We will give you a detailed introduction to the "Fiber Moon at the Bottom of the Curtain" from the following aspects:
First, the full text of Niannujiao Liu Shudong Village Wall Click here to view the details of Niannujiao Liu Shudong Village Wall.
Wild pond flowers fall and rush by,
Tomb-Sweeping Day. _ Dongfeng deceives the guest dream,
Cloud screen is cold and timid. Hold the bow on the curved shore,
Yang is a horse. It was different here before.
The building is empty, and the old Swift can talk.
Wen Dodge is in the east, and pedestrians overlook it.
The bottom of the curtain is slender. Old grievances keep flowing,
I hate Yunshan a thousand times. It is expected that the Ming dynasty,
See you before, flowers in the mirror are hard to fold.
You should also be surprised to ask: How many Fahua are there recently?
Second, translation.
Wild pond flowers fall, rush by, clear. _ Dongfeng deceives the guest's dream, and a pillow is cold and fearful. This place was once different when the bow was bent on the bank and the willow was a horse. The building is empty, and the old Swift can talk.
Wild pond flowers fall, Tomb-Sweeping Day hurried by. Dongfeng bullied passers-by on the road and awakened my short dream. A chill blew on my lonely pillow, and I felt a little cold. On the bank of the winding river, I once raised a glass to drink with a beautiful woman. Under the weeping willows, I once left beautiful women here. Now that people are gone, only the swallow of the past still lives here, and only it can witness the joy of that time.
I heard that I was in the east, and pedestrians met me, and the curtain was long. The old hatred in Chunjiang continues, and the new hatred in Yunshan is thousands of times. I look forward to seeing you again in the Ming Dynasty. You should also be surprised to ask: How many Fahua are there recently?
It is said that in the east of the busy street, pedestrians have seen her beautiful feet under the curtains. Old things flow like spring in Jiang Xiangdong, gone forever, and new regrets are like Yunshan. If one day, we meet again at the banquet, she will be like a flower in the mirror, and I can't open it. She will be surprised that my hair has turned white again.
Thirdly, Xin Qiji's other poems.
Jingkou Pavilion in Yongle Palace is nostalgic for the past, Qingpingle Village House, Xijiang Moon Tour on Huangsha Road, Partridge Sky, Yuan Jade Box. Fourth, appreciate
Xin Qiji seldom writes about his love experience. When he did it, it was different from other schools, and there was a sad atmosphere of clapping and singing. But it doesn't mean anything tactfully and touching. This word is an example.
According to Deng Guangming's comments on Jiaxuan Ci Chronology, this word may have been written in 1 178 (five years) when Jiangxi was called Shao Qingshi of Dali. Look at its meaning. When the author was young, he passed by Liu Dong County, Chizhou, and met a woman. This time he passed by and revisited the old place, so he coined this word.
The first five sentences: "Flowers fall in the wild pool and pass in a hurry. During the Qingming Festival, the genre deceives the guest's dream, and a pillow is cold and timid. "During the Qingming Festival, the spring is as cold as autumn, and the east wind is shocking, which is touching and sad. The word "you" indicates that my last visit was also a season. It coincides with the spring tour of Cuihu in the Tang Dynasty and meets a village girl. " "Guest Dream" refers to the dream of an old trip, and the loneliness of "one pillow is cold and timid" is in dark contrast with the joy of gathering here before. Sure enough, the following author can't help but recall the past: "There is a bow on the shore, crying for a horse. This place used to be very bright. "When the building is empty, the old swimmer can say," On the crooked river bank, weeping willows are still old, but people go to the building; It's a pity that only swallows of deja vu are whispering to people. The last sentence follows the meaning of "The swallow's building is empty, where the beauty goes, and the swallow closes the building" in Dongpo's Song of Eternal Sorrow, but it can dig out new ideas and is quite handy. In these five sentences, the author recalled the sadness of parting in the past, but now he can't see the sadness at the place where he put pen to paper. This vaguely sad language is rare in his poems.
