreds of years, it has been famous for its artistic charm (Wang Guowei's "Words on Earth").
As a teenager, Ma Zhiyuan was keen on fame, but he never succeeded because the rulers of the Yuan Dynasty carried out the policy of national oppression in the early days. It can be said that the author has lived a wandering life almost all his life, and he is doomed to be depressed and embarrassed all his life.
France asserts: "Literary works are autobiographies of writers." It is absolutely irrelevant whether this assertion is too much, but it is very appropriate to observe this poem. The images such as "withered vine", "old tree" and "faint crow" in the song are originally autumn colors that people are easily worried about in the eyes of frustrated literati such as Ma Zhiyuan. In addition, it is dusk and the lonely traveler at the end of the world is traveling. We can't help but think of his career frustration and the sadness of wandering in his heart, and then crystallize such a song, which is full of sadness through wandering. It can be said that this poem is a true and vivid portrayal of his life.
This poem has only five sentences and 28 words, and its language is extremely concise but its capacity is huge. With a few strokes, I drew a homesick picture of a wandering wanderer, which vividly conveyed the voice of a wandering wanderer. This picture consists of two parts: one is a picture of autumn field in twilight, which is composed of several carefully selected scenes that can represent Xiaoqiu; Second, describe a wanderer walking alone in the cold autumn, with endless pain in his heart.
The first painting is *** 18 with nine nouns, without empty word, which is natural and fluent, with rich connotations. With his skillful artistic skills, the author bathed nine different landscapes in the afterglow of the sunset, presented them to us in a "montage" brushwork like a focal plane, and brought the readers into the late autumn season at once: several dead vines were wrapped around several bald trees with yellow leaves. We can imagine that crows can still have old trees to return to, but wanderers are homeless. How miserable and helpless it is! Next is a small bridge, flowing water, and a small farmhouse with faint smoke. The rural scenery in which such people live is so quiet and sweet, comfortable and carefree. All this can't help but remind the wanderer of the bridges, flowing water and relatives in his hometown. Here, the sad feelings are written in the happy scene, which sets off the helpless sadness of the wandering wanderer.
In the second painting, we can see that in the bleak autumn wind, on the lonely ancient road, a wanderer suffering from homesickness rides a long-delayed thin horse and wanders into the distance in the heavy twilight. At this time, the sun sets, scattering a bleak oblique light. This is the reunion moment when birds return to their nests, cattle and sheep return home and people return home. However, the wanderer is still "the end of the world is reduced." At this moment, this situation, a wandering in a foreign country, in the face of such a bleak and desolate scene, how can it not be sad, heartbroken and heartbroken! The heart of a wandering wanderer drops blood in the autumn wind. ...
It is with such a short ditty that Ma Zhiyuan expresses its indescribable connotation, vividly portrays the sad inner world of a wanderer and gives people a shocking artistic feeling.
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