Cang Di
Mid-Autumn Festival stickers were circulated in Wang Xianzhi, and now they are collected in the Palace Museum together with Wang Xizhi's Quick Snow and Clear Sticks and Wang Xun's Yuan Bo Sticks. "Broken Book" said: "The style of words is formed in one stroke, occasionally interrupted, but the pulse is constant and even the climate is staggered." The calligraphy posted on Mid-Autumn Festival is bold and unrestrained, which should be a new style initiated by Wang Xianzhi. Mid-Autumn Festival stickers are the remnants of ties cut by Zhai and December. Before the Mid-Autumn Festival, the original post also had the words "1February cut to nothing".
Mid-Autumn Festival Post, also known as December Post, is a cursive script handed down from Wang Xianzhi in the Eastern Jin Dynasty. It was originally five lines and thirty-two words, but then two lines were cut off. Now there are only three lines and twenty-two words left. During the reign of Emperor Qianlong of Qing Dynasty, it was put into the palace and named "Sanshu" with the names of "Quick Snow Clearing Post" and "Yuan Bo Post". So Qianlong took "Sanxi Hall" as the name of the imperial study.
This post was engraved in Sanxi Hall, Fa Tie, and then flowed into Hongkong from Qing Palace. 195 1 year, with the personal care of Premier Zhou Enlai, the relevant departments recovered it with a large sum of money, and now it is in the Palace Museum. This post is like a flash pen, and the lines are continuous and well prepared. Known as "a book", it is a precious material for learning "Two Kings".
romaunt
After Puyi was driven out of the Forbidden City, there was a tortuous story about Mid-Autumn Festival Post, Yuan Bo Post and Hill. 19 1 1 years later, 1924, before Puyi left the palace, "Yuan Bo Post" and "Mid-Autumn Post" were hidden in Shoukang Palace where Guifei Jing lived. When Puyi left the palace, Imperial concubine Jing Yi took this pillar out of the palace and sold it to antique dealers and Guo Shiwu through her grandparents.
Guo Shiwu kept these two posts secret from beginning to end. After his death, these two posts belonged to his son Guo Zhaojun. After the victory of the Anti-Japanese War, Guo Zhaojun donated all the Zhai porcelain of his father Guo Shiwu to the Palace Museum, so Guo Zhaojun got the position of manager of the Beiping branch of the central bank. 1949 He retreated to Guangzhou with the bank, evacuated in Guangzhou and arrived in Hong Kong. Guo Zhaojun gave his hidden Mid-Autumn Post and Yuan Bo Post to an Indian for business reasons. Indians mortgaged it to Hongkong and Shanghai Banking Corporation for over HK$100000.
Because I lost money in business, my mortgage expired one year later and I was unable to redeem it. He is going to sell it. He went to consult Xu. Xu immediately wrote to the president of the Palace Museum, who reported the whole incident to the Prime Minister. 1October 5th, 1950 165438 Premier Zhou personally wrote to Ma Xulun (then deputy director of the the State Council Municipal Commission of Culture and Education) and others, instructing them to "buy back the Mid-Autumn Post and the Yuan Bo Post in Wang Xun".
The book spectrum of Xuan He in Song Dynasty, the splendid life of Qing Gu Fu, the collection of paintings and calligraphy in Bian Yongyu ancient hall, the record of Wu Sheng's grand view, and the postscript of Wang Zhuyu's coral net.
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Xuanhe Shupu in Song Dynasty, Qing River Fang Shu, Experience Table, Secretary Table, Wang Zhujun's Postscript of Coral Net Book, Splendid Life in Qing Dynasty, Bian Yongyu's Collection of Ancient Paintings and Calligraphy, Wu Sheng's Grand View Record, and Qing Dynasty's Inner House.