During the intermission, feelings kept flowing, and the sentimental memories of the first part flowed into the next part: "I heard that the road east is strange, and pedestrians have been watching it for a long time, and the details of the act are long." "Air model" is still a smoke alley. The slender moon comes from the bottom of the curtain and refers to the feet of a beauty. The standard is _ Niang. According to Long Muxun's Notes on Dongpo Yuefu, this is another detachment from Dongpo's "Jiangchengzi" saying "laity, look at the bow and bend at once". It's gorgeous, but elegant and refined, which is what makes Jiaxuan outstanding. At this point, we can know that this woman is a prostitute. It says here that not only "Yan Fei" knows; Ask pedestrians, I also know that this beauty does exist, but it has disappeared. The melancholy increased, so the author said sadly: "Old hatred stays in the spring, and new hatred stays in the mountains." The old resentment of parting last year has been as hard as running water; At this time, the new hatred that can't be seen when revisiting is more like a chaotic mountain cloud, which is unbearable. South Anhui is mountainous along the river, and the scenery in front of it is handy as a wonderful metaphor. Of course, these two sentences have intentionally or unintentionally penetrated into the hatred of home country, life and country. Constant hate is like this. Jiaxuan suffered a lot, so it is difficult to separate. Chen Tingzhuo's evaluation of "singing straight, dripping and dripping" is to understand the profound meaning. The meaning of Ben came here and ended. The poet used his imagination to dig out another meaning: "Ben expected to see you again in the Ming Dynasty, but it is difficult to fold flowers in the mirror." Even if there is a chance to meet again, I'm afraid it belongs to someone else, never again. I will always cherish the regret of "green leaves full of branches" in Du Mu's poem "Sighing Flowers". The original intention is to sing three sighs and the words are tortuous. Jia Xuan is the word, he can express his feelings to others and feel that there is nothing to say. Like a flower in the mirror, it seems to have unfinished meaning, but I don't know where to start. Jia Xuan entered another level, resulting in an endless ending: "You should also be surprised to ask: How many Fahua recently?" At that time, I thought she should be surprised and concerned and ask me, "Why did you add so much white hair!" " "That's it! Write the deep feelings and life sighs of both sides with imaginary ordinary entertainment words. This bald head has both deep feelings of "wasting people for Iraq" and grief of "being old as a hero", which can be described as mixed feelings. When I write this, nostalgia and life experience are inseparable, which means "money calls people, red scarf and green sleeves, heroic tears" ("water"), in fact, it is a sad cloud in my chest through the wine in the cup of love. Because of this knot, looking back at the whole word, I only feel sad everywhere. This ending also takes care of the beginning years, so it comes down to little Fahua, and that's it.
According to the above analysis, this work is not without twists and turns of other romantic masterpieces. However, Xin Jiaxuan does not express the euphemistic charm of hiding half of her face behind her guitar in front of us, not to mention the words "incense board", "silver candle", "jade rib" and "red tears". He wrote that the east wind deceives the dream and surprised to see Fahua, during which he only slightly dyed the "thin moon" and disappeared at first sight. The overall style is tragic and generous, and Baiyuzhai's thorns are rated as "tragic and the ancestor of Chen Qinian".
The style of this word is not only different in appearance, but also different in temperament, and there is sadness between the lines. Although it is an affair, it is not written specifically for sending love between men and women. The author's thoughts and feelings have been saturated with the grief and indignation of heroes who are idle and unable to serve the country. This grief and indignation is everywhere, which makes this love word reveal a kind of grief and indignation from beginning to end. It is better than that in the end, it is hard to say. At the same time, for the love between men and women, Jia Xuan's performance is not lingering and can't get rid of it, but attributed her infatuation to infinite sighs. Its tone is not low and sad; But in a hurry, I hit the case before the festival and sprayed it out. Such love words seem to be sung only with the help of "copper pipa iron rake" and love poems. This new realm can only be seen in Jia Xuan's words.
Zhou Bangyan's "Ruilongyin" is also about "Peach Blossom Face" and "Renovation of Old Songs" (Comment on Zhou Ji's Selected Poems of Song Sijia). The same theme, in Jia Xuan's hands, is a sad song of knocking on the pot, but in Muslim's pen, it is a "shallow singing" of traditional love words. Zhou ci is circuitous, lest it be endless; The symplectic word is stagnant mountain, I want to say. What halal does is a beautiful woman's meticulous picture, with delicate brushwork; Jia Xuan's paintings are free and easy, refreshing and freehand. This difference in artistic style is caused by the difference in poet's personality and temperament. At the same time, it can be seen that Jia Xuan's ci style is unique and really different.
Verb (abbreviation of verb) notes
Tang Ye: Wild Li Tang.
Hurriedly: describe how time flies.
_ Di: Song dialect, equivalent to "unprovoked" and "just right".
Cloud screen: a screen embedded with mica.
Cold and timid: describes talent or lack of talent.
Shang: China ancient wine container.
Tie a horse: Tie a horse.
Qimo: a colorful avenue, which is often used by Song people to call this flower street.
Slender moon: describes the slender feet of beautiful women.
Expectation: forecast; Estimate.
Ming Dynasty: Later, in the future.
Zun: refers to the vessel for holding wine.
Goodbye: meet again, meet again.
Fahua: Gray hair.
Poetry of the same dynasty
General Cao, Xiaqutang, Tengwangge, mistress attacked his wife and complained about the cold, and Tang Meishan's poems were also played as notes, with the title Cherish, abandoned as the value of rice crossing, seeing off guests, exclamations and titles.
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