The language styles of some famous poets in Tang and Song Dynasties: Meng Haoran's language is light and heavy, quiet and healthy; Wang Wei is calm and vivid, "there are poems in the painting"; Wang Changling is vigorous and powerful; Li Bai's elegance and freedom; Du Fu's depression and frustration; Gao Shi, Cen Can's vigorous and extraordinary pull; Wei's freshness and elegance; The bleak autumn in Jia Dao; Li He's melancholy strangeness; Bai Juyi's plain and fresh; Liu Yuxi's clarity; Li Shangyin's beauty and elegance; Du Mu's subtle grace; Li Yu's sadness is delicate; Ouyang Xiu is very beautiful; Fan Zhongyan is desolate and tragic; Yan Shu's simplicity; Su Shi's broad-minded and heroic; Liu Yong's lingering sadness; Qin Guan is sincere and sincere; Li Qingzhao's graceful sadness; Yang Wanli's freshness and liveliness; Land travel is unrestrained, clear and smooth; Xin Qiji is magnificent; Jiang Kui's meticulous and thoughtful, beautiful and far-reaching.
Li Bai: Born in a rich and educated family. It is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament, and his poems also have that kind of strong, rushing feelings and unrestrained momentum.
Su Shi: proficient in Confucianism without pedantry, participating in Zen without addiction. Confucianism's loyalty to the monarch and love for the people, Taoism's obedience to nature and Buddhism's self-liberation all played different roles in different periods, and * * * maintained Su Shi's complete life. Su Shi's personality is also dual: on the one hand, he is an upright, frank and sincere person who would rather lose his intention than lose his righteousness, so his personality has a very serious and persistent side; On the other hand, he is an adaptive person, so there is a very casual, free and open side in his personality. The artistic features of his poems are (1) emphasizing on learning by talents. (2) Discuss more. (3) Make good use of metaphors. 4 there is elegant banter.
Bai Juyi: The basic style of his poems is simple and easy to understand.
Tao Yuanming was a famous pastoral poet in Jin Dynasty. The name is hidden and the character is bright. Plain artistic style, concise language style. Such as "Five Songs of Returning to the Garden"
Wang Wei, a famous pastoral poet in Tang Dynasty, has a charming word. Poetry is quiet and leisurely, and its style is fresh and distant. Such as: "Autumn in the Mountain"
Meng Haoran was a famous pastoral poet in Tang Dynasty, with a light artistic style. Such as "Spring Dawn" and "Sleeping in Jiande"
Gao Shi, a famous frontier poet in Tang Dynasty, is famous for his wealth, vigorous and simple style, vigorous and tragic. Such as Ge Yanxing
Cen Can was a famous frontier poet in the Tang Dynasty, as well as Gao Shi. Style, like Gao Shi, has a bold and tragic style. For example, A Song of Farewell to the Field in the Snow-Wu, the clerk, goes home, also belongs to the frontier poet of the same era, and Wang Changling's "Going beyond the Great Wall" (Mingyue Pass in Qin Dynasty, but the recruiter did not return in Han Dynasty. If Wei Qing, who attacked Longcheng, and Li Guang, the flying general, were alive today, the Huns would not be allowed to go south to spend their horses in Yinshan. ), Wang Zhihuan's "Liangzhou Ci", "In the Lodge of Herons" and so on. They all have the same style.
Li Bai was a famous romantic poet in the Tang Dynasty, and his style was bold and elegant. Such as: looking at Lushan Waterfall.
Du Fu was a famous realistic poet in Tang Dynasty, and his poetic style was gloomy. Such as: "Up the Mountain" and "Car Shop". The so-called "depression" is Du Fu's poetry, which embodies the broad and profound reality, bold artistic conception and deep feelings. The so-called "frustration" refers to the artistic expression of adapting to depression, which mainly refers to the ups and downs of emotional expression and the ups and downs of tone.
Bai Juyi was a famous realistic poet in Tang Dynasty, and his poetry style was simple and frank. Such as: "Selling Carbon Weng".
Han Yu, a famous essayist in the middle Tang Dynasty, is not only simple and fresh, but also eccentric and poetic.
