Selection result: The 8th SM? First place in the singing department of the youth audition &; Final reward

Internship time: 4 years.

Combination: captain, lead singer.

It is said that Tae-yeon joined SM at the age of 13. Best selection impressed all the judges with its superb singing skills and explosive power. Then he started his practice career for four years, until he made his debut as Girls' Generation.

First of all, talk about Tae-yeon's timbre. Some people say that Tae-yeon's timbre is not outstanding, and then one after another they say that Tae-yeon's timbre is average, which is really funny. Tae-yeon's timbre has a high resolution in girlhood and even in the whole Korean music scene. After her debut, Tae-yeon became the first soprano in South Korea's pop music scene. It is said that Xu Li is also her fan. This evaluation lies in their high accuracy in grasping songs and their strong ability to control the stage, not the timbre. Tae-yeon and Bada are basically two timbres. Taiyan belongs to the bass and treble type, and Bada belongs to the sharp and bright treble type. The advantages of Taiyan timbre are that the bass is more delicate and rich, the treble sounds more explosive, and the alto lacks recognition.

Tae-yeon's treble and bass. First of all, list a few songs that can enjoy Tae-yeon's high notes:

Touch? That? Sky 2 minutes 34 seconds -2 minutes 42 seconds

The world of reunion is 3 minutes and 26 seconds-3 minutes and 36 seconds.

Girls' Generation 1 min 13 sec-1 min 17 sec (lead by Jessica+chorus by Tae-yeon).

"Baby? Baby 2 minutes 18 seconds -2 minutes and 28 seconds.

Kissing? You 2 minutes 13 seconds -2 minutes 18 seconds, 2 minutes 38 seconds -2 minutes 48 seconds.

Tears 2 minutes 15 seconds -2 minutes and 29 seconds

"Dear? Mom, 2 minutes and 58 seconds -3 minutes and 6 seconds.

"Let's? Talk? About what? Love 3 minutes 13 seconds -3 minutes and 28 seconds.

Tae-yeon is the main tenor of most girlhood songs. Her tenor makes people feel comfortable, because Tae-yeon's breath control is the best among the nine people. Anyone with a little musical knowledge knows that mastering the breath is equivalent to mastering the method of learning to sing high notes (the best proof is the existence of God). However, Tae-yeon's high notes are not perfect. Sometimes it sounds a little dull and not bright enough. Compared with Bada's treble, it is still a big difference, but Tae-yeon has a wide range. Taiyan's bass can be very good because of the timbre conditions, and the bass is not better than the treble at all. Taiyan's bass is soft and smooth, from bass to treble, and then from treble to treble. The bass can be said to be handy (you can listen to "Because? Singing by Tae-yeon and Radio Tiffany? Yes? You "... But Tae-yeon's bass is slightly nasal.

The scene. The most beautiful scene is not Tae-yeon, but Jessica. I think this is because many people compare the scene with the CD version, and Jessica is closer to the original sound. The main songs of girlhood or the songs performed on the stage are mostly dance music, which needs to be sung while dancing. If you don't grasp your breath well, you will be very breathless when you sing. Many people will feel that Jessica's singing skills are relatively stable when listening to the scenes of her girlhood. This is because Jessica uses a lot of guttural sounds, which is mainly determined by the state of her throat, while Tae-yeon is responsible for more high notes. So if Tae-yeon uses her throat for a long time, she will become a-mei in a few years (because she sings with her throat, her voice is broken), so this is also a long-term development plan. Therefore, Tae-yeon's breathing will feel ups and downs. If she can't grasp it in one breath, there will be some ups and downs, and there will be subtle differences in each game. In fact, Tae-yeon's scene is not worse than Jessica's. You can listen to the movie "Dear? Mom, Tae-yeon cried, but she managed it. She didn't escape.

