Physical examination scoring requirements

For students majoring in performance, the appearance of stage sound is an important compulsory course for this major. So today, Sister Tang Tang will talk about this part of the body, which is actually related to the temperament shaping of the whole person!

Before solving how to prepare for the physical examination, senior sister will show you some scoring requirements of the physical examination ~

A (above a (90 points): movement rhythm, rhythm, feeling, emotion (expression) and flexibility of the body.

Excellent degree and coordination, and can independently jump out of a dance with complete style, with excellent explosive force, control and expressive force.

B(80 -89): A person who can independently complete a complete dance, whose basic skills may not be up to standard, but has a good sense of coordination (including rhythm and rhythm) and good mood, and has certain skills and physical expression skills.

C(70 -79): I can complete a complete dance independently, and I have the ability of plasticity, but my dancing performance is average, and my physical exercise quality is also average.

D(60 -69): Limbs have average mobility, have a certain sense of rhythm, or do a complete gymnastics or radio exercise.

E(40 -59): People with uncoordinated limbs, poor sense of rhythm and shy to move.

F( 1 -39): The limbs are uncoordinated, they have no sense of rhythm, they are afraid or unwilling to perform body performers, and even have obvious weird behaviors.

So how can we get high marks in the exam? There are two key points, one is about the preparation of works, and the other is about the understanding of several dimensions of the body.

Exam preparation

Every candidate who takes the art test needs to prepare his own test work, so this work needs to meet several points: first, it must meet the test requirements; The second is to focus on the aspects examined by the examiner; Third, we should pay attention to highlighting our own advantages.

Students majoring in acting must understand these three points when preparing their examination works.

Let me give you an example. For example, when you choreograph, you must realize that you are not taking the dance academy exam. You can adapt and innovate. Because the physical examination of performance major is not about the complete presentation of dance works, but about the physical condition, quality and physical possibility of actors as actors.

Therefore, Sister Tang Tang suggested that when you are preparing your works, you should start thinking from these points:

Dance movements should be repeated as much as possible to reduce the time for emotional brewing; Dance can be adapted, foster strengths and avoid weaknesses, show more skills, and let teachers see more possibilities for you; _ In addition, pay special attention to performing with emotion, and convey your feelings through body movements, because you are a performance major.

It is the accomplishment of the actor, not the degree of completion of the work.

Understanding of several dimensions of form

First, the image of the body temperament

Each of us has a different image and temperament.

As an actor, it is very necessary to find and explore his own temperament, and this temperament is the unique temperament that can stand out from the crowd. Therefore, it is not advisable to say that conformity is not necessarily suitable for others. The first step is to know yourself. If there are difficulties in this respect, it is recommended to seek the help of professional teachers.

2. Physical relaxation is moderate.

Relaxation does not mean relaxation, and tension does not mean tension. The body in performance needs tension and controlled relaxation. Whether during or before the performance, the body needs tension and enthusiasm.

3. Body control and coordination

Whether in dance or drama, body movements need good control and coordination of the body in the movements, which is not only for the needs of realism, but also for the needs of beauty. Free and easy is an important reason for any smooth performance.

Understanding the connotation of body helps to shape a better actor's temperament.