Meng Jiao, a famous poet in the middle Tang Dynasty, was named Dongye. Is a poet who is famous for his bitter songs. Its style is stiff and empty, which is very dangerous. Such as "Looking at Luo Qiao Night" and "When the first ice fell in Tianjin Bridge, Luoyang was a stranger. Liu Yu's little book pavilion, the bright moon came straight to see the snow in Songshan. "
Jia Dao, whose name is Lang Xian, is a little later than Meng Jiao, and is just as famous as Meng Jiao. He is also a poet who is famous for his bitter songs. The story of Deliberation is the best proof. His poetic style is strange and bitter. Such as: Li Ning's Seclusion, Birds Stay in the Tree by the Pool, Monks Knock at the Door.
Liu Yuxi, a famous poet in the middle Tang Dynasty, has a subtle and heroic poetic style.
Liu Zongyuan was a famous poet in the middle Tang Dynasty, and his poetic style was beautiful and simple. Such as; Jiang Xue.
Li He, a famous poet in the mid-Tang Dynasty, has auspicious words and a unique poetic style of Leng Yan. Such as "quotations from Li Ping"
Du Mu, a famous poet in the late Tang Dynasty, was named Mu Zhi, and his poetic style was heroic and handsome. For example, "hiking"
Li Shangyin, a famous poet in the late Tang Dynasty, has an elegant style and a delicate poetic style. Such as: "A note to friends in the north on a rainy night", "You ask the date of return, and the rain rises in the autumn pool at night. When * * * cut the candle at the west window, but talk about the rain at night. "
Interviewee: Shu Qiu-Scholar Level 3 2-23 18:42
Li Bai's writing style
In the history of literature, from the Six Dynasties to the Sui and Tang Dynasties, great changes have taken place in aesthetic concepts. Although Cao Pi once put forward that "literature is based on qi" (a classic essay) and Zhong Rong also advocated "natural English meaning" (a poem), due to specific historical conditions, the artistic interest of the Six Dynasties was more inclined to elegant literature. In the most prosperous Tang dynasty, poetry turned to the genius expression and natural expression of the main interest, and these aesthetic ideals of predecessors were truly and fully reflected. And Li Bai is the concentrated representative in this respect. In the Ming Dynasty, Wang Shizhen summed up the overall features of Li Bai's poems in Yi Yan Yuan with two sentences: "Qi is the main thing, nature is the teaching". These two sentences are reflected in the artistic image, lyrical way and poetic language of Li Bai's poems, thus forming his distinctive artistic personality.
Li Bai's ability to capture images is very strong, but when the poet's surging poetry can't be accommodated by ordinary images, the poet launches his imagination and fantasy, and realizes the artistic transformation with words. This deformation is based on the poet's strong feelings, which makes the image break through the convention and obtain fantastic colors.
For example, poets often change the proportional relationship between the size, quantity and weight of things in real life, and achieve strong artistic effects through the deformation of physical scales. He suddenly turned heavy into light, such as "feeling your majesty's kindness is more important than life, and throwing a feather lightly when crossing a mountain" ("Knotting socks"), and "Poetry is a glass of water in the north window" ("Answering the Twelve Cold Nights of the King"), and suddenly turned light into heavy, such as "Xing Han put pen to paper and shook the Five Mountains, and poetry became a smile to lead Cangzhou" ("Answering the Twelve Cold Nights of the King"). Li Bai's landscape poems often break the limitation of spatial orientation, arranging heaven and earth in all directions at will, and showing the poet's broad mind through spatial deformation. For example, his six poems about Hengjiang initially focused on the location of Hengjiang (in today's Anhui County), but the poet's perspective was not limited to this place. It suddenly jumped to the crock pavilion outside Jiangning, even to Sanshan, which is located in the north of Jiangning County and farther than the crock pavilion, and then to Tianmen, 30 miles southwest of Dangtu, and suddenly wrote the tide of Qiantang River. Another example is "I was drunk when I accompanied Uncle Assistant Minister to visit Dongting". Third:
The cutting of Junshan Mountain can make the water level of Dongting Lake spread outwards, which looks endless. Baling didn't drink enough wine and got drunk together in the autumn of Dongting Lake.
