To appreciate a poem, we should start with the author's mood and his environmental background. Su Shunqin likes the tranquility of Chu Qing for a reason. He retired to Suzhou as a disgraced person and was deeply worried. In his view, there is nothing more worrying than the tranquility of Canglang Pavilion, the so-called "nothing is like the world in tranquility" (Canglang Yin). What he said is "there is a clear taste in silence", which is nothing more than his enjoyment of life in silence, that is, what he said is "the wolf is far away, and the heart is leisurely with the fish and birds (Canglang Pavilion)". In fact, he has never been complacent and leisurely. In the same poem, he hummed "repairing bamboo to comfort his sorrow". It can be seen that the poet clearly wrote a "still object", secretly wrote a scene in which Chu Qing wandered during his visit to Canglang Pavilion, and still showed an uneasy mood. Unlike Wang Wei,
The background of Wang Wei's Bird Song Stream is a prosperous society with stability and unity, and the poet is at ease. This poem written by Wang Wei is known as "there is a picture in the poem and a poem in the picture". Cold and quiet, far away from the world, without any earthly fireworks, full of Zen, the artistic conception of mountains and rivers has gone beyond the ordinary plain natural aesthetics and entered a religious realm, which is the inevitable embodiment of Wang Wei's Buddhist cultivation. Personally, I think that Su Shunqin's poems are "quiet", Wang Wei's poems are "quiet", Su Shunqin's poems are still in the world, and Wang Wei's poems have entered the realm.