In the first paragraph, the adagio melody rises step by step, just like a bright moon rising in Ran Ran at sea, bringing people into a hazy and changeable artistic conception. The melody like the second song, decorated with the fingering of singing, rubbing, pushing and holding with the left hand, is full of charm and reminiscent of graceful dancing. In the third and fifth paragraphs, when the melody is repeated, the expanded music material is inserted after the first sentence to make the music develop. When the tail sound reproduces two melodies, the fifth paragraph is doubled, and a tail sound is added, ending with a feather sound. In the fourth paragraph, the order of the first scattered board is changed and expanded. From the sixth paragraph to the ninth paragraph, the singing theme in front is free and changeable, with fast speed, changeable rhythm and lively melody, which has the characteristics of traditional song and dance music. Music shows obvious hierarchical development, just like a warm dance scene, surrounded by dancing sleeves and dancing footsteps. The tenth to twelfth paragraphs, first of all, the melody is widely spread, and the music is played with long fingers. The music is continuous, just like the appearance of a thousand layers of jade in journal of the central conservatory of music, and the bright light of toads rises into the sky, elegant and quaint, full of fantasy. Then, with the technique of bouncing, a light and urgent tone pops up, full of life breath. The last paragraph first presents the epitome of the first preface material, and then repeats the rapidly changing sound pattern, which is dramatic. Finally, the first sentence of the whole song is taken as the ending of the whole song, describing the jade rabbit sinking in the west and quiet around it.
The whole song is simple and moving, euphemistic and moving, elegant and gorgeous, with a strong sense of dance, which is quite charming in the Tang Dynasty.