When the poet was drunk, he wanted to cut off Junshan Mountain and let Hunan water flow freely to show his uninhibited pride. In addition, for example, writing about Lushan Waterfall, "The river begins to fall, and it is half a day ... The sea breeze keeps blowing, but the bright moon is still empty" (one of the waterfalls looking at Lushan Mountain), and "Going straight down to the thousands of feet, it is suspected that the Milky Way has fallen for nine days" (the second topic of the same topic) are all changing space in imagination to expand the momentum. In Li Bai's poems, the speed of time can also be changed according to the emotional requirements, and the so-called "subjective time" has appeared. For example, "You don't see the mirror on the shelf, the morning color is like silk, and the night is like snow" in "Into the Wine" describes that a person's life is as short as day and night; "Send Wei Nanling Ice" "The moonlight is drunk and the mountain flowers are burning. The spring breeze kills people crazily, playing for three years a day and enlarging the day into three years. " Sauvignon Blanc "more wonderfully solidified for an instant, and the poem said:
I miss you in a distant place, outside the blue sky. It used to be an eye, but now it is a fountain of tears; If you don't believe in sword cutting, please come back and look in the mirror in front of me!
The heroine in the poem should seal up the moment of crying in front of the mirror as proof in the future. This is the same as the folk song "Mochou Le" in the Six Dynasties. "Huan Wen went down to Yangzhou and sent him to Shantou, Chu. Reaching out and hugging the waist, the river will not flow ",which has the same effect, and all use the deformation of time to set off the infatuation of women. In more poems, Li Bai is good at supplementing or organizing pictures with wandering immortals, dreams or dreamland, and expressing his ideals and feelings and Wang Yang more wantonly in virtual descriptions. For example, in "Dream on Mount Tianmu", the description made by the poet at the beginning contains a lot of fictional elements, such as "Yangyang is halfway through the road, the holy chicken crows in space" and "bears, dragons, mountains and rivers are storming the waves, shocking the forest and shaking the heights". These are all the mountains and valleys in the poet's mind and cannot be regarded as real mountains and rivers.
From the beginning of "clouds bring rain, water brings light smoke", poetry entered a mythical world, and wandering immortals inspired the poet's enthusiasm for freedom, and finally produced the rebellious voice of "Alas, how can I solemnly bow and scrape to the high official?" The poet expresses his refusal to the powerful through the realm of fantasy. Another example is Yin:
I want to climb the dragon to meet the Lord, and the thunder Lord beats the drum and slams the pot to hit the emperor. At three o'clock, I smiled and turned on the lightning, and suddenly it began to rain. If you can't pass nine doors, you will be angry if you close the door with your forehead. ……
The 19th antique:
Go to Lianhua Mountain in the west and watch the stars all the way. Holding a white hibiscus flower in both hands, curled up into a ball. Dressed in colorful clothes, elegant clouds floated high into the sky. I boarded the rainbow platform and bowed to Wei Shuqing. Anxiously follow them and take Hongyan to Zixuan. Inadvertently, the Luoyang Plain was full of soldiers in the Anshi Rebellion. The bones are bloody, and the traitors turn their backs on the court.
They all fully show the opposition between reality and ideal in the dreamland, or they can't forget the heart of suffering reality. It is the inheritance and development of Qu Yuan's poetic spirit to pin rich real life feelings on dreams and show sober struggle consciousness and enthusiasm in dream images.
Li Bai's "heavy spirit" is also manifested in his lyric form of surging waves.