Skill. Including true and false sound conversion, vibrato, * * * singing, crying ... The good exchange of true and false sound conversion lies in the pumping of breath, which cannot be too fast or dropped. Tae-yeon is very, very good at this because it's difficult. Tae-yeon sings easily and naturally. Unlike most singers, she inhales in advance to prepare the next voice before falsetto. It is recommended to listen to the solo song "If" (it is recommended that Tae-yeon's singing skills should not blindly recommend solo, it is not necessarily solo that can reflect a singer's comprehensive strength, "If" can only better reflect the conversion of bass and true and false sounds) and the scene of this song. Many people like to compare Tae-yeon and Jessica's singing skills with my brother's. What I'm trying to say is that it's harder to be worse than my brother. If it was sung by one person, my brother was badly sung by three people. Do you know how many times the true and false sounds of If have been changed? 13 times. Tae-yeon's vibrato is the best in her girlhood, and it is not an exaggeration to say that she is one of the best young women's groups at present. Tae-yeon's vibrato belongs to the intermediate frequency vibrato (high-frequency vibrato is like Xin Huisheng, low-frequency vibrato is like Kang? Ta), is the best to learn, and the stability of the site is quite high. Most girlhood songs don't apply to Kuqiang, so ... I don't have any other research for the time being, so it's hard to say.

Therefore, the comprehensive strength of singing ranks first among the top nine. The wind of generals can be used on Tae-yeon, because she is really a powerful singer.

Second place: Jessica.

Option: 2000? SM？ Casting? System.

Internship time: seven and a half years.

Combination: lead singer.

Jessica's existence is like a beauty in her mind. She has been in business for the longest time, and her dancing, singing and appearance are outstanding. I have to say that Jessica is one of the cores of girlhood. The roles of SM company members are clearly defined, and the division of each sentence of the song can reflect the characteristics of each member as much as possible.

So Jessica's highlight is her high notes. According to my estimation, Jessica has a wider range than Tae-yeon. In Shenqi, Junxiu has the highest speech recognition, the most stable scene and the widest range of Changmin. Jessica gained all these advantages by herself.

List some songs that appreciate Jessica's high notes:

Kissing? You "2 minutes and 30 seconds-2 minutes and 33 seconds.

"girlhood" 2 minutes 15 seconds -2 minutes 19 seconds (taiyan tonic+? Jessica sings)

"Done" 2 minutes 55 seconds -3 minutes 10 second

2 minutes 46 seconds -2 minutes 48 seconds (wonderful ~ oh ~ sentence)

Boyfriend: 2 minutes and 40 seconds -2 minutes and 45 seconds

"Brother is really bad" 2 minutes 32 seconds -2 minutes 42 seconds

Jessica's treble is one of the symbols of girlhood, with wide range, high stability and strong explosive power. Jessica wrote the top notes (usually the background chorus) of many girlhood songs. Jessica's high-pitched performance at the scene can be said to be quite stable, and the best proof is kissing? The scene of the song "You". It is inseparable from Jessica's seven-year practice career and her own efforts to broaden the range and enhance stability. It is said that Jessica was my favorite at first, and then I slowly secretly moved to Taiyan. )

Jessica's timbre. Jessica's voice is very capable and high-pitched (many people describe it as sweet, and I am seriously scared =? =? ), the sound condition is a little close to the baby? Jane Meiyan of Vauxhall (Can you hear the baby's voice? VOX's game Over and Tae-yeon are not the same type. Jessica's voice is a little rustling. Although she sings well, she is not as beautiful as Yan, because she is not round enough. But if Jessica plays super high, it sounds closer to Bada. Many people talk about Jessica's timbre, just as many fairies like to talk about her beautiful voice. So many people say that Jessica's voice is the easiest to hear in her girlhood harmony. This is a matter of its own timbre conditions. Jessica's voice is the most recognizable, so it is easy to hear, rather than being turned up by SM's post-production because Jessica's singing is the strongest. Jessica's timbre is her advantage, which is easy to identify, but it is also prone to disharmony, and there are some minor shortcomings mentioned above. In addition, it also makes Jessica's bass more magnetic, hoarse and slightly vicissitudes, which makes people feel goose bumps.

