In the film, the models of PTU players are very cool, and Du Qifeng also deliberately highlighted this point in the filming. The posture of several players standing on the dark street is similar to the scene of a gun battle in a shopping mall in the rain of bullets. Music with a strong sense of rhythm is filled with lingering strong masculinity! In order to show this coolness, we have to count the scene in the game hall. At the beginning, we first gave a close-up of overbearing police boots, and then several PTU players walked down leisurely, dressed in straight uniforms and with calm expressions. It's so cool! ? However, contrary to this popular coolness, the performance of several movie stars in the film is not very brilliant. Lin Xue, a fat man, almost caught up with Tony Leung Chiu Wai's appearance in Du Qifeng's films and performed very well in PTU. He put on a tough attitude at first, then he lost his gun, and then he panicked and was at a loss. But that's all. In this film, we can't see the elegance brought by his relaxation and calmness in the rain of bullets. Yam Tat-wah's performance can only be said to be quite satisfactory. Compared with the amazing performances of Huang Qiusheng and Wu Zhenyu in Gunfire, we can only rely on the performances of PTU actors. As for "PTU", I can only say that it is absolutely wonderful and beautiful, but it is destined to be a black classic like "Dark Flower" and "The Birth of a Prefix" because of its style innovation and small defects in plot preparation. It's hard to say whether the expectation of three years is worth it, because after all, we have been suffering from the rotten film in my left eye for too long, and we have reason to expect something better than a bowl of nostalgic collage-cooked chop suey soup.