In the process of creation, the poet's feelings are often like a torrent, overwhelming, and there is a powerful force in it. Therefore, in the choice of poetic style, he rarely uses relatively limited metrical poems, but prefers ancient poems, especially seven-character metrical poems, which are easy to gallop freely and express freely. Moreover, Li Bai's poetic style is more free than before. For example, Shu Dao Nan uses a lot of miscellaneous words with uneven length, and it uses a unique sentence pattern from the beginning:
"alas, alas,
The risk is high,
Such a trip is more difficult than climbing the blue sky. "
Then there are five words, seven words, sometimes as short as three or four words, sometimes as long as a dozen words, such as: "This is at stake, why did you come all the way?" Although the pass of the watchtower is strong and steep, one person guards it and ten thousand people can't beat it. What if he is not loyal, but a wolf to his companions? . "Push the poet's passion to a climax step by step in the flexion and extension of sentence patterns. Li Bai's poems are also very jumping, often revealing fickle emotional activities in the turmoil of opening and closing. What runs through these leaps is not the logic of life, but the traces of emotion. For example, "Farewell Minister Shu Yun in Xuanzhou Xie Tiao Villa" cloud:
Since yesterday, I have to leave Bolt and me behind. It hurts my heart even more today. Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine. Great writers are all your brushes in their bones. In the school in heaven, I grew up beside you. We all hold high the idea of going far away and want to go to heaven to embrace the bright moon. But since the water is still flowing, although we cut it off with our swords, let's raise our glasses to ease our worries. Since the world can't satisfy our desire, I will let go of my hair and get on a fishing boat tomorrow.
There are only twelve sentences in the whole poem, but the poet's emotional activities have experienced several ups and downs.
The first two sentences began with sadness, but from the third sentence, the realm suddenly changed. The poet is full of energy and high spirits, and wants to go to heaven to embrace the bright moon. The word "draw out a sword" fell from the sky and fell back to the world, and sadness was like a resurgence. But the poet didn't want to be swallowed up by this depressed emotion, and finally broke free again and flew to the free space. In this ups and downs, the poet reveals his inner pain and shows his philosophical character.
The language style of Li Bai's poems, in his own verse, is "clear water gives hibiscus and natural carving" ("After the chaos, Tian En Liu Yelang recalled old books and gave them to Jiang Taishou for good slaughter"). He wrote a large number of Yuefu poems, accounting for almost a quarter of all poems, and was the poet who wrote the most Yuefu poems in the Tang Dynasty. His best quatrains come from Yuefu. Li Bai also freely used the quatrains used as Yuefu in the Tang Dynasty. All this shows that Li Bai's poems are close to ballads, and in fact, they enrich and enrich the poetic language from the vivid language of life, and refine it. Yuefu poetry has not developed much since the early Tang Dynasty, but Li Bai combined the simple and elegant Yuefu in Han and Wei Dynasties with the fresh and clear Yuefu in the Six Dynasties, creating a fresh poetic language.
Many of his poems are directly derived from Yuefu folk songs. For example, Silent Night Thinking is derived from the article Autumn Wind Entering the Window in Midnight Qiu Ge; However, his poems, such as The Wind Blows My Heart to Hang a Fairy Tree in the West (The Golden Elephant Sent to Xijing), My Heart and the Moon Rise with the Wind until Yelangxi (I heard that Wang Changling moved to Longbiaoyao to the left) and My Heart and I Dream of Flying to the Mirror Lake and the Moon in Wuyue Night (I Dream of Climbing Mount Tianmu), are obviously influenced by the Western Zhou Dynasty music of Yuefu in the Southern Dynasties. His poem "Go to the Three Gorges" is based on the ancient folk song "Three Gorges Ballad". The original words of the ballad are: "The cow is in the morning and the cow is in the evening. In the Three Dynasties, so did the cows. " In Li Bai's poem, he said, "Three Dynasties went to the ox late. It doesn't feel like silk. " There are still many poems, although not directly transformed from folk songs, but in terms of language style, they have maintained a frank, natural and clear style and won the charm of folk songs. For example:
Shu has heard of Zigui bird and Xuancheng has seen azaleas. One is called, one is ileum, one is broken, and March is three memories. (Look at the Rhododendron in Xuancheng) Chushan and Qinshan are all white clouds, and the director of the white clouds is with you. The dragon followed you, you entered the Chu mountain area, and the white clouds followed you through the Hunan water. In Hunan, there is a fairy in a rose. Baiyun can lie down and you want to come back early. ("Baiyun Song sends Liu uphill")
However, it does not mean that Li Bai's poetic language is limited to Yuefu folk songs. In fact, he also widely absorbed the essence of the previous generation of literati poetry, forming a popular and refined, beautiful and subtle, fresh and lively style. His "nature" is not only simple and clear, but also rich in meaning. In a word, Li Bai is good at learning from the achievements of predecessors and is a master of language.
