Anna karenin consists of two parallel main clues and a connected secondary clue, which reflects the political, economic, moral and psychological contradictions in the era of "everything has just been arranged" after the serfdom reform. The novel shows the disintegration of feudal family relations and moral decay through Anna-karenin-W. Lenski clues; Through the clue of Levin-Jiti, this paper describes the situation that the landlord economy is facing crisis after the capitalist forces invaded the countryside, and reveals the author's painful mood of persistently looking for a way out. This time, Dorian Aublanc wants to skillfully connect the two main lines, which correspond to each other in family thoughts and draw lessons from each other, and outline three different types of family patterns and lifestyles. The author is proud of this kind of building. The circular arch seamlessly connects the two buildings, "making people unaware of where the vault is."
The heroine Anna karenin is one of the most beautiful and plump female images in the history of world literature. The depth of her inner experience and the sincerity of her feelings, as well as her exuberant vitality and tragic fate, are all gripping.
Anna's voice and smile when she first appeared are unforgettable: her posture is beautiful and Wen Ya. In her eyes covered with thick eyelashes, "there is a pent-up anger on her face ... as if there is an excess vitality that permeates her whole body and violates her will", which is manifested in her eyes and smile. This excellent portrait shows Anna's spiritual beauty and urges us to explore the mystery of her life. Anna's parents died young and was arranged by her aunt to marry karenin, a big bureaucrat twenty years older than her. After marriage, under the control of the patriarchal clan system, she was content with her fate, just pinning all her feelings on her son. W Lenski awakened her late-maturing love. She longs for free and bold love, and doesn't want to openly receive her lover at a family dinner like Duchess Betsy. I don't want to accept my husband's advice, but I still maintain the superficial relationship between husband and wife and secretly associate with my lover; Finally, he broke out of the family and joined with W Lenski, openly confronting the whole society. Since then, Anna has lost all the status and rights of an aristocratic woman in society. She had nothing but the love of W. Lenski, so she devoted herself to this love with enthusiasm and persistence. Indeed, abroad, in Lenski's manor, Anna had experienced a brief "unforgivable happiness". She abandoned her mother's vocation, but she couldn't calm the sadness caused by the loss of her beloved son. She wants to hold her head high and declare that she is a happy woman, but she can't get rid of her guilty wife's consciousness. Her soul was tortured. But the desperate and self-contained love for W Lenski can't get the corresponding emotional response. Anna was desperate. Before she died, she shouted angrily: "Everything is hypocrisy, lies, deception and sin."
The image of Anna has undergone great changes in the writer's creative process: she has been rewritten from a woman with low taste to a sincere and serious woman who would rather die than surrender. Tolstoy expressed his thoughts on the fate and ethical standards of people in the turbulent Russian society at that time through Anna's love and family tragedy. Writers praise people's vitality and reasonable requirements of human nature; At the same time, he firmly denied the role of all political and social activities (including women's liberation movement) in improving people's destiny, and emphasized the importance of mother-woman's bounden duty. The contradiction of the writer's world outlook constitutes the complexity of Anna's image. For more than a hundred years, writers from all over the world have put Anna on the stage, screen and screen according to their own understanding. The image of Anna has always excited readers of different times and nationalities, which just shows that the artistic vitality of Anna's image is immortal.
On the other hand, Levin is an autobiographical hero in Tolstoy's novels. He plays a connecting role in Tolstoy's creation, and artistically reproduces the writer's thoughts and feelings on the eve of the drastic change of the world outlook. From the structural arrangement, Levin's happy family is in contrast with Anna's unhappy family, but from the ideological exploration, Levin has a mental crisis after marriage, and he is worried about the decline of the aristocratic class. He studied the role of labor force in agricultural production, formulated the plan of "bloodless revolution" and explored the purpose of life, but there was no way out. Romain rolland pointed out that Levin not only embodies Tolstoy's conservative and democratic view of things, but also "the love between Levin and Katie in the first few years after their marriage is the writer's own memories of family life. Similarly, the death of Levin's brother is also a painful memory of the death of Tolstoy's brother Dmitry. " The end of the work "is the author's transition to spiritual revolution".