There is no doubt that the Taj Mahal is a model of perfect art in the world. The most striking thing is the main building made of pure white marble. The imperial tomb is neat and symmetrical from top to bottom, and the central dome is as high as 62 meters, which is amazing. The neat modeling and concise use of colors create a shocking effect visually, while showing majesty, solemnity and purity from the inside out.
Musically, the Taj Mahal, an architectural art as a static art, stands calmly on the land of India. Although it is static in the regional dimension, the color of the Taj Mahal has a dynamic rhythm and rhythm in the expression of time and space, which shows the emotional characteristics of the color change of the Taj Mahal. In the morning, it is Bandari's emotional story. At noon, Beethoven's symphony is full of freedom and passion, and at night, the heart of the Taj Mahal tells it before nightfall. That's Schubert's serenade. As a result, static architecture has evolved into dynamic music, singing the voice of time and space.
There are four minarets with a height of about 4 1 m around, and tombstones inlaid with 35 different types of semi-precious stones stand between the towers. As the decoration of the whole building, the tower has been unified in form just like the black and yellow decoration. The White Pagoda and the main building are lighter and more lively on the basis of bright expectations, which relaxes the overall serious tone.
Its composition is steady and stretched: the abutment is wide and roughly square-tapered with the main body, but the four towers make the outline ethereal and connect with the sky. Like color, the Taj Mahal's body also emphasizes a stable psychological feeling, which is balanced in all aspects, that is to say, its body structure has reached a "dead point" effect, which is not really dead, but it does not feel tension in any direction at this point, because at this point, forces from all directions have reached a balance.