Li Bai's death
Li Bai, a great poet in the Tang Dynasty, died in Dangtu, Anhui Province in the first year of Baoying (762) at the age of 62. However, how did Li Bai die?
Li Bai and Uncle Dangtu ordered Li to preface the Collection of Caotang, saying, "It's not good to try string music in Dangtu. Don't dislike me in your spare time. I take care of you on a gondola. When I am in danger, I am in a hurry. I have thousands of drafts, and my hand collection has not been repaired yet. I'll give you a short order on my pillow. " In the Tang Dynasty, Li Hua's Preface to the Epitaph of Hanlin Bachelor Li Jun said: "In the southeast of Gushu, there is a tomb of Tang Dynasty scholar Li Bai ... (Li Bai) was sixty-two years old and died in a swan song." Twenty-nine years after Li Bai's death, the Record of the Hanlin Bachelor in Tang Dynasty, written in the sixth year of Zhenyuan (79 1), also said: "Your name is white, and Tianbao will return to the mountain at the beginning. I swam here occasionally and died of illness because I was buried here. All white youths are famous for their poems. If they are hanged here, the desolate graves will be destroyed, their voices and voices will be remembered, and their sorrow will not stop. " The so-called "death from illness", "death has a dead song" and "death from illness" in ancient literature clearly tell people that Li Bai died of illness.
Li Bai was addicted to alcohol all his life, because he was known as the "drunken fairy". When you play with Li Bai's poems, you can smell a strong smell of wine. The poet's "Into the Wine" has "Boil a sheep, kill a cow, sharpen my appetite, and make me drink for three hundred bowls!" . There is a saying that "Laugh till you get as drunk as a fiddler, and have fun all your life" in "To Jiang Yang for the Carving of Lu". "To Liu" has the saying that "four seats are all talked about, and a thousand sacrifices are made a day". "Xun Cen looks for what he sees, Yuan Danqiu treats wine with poetry and sees what he does", and there is a saying, "When you open your face and drink, you suddenly become drunk with joy". The third part of "Drinking the Moon Four Alone" is "I am drunk and lost the world, but I am so lonely that I don't know where I am, and I enjoy it the most". In this way, scholars naturally associate Li Bai's death with fatal drunkenness. Pi Rixiu, a poet in the late Tang Dynasty, once wrote in Li Hanlin's Poems: "I was threatened by corruption and drunk to the extreme." In other words, Li Bai was fatal because of drunkenness, and even the soul who ascended to heaven was drunk.
Guo Moruo, a contemporary scholar, was inspired by the "threat theory" and studied and speculated from the medical point of view. He thought that Li Bai had traveled to Jinling when he was 6 1 year old, and traveled between Xuancheng and Liyang counties. Li Guangbi East Town is near Huaihe River, and Li Bai made up his mind to join the army. Unfortunately, he went to Jinling to get sick and returned halfway. This is the initial stage of hypochondriasis and should be regarded as empyema. A year later, Li Bai was recuperating in Dangtu, with chronic empyema and perforated chest wall, which was fatal due to "decay" and eventually died in Dangtu.
Li Bai loves wine and the moon, so some people associate his death with "catching the moon in water", from which the romantic drowning theory was born. The kings of the Five Dynasties said in "Tangren Dialect": "Li Bai swam in the Quarry River in a palace brocade robe, proud of himself, and no one looked at him. He died because he was drunk and caught the moon in the water." Since then, the Yuan Dynasty's new biography of Tang Caizi said: "(Li) White Night Festival is so yellow and old that it has been gathered in Niuzhu for many days, catching the moon by drinking, sinking into the water, and enjoying Xie Jiaqing Mountain for the first time. This tomb is in the clouds. " In the Yuan Dynasty, Zhu Cheng's Lotus Hall Series Poems also said: "Song Hupu, a man from Jiannan in central Fujian, once carved a stone to cross the river and hung a poem by Li Bai:' A bad cicada is listless at the head of this river. At that time, I was drunk looking for the moon, but now it's cold in Wan Li.' Su Shi saw it and suspected what the Tang people did, but he didn't agree. "So, what do you think of Su Dongpo, a great writer in the Song Dynasty? In the Song Dynasty, Chen Shan's "A New Theory of Qin lice" recorded: "Po (Su Dongpo) gave Pangu another poem:' A sea of people searched for Li Bai, but there was no Mo Xian on earth.' "Visible, li bai drunk in the water to catch the moon and drown things spread widely in ancient times.
