Speaking of Gong Er, there is a scene in the movie that I have to say-Gong Er's funeral. In this scene, Gong Ruomei heard that his father died at the hands of his apprentice and went back day and night. It is said that Zhang Ziyi performed a heartbreaking cry at this moment, which was very touching. Wong Kar-wai at the scene couldn't help but sigh, "Zhang Ziyi's tears are killing me ..." But this part of the play was completely cut, because Wong Kar-wai knew that the tears after crying were even more deadly. Gong Er was determined to avenge his father. His eyes refused and he talked to his uncle. Some of them were soft, but they hit the floor and said, "My father's words are that he loves me and thinks my life is better. But his revenge is not reported, and my life is not good. " They're getting closer. "Forgive people and forgive people, two girls. Many things are not providence. " Gong Er has heard grief and indignation, and Zhang Ziyi's twitching expression is really remarkable. He just said, "Maybe I am God's will" and left. It is not too strange to know that the prototype of Gong Er is based on the stone bridge. Shi Jianqiao was an admirable strange girl in the Republic of China. After ten years of revenge for his father, he finally reached out to Sun Fangchuan. After loudly telling everyone his identity and the reason for the assassination on the spot, he turned himself in. In the movie, Gong Er served as a Taoist priest to avenge his father, and kept his promise all his life, never marrying or leaving, and never passing on martial arts.
There are not many emotional scenes in the whole movie, but the expression is very profound. At the beginning of the movie, IP Man hits Gong Ruomei's golden pagoda, and the action is as beautiful as dancing. Appreciate each other between the brow, and then the corresponding words are all confidants-"a promise of a thousand dollars, beautiful scenery." However, the war has crossed the Qian Shan, which is 15 years late. The last time Gong Er and Ip Man met, it was Zhang Ziyi's only heavy makeup in the play. Her lips are red and covered with thick powder, but she can't hide the spots on her face. Gong Er has always been depressed and cold in this play, but every time he talks with Ip Man, he always sees a rare relaxation. I will sigh gently in my heart, so powerful, still a daughter's heart, and who can escape being immersed in love? But when I watched this movie before, I always felt that Zhang Ziyi didn't perform well in this last scene. Because when the play came here, Gong Ruomei already knew that her life would soon be over. Make up an appointment with IP Man, that is, tell the truth. The lines are also very straightforward to say, "I have you in my heart for a long time, and it's nothing to tell you." I like people who don't break the law, but I can only like it. " It was supposed to be the gentlest scene for women, but Zhang Ziyi's expression was so cold that it was almost not as soft as women's. Looking back today, I suddenly agree with Zhang Ziyi's handling. Gong Re-mei is naturally a strong-willed woman. It is easy for her to make a war decision, so that her dependence will be revealed, but she has exhausted her courage. If you don't tighten yourself at this time, you will be afraid. Is the true feeling behind this indifference comparable to the soft language of ordinary women? Ip Man said, "Life is like chess, diamond cut diamond. We have no regrets, but there is only fate between us." I like this passage of IP Man. In the end, he just said, "I hope to see Gong Sixty-four again one day." Gong Ruomei shed tears. So does Ip Man have Gong Er in his heart? There must be. He left a button on the coat he made to meet Gong Er in the northeast, and kept it with him all the time, hanging on the bedside. /kloc-In 0/5 years, I will find Gong Ruomei, and I will not be without her. What's more, the sentence in the letter "I spent some time hiding under leaves, and I walked through snow several times in my dream" must have been tossing and turning for several nights. But like Gong Er said, he can only like her, right? Many people in the comments said that they were distressed by Gong Er's tears, but I always felt that their affection was more of a confidant. When we meet, it is unnecessary to meet again after a long separation, even to feel distressed and comforted.
? There are not many female roles in The Master, but they are all brilliant. Third Sister Jinlou tried her hand with Bagua Palm and Ip Man. She stepped on three inches of golden lotus, but she didn't lose the man at all. She knelt on her knees and played neatly. Third Sister is played by Zhou Xiaofei, who also studies Bajiquan and Bagua Palm. It is said that she is also a disciple of the gossip school, which is very consistent with the role in the play. I like the beauty of Third Sister. Most women in the golden building are like this. Some of them are not beautiful, some are quite brilliant, but there is a strong momentum between their gestures, which is also the answer to the sentence "most of them are temperamental people" By the way, in the movie, when Miyata took her daughter Gong Er to Jinta, the aunt in the building was singing Peking Opera, which was very beautiful. I made a special investigation and sang "Shiro Visiting Mother", which tells the story of the Yang family's resistance to the invasion of northern minorities in the Northern Song Dynasty. It can also be regarded as paving the way for the follow-up story of the Japanese invasion.