The scene is also Jessica's advantage, mainly due to Jessica's throat and basic skills (seven and a half years ~). This reduces the influence of unstable breath caused by dancing. Jessica's scene is the most stable, which shows her strength on the spot. The strength of a singer depends largely on the scene, so many singers say that doing a concert tour will definitely improve her singing skills. (After this Asian tour, the singing skills of girlhood will definitely be more mature), and Jessica's control of breath is also excellent. Strictly speaking, it should be satisfactory. Jessica's vibrato belongs to the category of low-intermediate frequency, so it should not be particularly mature and slightly stiff, and it needs time to hone (beautiful vibrato is the best in Shenqi, and no matter which sound zone is a good standard).

Jessica's small flaw is that the conversion between true and false sounds is not good enough. During "Bad Brother", the fake voice of the scene in 3 minutes and 5 seconds was broken or the voice was directly dumb (which also proved that Jessica used more guttural sounds when singing high notes), so this sentence was changed to recording later, and you can hear it if you listen carefully. In addition, there is a small nasal sound, which also makes her falsetto and vibrato have high resolution.

Third place: Xu Xian.

Option: 2003? S.M？ Casting? system

Internship time: 6.5 years.

Combination: chorus.

Xu Xian was positioned as the third lead singer of girlhood by SM Company when she first appeared in Meet the World and Girlhood, but now the center of the third lead singer has gradually shifted from Gee album to Tiffany's.

According to the combination launched by SM Company, whoever is in charge of the high-pitched part and the background chorus part is the lead singer of the combination. In girlhood, Tae-yeon and Jessica usually finished the background chorus, followed by the high-pitched part, and Xu Xian, Jessica and Tae-yeon were in charge of the high-pitched part at the beginning of their debut. Although Tae-yeon and Jessica stole the show in the high-pitched part, Xu Xian's high-pitched voice is also excellent. Just listening to her high-pitched voice makes me feel effortless. I thought the voice was actually not high, but it wasn't. It should be the congenital condition of her own voice. The following is the high-pitched part that Xu Xian is responsible for:

The reunited world 3 minutes 18 seconds -3 minutes and 22 seconds

Tears 2 minutes 3 seconds -2 minutes 14 seconds

"Dear? Mom, 2 minutes and 53 seconds -2 minutes and 59 seconds.

In addition, "Mabinogi" and "Bad Brother" also show Xu Xian's good singing skills. Xu Xian's timbre is clear and sweet (this is sweet! ), simple, not too many gorgeous singing skills, very suitable for her appearance and personality. Positioning Xu Xian as the third lead singer is also because of the debut "Perfect? For what? You (Honey), the world of reunion and girlhood follow the route of fresh and lovely girlhood, and the youngest Xu Xian is the best endorsement of fresh and lovely girlhood, and with her own voice, she will definitely get more singing opportunities in the release of songs. Xu Xian's voice originally belongs to the thin and high type, so it sounds effortless when singing high notes, but it also causes a lack of grasp of some songs. This is why Tiffany gradually replaced Xu Xiancheng as the third lead singer. Because Xu Xian's voice and singing skills are too limited. Although it is plastic surgery, it is too difficult to reshape the voice of the nine girls' generation, which takes time and money, and SM can't do it.

Xu Xian's bass has always been underestimated, from elves and chocolate? As can be seen from the song allocation of Love, Xu Xian is not responsible for all the bass parts, but for other parts with relatively high voice, which is due to the consideration of the whole song style.

The situation in Xu Xian is quite stable. Mainly slow songs, it is the most stable among the nine people, and every game is excellent and quite good. Fast songs and dance music are also well done, but if there are long sentences, Xu Xian's shortcomings are exposed-bad breath control and insufficient breath. This shortcoming is that I listened to WG's "Tell? When I was a girl, I was on a special stage. I ",Xu Xian sang two paragraphs, the first paragraph was fine, and the second paragraph was very hard to sing the Xuanmei part, because that sentence had to be sung in one breath, but listening to the WG scene, Xuanmei was not so obvious. This shows that Xu Xian's breath and vital capacity need to be strengthened.

