Ah Mui's We Are Soldiers is better than Wu's Whisperwind, and I still insist on my original opinion today. Because neither of them wants to rely on war art films or war epic films, then what we can do is to slap them hard when it is sensational and fight to the end when it is time to fight. I am better than the wind in both aspects. It is not that the war scene in the wind is not fierce, but that Mr. Wu really lacks the confidence to control the big scene, and the small encounter is thrilling and quick. As soon as I came into direct contact with the enemy, only the cameras were randomly connected. In addition, james horner, the soundtrack, is also perfunctory this time, and even competes with the picture when showing the war scene, which makes people feel the battle unintentionally! Not to mention the sensational scene, which is completely out of touch with the war scene. Anyway, as soon as the gunshots stopped and the voices opened on the screen, the audience below began to laugh or yawn. In my screening ticket, "MGM Studio, US Air Force and Hof Theatre jointly invite you to come: Honor is their slogan (Horner is their code name)" Boy, this honor is too melodramatic. There is nothing wonderful about this film except Cage's amazing experience in the end. Instead, there are many sad places. As a "boutique" made by Wu who wants to make persistent efforts, it is a bit disappointing. Lao Wu, who wants to make a breakthrough, can't find the north for a while. The movie box office is estimated to be similar to mine. If it can exceed 80 million, I will punish myself for writing the most disgusting love letter to the fattest black girl in my class. Hey, hey, Wu's violent aesthetics should be over!