It's an action movie after all. Almost all the female characters in this movie practice martial arts. The only soft girl is Zhang Yongcheng (IP Man's wife, played by Song Hye Kyo Jing). I have seen a lot of film reviews, and really few people have mentioned this role. Even though they mentioned it, they just praised the beauty of Qiao Mei. Qiao Mei has few scenes in this play and only two or three lines, so it is easy to be materialized or ignored in this kind of film. Song Hye Kyo Jing's face value is self-evident, but is she really just beautiful? There are two interesting scenes. Ip Man took his wife to the Kim family in Going to the Opera. At that time, it was not common for good women to go to the theatre in the hall. The aunt in the building looked at her sideways. She turned around, sat up straight and clenched her mouth. Zhang Yongcheng is obviously not an idle person, but there are some subtle fears under this courage. At this moment, IP Man held her hand and looked at her. She smiled warmly, then looked up, her bright forehead held high. This is a gesture that women rely on the man they love deeply. Qiao Mei subtly described this change in mentality.
In another scene, the background is the correspondence between IP Man and Gong Er, and then IP Man makes a coat for his family and plans to visit Gong Er in the northeast. Zhang Yongcheng wore a coat and asked with a smile, "Is it so cold in Guangdong?" The picture switches to them taking a family photo. Ip Man put his hand on Zhang Yongcheng's shoulder. Her lips trembled and her eyes were full of tears. Finally, she smiled and stopped her tears. While watching Lust, Caution, Ang Lee invited Tony Leung Chiu Wai's wife in Chen Chong's play. Chen Chong asked Ang Lee, "Does his wife know about Wei Zi and Tang Wei in the play?" Ang Lee answered "Yes", so Chen Chong took the play. In Lust, Caution, from beginning to end, Chen Chong's attitude towards their extramarital affairs never appeared. At the end of the movie, after Tang Wei was shot, Weizi sat on the bed crying, and Chen Chong passed by the door without stopping. Yes, she knows. Back to the "master", Zhang Yongcheng naturally knew that she was a clever woman, but she didn't say anything. This is her wisdom.
There is a mysterious figure in the movie-Ding Lianshan (played by Zhao Benshan). Many people say that this role is too mysterious to understand. I looked up the information about this character, which is actually a wonderful story in itself. It's no exaggeration to make a movie alone. In the northeast, Gong Yutian joined the league and has always supported the revolutionary party. Later, in order to stifle the revolutionary party, Zhang deliberately released a Japanese samurai who participated in the revolution to make trouble and provoke in the street. In order to prevent him from revealing more information about revolutionaries, Gong Yutian decided to kill him. Although the elder brother Ding Lianshan has always opposed his younger brother's involvement with the revolutionary party, at this moment, the elder brother asked him: Which is more difficult, killing and fleeing or supporting the sect to carry forward a martial arts? Gong Yutian said the latter, of course. Ding Lianshan said, well, I'll put the easy ones first and leave the difficult ones to you. So after killing someone, he fled south to the land of South Guangdong, went to Foshan, made an anonymous kitchen in Jinlou, and called himself a "ghost". The so-called "inside a door, someone wants to be a lining, someone wants to save face, face kills people, and the lining should be covered with blood" is the truth.
Starting from the role of Ding Lianshan, I also have my own understanding of the Wulin Collection in the film. There is a lining in the sect with face, and so is the Wulin. The so-called master in this play refers not only to Ip Man, but also to a generation of heroes at that time. The three protagonists in the play are IP Man, Gong Er and Yi Xiantian. Ip Man is a face in Wulin, which promotes martial arts and transmits countless rays. Gong Er avenged her father and never taught her martial arts. She said to Ip Man, "We haven't seen martial arts for a thousand years, and we haven't seen much. Why can't we stop it? " This is another Wulin; One day, he went to Hong Kong and opened a white rose barber shop. He accepted a gangster as an apprentice, and he is a master of martial arts who lives on the streets. Isn't this Wulin?
Every time I look at the master, I always feel that the role of Gong Er is better than that of Ip Man, who dares to love and hate, and is neat and crisp. Looking back now, I gradually understand that there are many things in Gong Er that I can't let go after all. As she said, "I see myself, I see the world", but I have never seen all beings. For IP Man, a lot of words are not spoken, but they are more widely spoken than those who speak. This is probably the person who has seen all beings.
Finally, back to the drama, the beginning of "The Grandmaster" is a drama in the rain. Cabbage is handsome and elegant, and the so-called martial arts in the world are fast and unbreakable; The echo from the distance is drawing to a close, and Zhang zhen is playing in the rain, just fierce and fierce, freaky and making enemies. Even people who don't have much research on Wushu like me will obviously feel two completely different styles. They are the master of Wing Chun Boxing in the movie, Ye Wen. He talked about octupole boxing. It is said that Zhang zhen studied octupole boxing for this movie for three years, and the whole movie has done enough homework and is full of sincerity.
In fact, there are many wonderful places in the play, such as the villain played by Max Zhang, the story of Lao Jiang, the character Gong Yutian, the first encounter with Gong Er, the dismantling of the characters in the Golden Building, the comparison between the 2D version and the 3D version, and many beautiful scenes in the play ... It is impossible to write them one by one. In recent years, there are really not many good films in China, and even less are worth savoring. Wong Kar-wai's films are always penetrating and unforgettable. The so-called obsession will echo, and I look forward to more good movies.
Not counting the end of the ending, the master of the opening IP Man personally punched the belt and said, "A belt is a person who practices martial arts in one breath, and you will be a person with this tone in the future!"
Life is like a play, and people are born. Isn't it with this smell? !
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