Fourth place: Tiffany.

Choice: SM in 2004? Casting? System (CJ/KMTV? America-Los Angeles? First place in the competition)

Internship time: 4 years and 7 months.

Combination: chorus.

Tiffany's biggest characteristics are: timbre and singing skills.

These two parts largely make up for the vacancy of European singing in girlhood. Tiffany's voice is deep and slightly hoarse. In my opinion, the most suitable style for Tiffany is jazz, which is more casual and pays attention to individual skills and the overall cooperation of musical instruments. Because of Tiffany's own voice condition, it is her responsibility to complete the bass. Can you listen to elves and chocolate if you handle it properly? Love This is not the same as Jessica singing bass.

Because Tiffany's singing style is more European and American, her high notes sound very special, such as: bad brother, Mabinogi's Dear? Both mom and Solo can enjoy Tiffany's European-style high-pitched singing, which is powerful and powerful. But because of Tiffany's range problem, it sounds a little dull and the scene is obvious. If we let go of singing, the treble will be released and the breath will be emitted, but Tiffany's treble is obviously taken in, sacrificing breath to ensure stability (Lock the Throat) If Tiffany's range is widened and her breath is better controlled, she will definitely become one of the new generation singers.

Tiffany's biggest drawback is that the site is unstable. Among the nine members, Tiffany and Yuri are the most unstable. This is related to Tiffany's poor respiratory control ability. Tiffany is a recording singer, because some small flaws (such as volume control) will have a great effect as long as they pass the later stage. But listening to the scene, you will find that Tiffany's volume is up and down (almost every dance music is live), and the breath is sometimes chaotic, and it will be missed ("Dear? Mom's scene), because of the dance steps, the voice that should be sung is stuck in my throat. Sometimes, for fear of breaking the sound, I change the place where I should sing with the real voice to sing with a falsetto (dear? Every scene of my mother and several scenes of my brother are really bad, hehe ~ it's really the problem lead singer.

Fifth place: sunny day.

Choice: 2007 SM? Casting? System (previous internship in other companies for 5 years)

Internship time: 5 years.

Combination: chorus.

Many people say that Sunny was able to enter SM Company and join her girlhood because of her relationship with Li Xiuman. I think it's so funny. Can all children in Li Xiuman really get into SM? It's not up to Li Xiuman to decide whether he can enter SM or make his debut. If Sunny was selected for her girlhood by virtue of her relationship, she should be a passer-by who played soy sauce in her girlhood, not a lead singer.

Sunny's timbre is as fresh and sweet as Xu Xian's, but Sunny's voice is thinner and higher, and her voice is floating (but it is not a dolphin sound, and the pronunciation of dolphin sound is different, just like a falsetto sung by God in Tonight, only a falsetto, not a dolphin sound).

Many people say that Sunny's scene is very stable, comparable to the original CD, which I find very strange. At least I don't think Sunny's performance in the live scenes I have seen will be stable enough to rival CD, whether it is slow songs or fast songs. Sunny has a good grasp of breath, which is beyond doubt. I have never seen Sang Ni sing while breathing. However, in many dance scenes, Sunny's breath control still lacks temperature, which will fluctuate and the volume will fluctuate (occasionally).

Sunny's falsetto is very nice, because the voice is thin, and the falsetto sounds very light, ethereal and soft. You can listen to the solo songs "Now" and "Girlfriend" for 2 minutes 13 seconds -2 minutes 18 seconds. False voice is Sonny's characteristic. Like Xu Xian, the tenor is too limited and a little childish. Solo's tenor is very high, but Sunny always feels a little less explosive when singing, which is related to her original sound.

But with Sunny's strength, Solo is completely self-evident.