Appreciation of Copybook for calligraphy's Fine Gold Pen
Fine gold pen Copybook for calligraphy picture 1
Fine gold pen Copybook for calligraphy picture 2
Fine gold pen Copybook for calligraphy picture 3
Thin gold pen Copybook for calligraphy picture 4
Where is the beauty of fine gold calligraphy?
Thin golden body is originally a "skinny body", which means that the strength of its bones and muscles is stronger with weakness. Later, because of its resolute pleasure, it was called "gold" and "tendon" thin gold body. This kind of scrawny calligraphy looks good, its brushwork is erratic and fast, and its words are thin, so thin that it can't lose meat. You can clearly see the traces of hidden front and exposed front at the turning point, which is a very unique font.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete.
The "towel book" conforms to the brushwork of meticulous flower-and-bird painting. The slender strokes as thin as ribs aggravate the ups and downs at the beginning and end, and then the structure of Huang Tingjian's tight knot around the middle palace is quite wonderful. This thin character is just suitable for his meticulous painting, which echoes the brush. As an artist with both calligraphy and painting, he made a very important integration of painting and calligraphy, which created a new situation of literati painting and calligraphy, influenced later generations and continued to this day.