An Qi, a contemporary scholar with poetic temperament, magically and beautifully described Li Bai's dying scene in his book "Li Bai's Exploration" and wrote: "The night is already deep; People are already drunk; The song is over; Tears have run out; Li Bai's life also came to the last moment. At this time, jathyapple is in the middle of the sky, the water waves are quiet, and the moon is reflected on the river like a white jade plate. A gust of wind scattered into thousands of silver lights. How beautiful! How bright! How tempting! ..... Li Bai, who was drunk on the ship's rail, stretched out his hands and rushed towards a silver brilliance ... The boatman saw in a trance that Mr. Li, who had just invited him to drink three cups, had gone with the flow on the whale's back and gone forever. " Indeed, for many years, people would rather believe that this talented and ill-fated great poet of the Tang Dynasty was born through the back of a whale.
It seems that Li Bai's death is related to drunkenness, so is it death or drowning? A Qing said, "I didn't drown in ancient times, so the stone family was white." Holding back the curiosity of novels and poets, taking a vacation to create new ideas? "In other words, these two possibilities are hard to rule out. Let's look at the sentence "I died drunk in this river" in the white tomb of Jing Li, Xiang Si in the Tang Dynasty, and the official record in "Biography of Li Bai in the Old Tang Dynasty": "I died drunk in Xuancheng. "Seems to be interested in it.
Li Bai's artistic characteristics
Subjective color imagination, characteristic image type and word tone
Among the poets in the prosperous Tang Dynasty, Li Bai was a man with a very distinct artistic personality. In the history of China's poetry, the artistic individuality of his works is also unique.
Li Bai's poetic creation has a strong subjective color, which is mainly manifested in paying attention to expressing heroism and passionate feelings, and rarely describing objective images and specific events in detail. Li Bai's poems often run through with unrestrained momentum, paying attention to galloping vertically and horizontally and in one go, and have the characteristics of winning with gas. Such as "On Li Yong": "Dapeng rises with the wind one day and shakes Wan Li. If the wind stops, it can still lift away the raging water. " Take Dapeng as an analogy, it is not a carefree Dapeng of Zhuangzi style, but a Dapeng who bravely flies and causes shock and surprise. In this extraordinary momentum, it embodies self-confidence and enterprising ambition and independent personality strength. This is the reason why Li Bai's poems disturb eternity. As he said in the poem "Ode to the River": "Xing Han put pen to paper to shake the five mountains, and the poem became Cangzhou."
Free and easy temperament, arrogant and independent personality, approachable, and strong feelings come out of generate, which forms the distinctive features of Li Bai's lyric style. It is often explosive. Once the emotion is aroused, it gushes out without restraint, just like a raging and overflowing volcano in the sky. For example, "Singing Gao Song to Send Cen Zheng Jun" expressed indignation at the political darkness and the inversion of right and wrong:
Chickens gather for food and fight, and chickens fly alone without neighbors. Dragonflies laugh at dragons, and good and evil people are mixed. Well-dressed, not paid. If you nest, the shackles in the porch are different from the dragons in the dust?
Sad and angry, impassioned. With the change of cadence and rhythm, we can trace the ups and downs of emotional eruption when emotional impulse occurs, which makes people feel the shock of the soul directly. Another example is "Twelve Cold Nights to Answer the King", which expresses strong and intense feelings like running water from the beginning, and then an uncontrollable emotional wave breaks out:
You can't learn cockfighting from the golden distance and sit and hum a rainbow. You can't learn from Shu Ge. You went to Qinghai at night with a knife and took the purple robe of Xitu Shi Bao. Poetry is not worth a glass of water in the north window. The world turned around after hearing the news, just like the east wind shooting at a horse. Fisheye also laughed at me and said they were like the bright moon. Fists can't be eaten, and donkeys are proud of the spring breeze. "Zheyang" and "Huanghua" are popular, and Jin Jun listens to the Qin Qing number. It is strange that Ba people are willing to be cheap with Yangchun and Chu Yuanyuan. Gold powder is not handed over, and white head is despised by Confucianism. When we talk about a smile, it loses its color and flies scream.
