Top 1: Pairen
A and m files. If you take a close-up of a person: refer to a still life with moderate sharpness, pay attention to focusing on the eyes or key parts, and make a composition in the center; If you shoot people with scenes, the medium aperture is F8, the focal length is widest, the composition is three points, and the golden section is the golden section. Iso 100 should be as low as possible and adopt the original format. Pay attention to the correct exposure of the face. Due to insufficient tolerance, other parts are too dark and overexposed, and the curve can be pulled back later. Characters should wear different colors from the background.
Action posture: headache, toothache, stomachache, leg pain, looking up at the sky and overlooking the ground, lonely back, stretching and jumping, etc. You can use the props around you.
Top2: Shooting at night
M file. Install the tripod to iso 100, otherwise it will be within iso 1600. Customize white balance or incandescent lamp, and turn on noise reduction and raw format. Small aperture above 1 and F8 (such as F 1 1) will make the light appear starlight, so pay attention to the safety shutter. 2. Clean up the scene: extend the exposure time (such as F22, iso 100, shutter 10-30 seconds) to make pedestrians disappear from the picture without leaving any trace, so as to avoid the influence of the stray light behind. The same is true of moving cars and railway tracks. 3. Spot shooting: maximum aperture, farthest focal length, facing the scattered light source, manually focusing to screw out the spot, or focusing on the nearest foreground.
Top3: Still Life, Flowers, Fish and Insects
First gear, the aperture should be as large as possible above F5.6, and the focal length should be above 50. Being too close to the subject will blur the background. The light intensity is iso 100 and within iso400. Light mode, center or spot metering, pay attention to focus, use center and contrast composition (leave space around), lower the plane position, squat or raise your head. If the picture is too dark, the exposure compensation should be +0.7EV. Paijing.
A and m files. Iso 100 in sunny days, F8 1/200 or so, iso400 in cloudy days, one-step overall metering. Wide angle (distortion), realistic medium focus, and fuzzy cutting space of telephoto. Pay attention to the safety shutter. This paper introduces several filters: UV (ultraviolet filter) to protect lens coating; CPL (polarizer) can add color and eliminate the reflection on the surface of glass water; ND (medium gray density mirror) can reduce the amount of light entering, delay and beat the water artifact; GND (Medium Gray Gradient Filter) is used to gradually change the colors of the sky in the early stage, including blue, orange, green and gray. If the light ratio is too large (the sky is too bright and the scene is too dark), ensure the normal exposure of the scene, and cover the sky part of the lens with black cardboard for a period of time to reduce the amount of light entering.
Shoot birds and the moon.
Bird racket: first gear, iso 100, telephoto lens (focal length above 200), maximum aperture, if the high-end machine can focus, set continuous autofocus, and play continuous shooting. If the machine is normal, wait patiently on the tripod, focus on the position where the bird may fall in advance, then switch to manual focus, cancel the raw format (due to the speed limit of SD card reading and writing), and play continuous shooting.
Shooting the moon: M-gear, tripod, iso 100, telephoto lens (focal length above 300), F8- 10, shutter is adjusted according to the darkness at night, and it is best to take pictures on LCD screen and enlarge manually.
Top5: Portrait of the Night
M, portrait file at night. The principle is to collect two exposures (a flash to catch people and a flash to capture the background). On the tripod, or stable adjustment, automatic white balance, iso400 or so. M range: F2.8-8, slow synchronous flash, Hou Lian flash mode. Portrait file at night: parameters need not be adjusted. At this time, the flash will flash twice, press the shutter to flash once, and then flash again before the exposure is over, so people should not leave and shake halfway. You can make the characters clear, the neon background is beautiful, and it is not black.
In the process of photography, there are many scenes that need different settings. Generally speaking, according to the light changes and the surrounding environment, there will be specific photography skills. The following are the micro-camera photography skills in several common scenes summarized from practice. You can come and have a look if you are interested.
Top6: chase, pull and rotate
Chase: T gear, shutter 1/30 or so. Press the shutter when focusing, and the lens moves behind the vehicle at a proper speed (tripod is easy to control the direction), which can create a dynamic vehicle effect. So do people in sports. The intensity of light determines the size of iso.
Zoom: T range, shutter 1/30 or so (with zoom lens), focus first, press the shutter and twist the zoom ring instantly, that is, stretch the lens (keep the arm stable during the process), which can shoot radial zoom and light stretching effects. The upper bracket can delay the coke pulling action. If the small aperture cooperates with the shutter to twist at a constant speed for 2 seconds, a more delicate and changeable effect can be achieved.
Focus: T range, shutter 1/30. Focus first. Press the shutter in an instant, take the lens center as the axis (Z axis), and shake the fuselage at a small angle (in the XY plane), keeping the fuselage stable during the process, and you can shoot the radial rotation effect. It is usually used in scenes where small objects are in the center and the surroundings are messy.
Tap a running water or fountain.
T file. Fountain: shutter 1/200 is enough to solidify water droplets. Appropriate aperture, pay attention to focus. Running water: the top frame, iso 100, shutter 1/50 or so, can shoot silk feeling. If it is dark at dusk, F 16 and shutter 2- 10 seconds can make silk feel more delicate. It is better to use ND filter. Pay attention to the composition and plane position, and the foreground should be complete.
Top8: Set off fireworks.
M file, using cable, tripod, F8, B shutter: Press and hold the shutter from the moment the fireworks fly, and release it after blooming. In the gap between two fireworks, cover the lens with blackboard paper, and you can shoot the effect of overlapping multiple fireworks. Rotate the fuselage angle horizontally, and you can shoot a whole row of spectacular fireworks.
Top9: Shoot water droplets and smoke.
Water drops: M file, iso 100, F8, shutter 1/200, wireless flash, external flash (index 1/8 or so). The plane is close to the water surface, the container and background should be clean, fixed above the dropper or water bottle, lit with a pencil, and then switched to manual focusing after automatic focusing. The effect of flashing lights placed directly above, behind and directly behind is different. Master the rhythm of dripping water and play continuous shooting. Try more patience.
Smoke: Set the same water droplets. Dark background, flash behind the side, focusing in the same way as shooting water droplets.