original text
The stone canal is poor, from the northwest of the bridge to the shadow of Tushan, and the people's bridge is full. Its water is one third as big as the stone canal, at the bottom of the stone canal, reaching both ends. If the bed is in the lobby, if it is full, if it is limited to the Olympic Games. Spread horizontally, flow like weaving, and ring like playing the piano. Open it and go, break the bamboo and sweep the old leaves, and drain the rotten wood. 189 will be able to live in Luohu bed. The flow of sexual intercourse and the sound of touching are under the bed; The water of jade feather and the stone of Long Lin are all hidden on it. Ancient people had fun, didn't they? Can latecomers follow suit? The day I got it, it was the same as the stone canal.
Those who are thirsty come first from the stone canal and then from the stone stream; From Baise, first from Shixi, then from Shiqu. The poor people in the stream are all from the southeast of Shicheng village, during which there were many coke people. The deep mountains and secluded forests above are steep and narrow, and you can't be poor.
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Walking from the bridge in Shiqu to the northwest, people built another bridge as soon as they arrived at the north slope of Tushan. It is three times larger than the water in the stone canal. As the bottom of the water, huge stones are as wide as the river bank. Some stones are like beds, some like tables, some like doorways filled with vegetables, and some like inner and outer rooms separated by thresholds. The water flows like the pattern of textiles, and the water springs thump like the sound of playing the piano, leaving bare feet, folding bamboo arrows, sweeping leaves and removing rotten wood, and clearing out an open space that can row 18 or 19 seats. Weaving water refers to the sound of water, all under the bed; Trees such as kingfisher feathers and stones such as ichthyosaurs are covered on the top. Has anyone ever found such happiness here in ancient times? Who can follow in my footsteps here in the future? The day to Shixi is the same as the day to Shiqu.
People who are thirsty in Yuan family go to Shiqu first, and then to Shixi; People who come here from Baijiase Mountain go to Shixi first and then to Shiqu. The source of Shi Jian is in the southeast of Shicheng Village, and there are several places to visit in the middle of the road. The mountains and forests above are steeper and the roads are too narrow to go to the end.
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"Little Rock Mountain" is also one of the "Eight Records of Yongzhou". Xiaoshicheng Mountain is located in the northwest of Yongzhou City. Liu Zongyuan described the beautiful scenery of Xiaoshicheng Mountain with admiring eyes, and at the same time expressed his feelings by borrowing the scenery, lamenting that the beautiful natural scenery was "not for Zhongzhou, but for Yidi, and its geisha could not be sold in a thousand years". These unfair words to the scenery are not just angry words that he was exiled to a remote area for a long time and could not display his political talents? The article is vivid, colorful, full of twists and turns, and contains infinite insights.
The story of the mountain in Little Rock is based on the author's travel notes, which continues his personal description of the journey and the scenery of mountains and rivers, and almost half of the space is used to express his feelings of touching the scenery when traveling in nature after he was exiled to Yongzhou. The whole article consists of two parts: scenery writing and lyricism.
The scenery described above can be divided into two layers. Firstly, the orientation of Koishiyama was pointed out, and then the strange appearance of Koishiyama was described. It's not easy to get to Little Rock Mountain. You need to go north from the intersection of Xishan and cross Huangmaoling. There are two passages, one to the west and no scenic spots. The other is slightly to the north and turns to the east. In a place less than forty feet, there is still a ground fissure, with a river in the middle and countless rocks at the end of the road. Just imagine, who wants to come to this desolate and remote little rock mountain without people who are very curious and eager to explore? But Liu Zongyuan came. After Liu Zongyuan was demoted, he came to Yongzhou from the prosperous capital Chang 'an. During this period, he came to Xiaoshicheng Mountain in the outer suburb of Yongzhou. Liu Zongyuan, who had a unique vision, discovered Xiaoshicheng Mountain in this remote wilderness suburb and found extraordinary beauty. Little Rock Mountain is shaped like a watchtower at the top of the mountain, like a natural castle protruding from the side, and there is a gate. The doorway looked dark and fell into pebbles. The cave makes a noise, and it's loud, and it will disappear for a long time. Along the hillside, you can climb to the top of the mountain and look into the distance. For example, Koishiyama is also visiting the outside world, asking for information from the outside world. What is even more peculiar is that there are trees and bamboos on the mountain, although there is no soil, which is healthy and flourishing, showing strong vitality. They are densely staggered and interesting in pitch, as if they were carefully designed and arranged by smart people. This natural Koishiyama is strange and beautiful.
The second part is the association and thinking brought by the natural landscape to the author. The beauty and wonder of Koishiyama lies in its simplicity, its naturalness and simplicity, and its ingenuity as a creator. Koishiyama is not a man-made scenic spot, and there are always some affectations and postures. The real Koishiyama is lonely, and its loneliness is determined by its remote and desolate geographical location. If it is located in the densely populated and economically prosperous Central Plains, it will become a fascinating and well-known scenic spot, with tourists weaving and rubbing shoulders, instead of being little known and unknown as it is now. Little Rock Mountain has been there for thousands of years, and even it doesn't know how many years it has been here. But after thousands of years, it can't show people its wonderful scenery, which is really in vain! It is not uncommon for beautiful things to be suppressed and abandoned. It can be seen that landscapes are also optimistic and not optimistic, which is the same as people. So does the so-called creator exist or not? Liu Zongyuan's statement seems somewhat contradictory. First, he said that he believed that this was the arrangement of the creator. Isn't it because of the political reform that people like themselves who are worthy of great responsibilities were demoted to this wild land by the emperor? Whether Xiaoshicheng Mountain was demoted to this sparsely populated place because it violated dogma, there is a saying that Xiaoshicheng Mountain exists to comfort the demoted sages; He also said that there is a spirit between heaven and earth, which makes people great and things beautiful. Liu Zongyuan doesn't believe these two statements. But in any case, it is indeed a blessing that Koishiyama and Liu Zongyuan met because of their similar fates. The meeting at that time was also in this place, and Xiaoyan Mountain touched Liu Zongyuan's sensitive and affectionate heart. Therefore, karma, in this vast world, in the red dust of history, this beautiful mountain has produced a beautiful article.
The whole travel notes * * * contains 22 1 word, which can be described as short and pithy, with meticulous words and just right descriptions of scenery and emotions. It can be said that you can't add a word or delete a word. This travel note was placed at the end of the last article in Eight Chapters of Yongzhou, which was carefully arranged by the author. This shows that although Liu Zongyuan traveled to Yongzhou, his life seemed very comfortable on the surface, but his heart was full of contradictions. He is still looking for truth and justice when he sends his love to mountains and rivers. The full text expresses the feelings of talents being demoted, and the discussion in this paper is the main theme of Eight Chapters of Yongzhou.