This kind of emotional expression is completely Li Bai's style.
Combined with explosive emotional expression, the imagination of Li Bai's poems is unpredictable, often unreasonable and strange, such as: "How magnificent the Xiyue is! The Yellow River is like a silk sky, ... people roar, smash two mountains, and Hongbo sprays the East China Sea. " ("Xiyue Yuntai Song Send Dan Qiu Zi") "The Yellow River falls into the East China Sea, and Wan Li writes it in his heart." (For Pei Fourteen) "Didn't you see the lovely locks in the mirror of the high hall? Although it was silky black in the morning, it turned into snow at night?" ("I will enter the wine" "White hair and three thousands of feet, sorrow is like a long time." ("The Seventeen Songs of Qiupu", the fifteenth) "The ape makes white hair, and the length is silk." ("Seventeen Songs of Qiupu" (fourth) "The wind blows my heart and hangs Xianyang trees in the west." (Jin Xiang sends Wei Ba to Xijing) I really want to fall from the sky, which is incredible.
His strange imagination, usually an unusual connection, changes with the flow of emotions. There is a great leap between one imagination and the next, and the combination of images is also large-span, bizarre and dreamy, changing vertically and horizontally, and as smart as possible.
Associated with verve and rich imagination, there are many magnificent images in Li Bai's poems, including mountains and rivers, the sun and the moon. He seems to be particularly attracted by huge and spectacular things. Dapeng, giant fish, long whales, rivers, seas and snow-capped mountains are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, which constituted a magnificent poetic image. Like, "I climbed to the top. I have a panoramic view of the world "In" Lu Shan Ge Yu Shi Lu Xuzhou ",the rivers are boundless and there is no return. Huang Yun and Wan Li moved the wind, and Jiuliu whirled around Bai Xuefeng. "The magnificent combination of images gives people a sense of sublimity. Another example is seeing a friend off at Jingmen Ferry: "This is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. The moon rises like a mirror, and the sea clouds twinkle like palaces. "The image is also extremely broad and spectacular.
However, there are many beautiful images in Li Bai's poems. For example, "In the mirror of pedestrians, in the screen of birds" (Qingxi Tour). "The green water is clear and the moon is clear, and the egrets fly under the moon" (The Song of Autumn Pu, part 13). "Bamboo is green under the stream, and lotus is fragrant in the mirror" ("Not in existence"). The jade steps are cold and dew, and the silk bottom is wet, which has been wandering for a long time. "。 Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? "("Jade Family "). These beautiful images of Qingxi, bright moon, egret, bamboo color and white dew have greatly enriched the artistic connotation of Li Bai's poems. So there are two kinds of images in Li Bai's poems: magnificent and beautiful.
Li Bai said in the poem "Looking at Nanshan to send a purple pavilion to send a hermit": "Sometimes white clouds rise and the sky unfolds. In my heart, I am not shallow. " He has an instinctive love for white transparent body, and the closest thing is the moon. When he was drinking with the moon alone, he said, "Until, holding up my cup, I asked the moon to bring me my shadow and let the three of us. The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring. I sang. The moon encourages me and I dance. My shadow is rolling behind. " The image of the moon appears repeatedly in Li Bai's poems. In Li Bai's poems, the most commonly used color word is "white", followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones. The language style of Li Bai's poems is pure and bright, and bright and bright is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his noble personality of rejecting secular identity.
