1975, composer Chen Peixun adapted it into a piano solo, which made the music of the richest man with China characteristics more widely known.
Basic introduction Chinese name: Pinghu Qiuyue soundtrack: Lu Wencheng; Chen Peixun plays musical instruments: national musical instruments; Piano creation year: 1930s; 1975 creative background, music appreciation, playing skills, Lv Wencheng version, Chen Peixun version, social evaluation, author profile, Lv Wencheng, Chen Peixun, creative background In the 1930s, Lv Wencheng visited the West Lake in Hangzhou in the Mid-Autumn Festival, which made him deeply moved, so he wrote this song, describing the scenery of the West Lake on a moonlit night and praising the beautiful scenery of nature. 1975 Mr. Chen Peixun, the composer, arranged this piece for piano solo. The adapted music uses rich and colorful accompaniment textures to show the sparkling and flickering scenes in more detail, making it an excellent piano piece with Chinese folk music characteristics, impressionist sound effects and romantic composition techniques. Music appreciation This is the best lyric music in Guangdong. This song depicts one of the scenic spots of the West Lake in Hangzhou, the quiet and charming West Lake under the bright moon, with a fresh, lively and melodious melody. The night scene in autumn is peaceful and quiet, and the evening breeze is gentle and quiet. A pool of calm lake water reflects a bright autumn moon, blue sky and Wan Li, sparkling, green mountains and trees, pavilions and pavilions, as if covered with a layer of gauze in the moonlight. The whole West Lake seems to be a fairy tale world. Music plays a poetic artistic conception, and also entrusts people with their yearning for a better life, their desire for peace and their love for nature. It depicts the moonlight and poetic night view of China Jiangnan Lake, and expresses the author's feelings and love for natural scenery. Playing Skills The melody of this song is mainly composed of five tones, and Gao Hu is the main instrument of the melody. A lot of finger sliding skills are used in the performance, which shows the quiet side of Pinghu autumn moon. In melody expression, Gao Hu showed clear timbre, timbre characteristics and unique charm of dulcimer, flute and Qin Qin. The tune adopts Zhejiang folk music, but it also has the style of Guangdong music. The music was beautifully composed by Gao Hu, with the band slightly embellished. The creation absorbed the material of Zhejiang folk music. The whole music sounds both Guangdong music style and Jiangnan music charm. Lu Wencheng's version of music score and Chen Peixun's version of piano music Autumn Moon in Pinghu have strong national charm and noble and elegant musical style, which mainly show the void realm of China traditional culture. Players should pay attention to this realm of piano music in actual performance and try their best to make it full of breath, so as to give people a feeling of endless aftertaste when playing. Piano music has four parts: the beginning, the playing, the turning and the ensemble. At the beginning of the performance, the player should pay attention to the use of the left hand bass area to make the sound spread quickly. Speaking of the "bearing" part, performers should pay attention to funny breathing; In the "turn" section, the music gradually turns from soft to exciting, the dynamic strengthening is more and more obvious, and the music image is more distinct. In the fourth paragraph 18- 22, the music enters the * * * part very calmly, which is also the most emotional part of the whole music, showing the ethereal and dreamy world more happily. When playing, players should pay attention to the continuity of breath and maintain a state of continuous excitement. Finally, the "combination" part of the music is the last paragraph of the whole music, and the artistic conception is ethereal and distant. When playing, the player should make the music form an illusory and erratic tone. Chen Peixun's Social Evaluation of Music Score Lv Wencheng and Chen Peixun described the moonlit night as fresh and quiet, and the moonlight was bright and charming. The moonlight in the autumn moon in Pinghu has the artistic conception of quietness, emptiness, lightness and distance in the minds of China literati, and also has the bright and festive color of China music. Music tends to be extroverted, which makes people feel the beauty of nature and life and makes people more open-minded. Autumn Moon in Pinghu reflects the traditional aesthetic principle of the Chinese nation's pursuit of nobility, beauty, exquisiteness and harmony, and the China literati's mind of "being quiet and far away, being indifferent to bright aspirations". The bright and beautiful moonlight reflects the beautiful feelings of "I wish people a long life and a beautiful life". Under a bright moon, two composers described two different bright worlds. Author brief introduction Lv Wencheng Lv Wencheng (1898- 198 1) is a Guangdong musician and composer. A native of Zhongshan County, Guangdong Province. Living in Shanghai in his early years, he was deeply influenced by Jiangnan folk music and western music culture. He returned to Guangdong in the late 1920s and then moved to Hong Kong. According to incomplete statistics, more than 100 songs have been written. Made a large number of Guangdong music records. Many pieces of music include Autumn Moon in Pinghu (China M-383A), Fishing Song at Night (China 3-5768A), Phoenix in Qishan (China 3-09 14A), Galaxy Club (China 36078B 1A) and BBK. In playing, he can play and sing everything, especially Gao Hu (Moon Lake). For the first time, the silk strings of erhu were changed into steel strings, and the playing method of clamping the piano tube at the appropriate parts of both knees was adopted. Lv Wencheng Chen Peixun Chen Peixun (1922-2006), a musician and educator, is from Hepu, Guangxi. I studied piano with my uncle since I was a child, and studied piano, organ and composition in Hong Kong and Shanghai. During his stay in War of Resistance against Japanese Aggression, he traveled around the motherland. From 65438 to 0939, he entered the Shanghai Conservatory of Music, where he studied the composition techniques of Hendry from Tan Xiaolin. After the outbreak of War of Resistance against Japanese Aggression, he taught at the Fine Arts Institutes in Hongkong, Qujiang, Chongqing and Shanghai. After the founding of the People's Republic of China, he served as an associate professor, professor and director of the orchestration teaching and research section of the Central Conservatory of Music for a long time. His major works include piano music selling groceries, Missing Love, Variations on Butterfly Flying Three, Symphonic Poems Canglang, Crossing from the Starting Point, Flowing Sound and Painting, Fantasy Overture Wang Zhaojun, Symphony of My Motherland, Tomb-Sweeping Day and so on. Chen peixun