Lipper
[Alias: Bai, Shi Xian] Li Bai is a native of Longxi. Liang, grandson of Wang Zhen IX. Or Shandong people, or Shu people. White is not talented, ambitious and has a detached heart. When he just disappeared into Minshan, Shi Su, the secretariat of Yizhou, saw something different and said, "I am a genius and can compete with you." At the beginning of Tianbao, I went to Chang 'an to see him. Zhang Zhi saw his article and sighed: "Ziyi is also a fairy." Conversation with Ming Chengzu, summoned the Hall of Thrones and wrote a eulogy. The emperor gave food, relatives served as spoons, and there was a letter to the Hanlin. Bai You and drinkers were drinking in the city, and the emperor was sitting in Chenxiang Temple, feeling thoughtful. He wanted to make a noise in vain and called in, and Bai was drunk. There is water on the left and right sides, and the written pen is slightly understood and beautifully cut. The emperor liked his talent very much and saw him at several banquets. Bai often waited on the emperor, got drunk, and let Gao Lishi take off his boots. Lux was so expensive that he was ashamed, so he chose his poems to arouse Yang Guifei. The emperor wants to be an official and the princess wants to stop. Knowing that it was inaccessible, I begged to go back to the mountain. The emperor returned the gold. He is a vagrant and drinks all day. Lin is the commander-in-chief of Jiangling and was appointed as his assistant. It's understandable to seek chaos and lose the war. Yang Bing, a clan, made a pawn order and obeyed it in vain. Generation, left to clean up the legacy, and white is dead. Literati, Bai Songxin's poems, Pei Min's sword dance and Zhang Xu's cursive script are the three unique clouds. Set 30 volumes. Twenty-five volumes of poems are compiled today.
Respondent: ╄→ Ting ミ-The first level of ミ-Trial Period 2-24 02:26
Li Bai: Born in a rich and educated family. It is precisely because of the influence of these things in his youth that he has a proud, elegant and free-and-easy temperament, and his poems also have that kind of strong, rushing feelings and unrestrained momentum.
Su Shi: proficient in Confucianism without pedantry, participating in Zen without addiction. Confucianism's loyalty to the monarch and love for the people, Taoism's obedience to nature and Buddhism's self-liberation all played different roles in different periods, and * * * maintained Su Shi's complete life. Su Shi's personality is also dual: on the one hand, he is an upright, frank and sincere person who would rather lose his intention than lose his righteousness, so his personality has a very serious and persistent side; On the other hand, he is an adaptive person, so there is a very casual, free and open side in his personality. The artistic features of his poems are (1) emphasizing on learning by talents. (2) Discuss more. (3) Make good use of metaphors. 4 there is elegant banter.
Bai Juyi: The basic style of his poems is simple and easy to understand.
Tao Yuanming was a famous pastoral poet in Jin Dynasty. The name is hidden and the character is bright. Plain artistic style, concise language style. Such as "Five Songs of Returning to the Garden"
Wang Wei, a famous pastoral poet in Tang Dynasty, has a charming word. Poetry is quiet and leisurely, and its style is fresh and distant. Such as: "Autumn in the Mountain"
Meng Haoran was a famous pastoral poet in Tang Dynasty, with a light artistic style. Such as "Spring Dawn" and "Sleeping in Jiande"
Gao Shi, a famous frontier poet in Tang Dynasty, is famous for his wealth, vigorous and simple style, vigorous and tragic. Such as Ge Yanxing
Cen Can was a famous frontier poet in the Tang Dynasty, as well as Gao Shi. Style, like Gao Shi, has a bold and tragic style. For example, A Song of Farewell to the Field in the Snow-Wu, the clerk, goes home, also belongs to the frontier poet of the same era, and Wang Changling's "Going beyond the Great Wall" (Mingyue Pass in Qin Dynasty, but the recruiter did not return in Han Dynasty. If Wei Qing, who attacked Longcheng, and Li Guang, the flying general, were alive today, the Huns would not be allowed to go south to spend their horses in Yinshan. ), Wang Zhihuan's "Liangzhou Ci", "In the Lodge of Herons" and so on. They all have the same style.
Li Bai was a famous romantic poet in the Tang Dynasty, and his style was bold and elegant. Such as: looking at Lushan Waterfall.
Du Fu was a famous realistic poet in Tang Dynasty, and his poetic style was gloomy. Such as: "Up the Mountain" and "Car Shop". The so-called "depression" is Du Fu's poetry, which embodies the broad and profound reality, bold artistic conception and deep feelings. The so-called "frustration" refers to the artistic expression of adapting to depression, which mainly refers to the ups and downs of emotional expression and the ups and downs of tone.
Bai Juyi was a famous realistic poet in Tang Dynasty, and his poetry style was simple and frank. Such as: "Selling Carbon Weng".