Romantic for the first time.

At the beginning of The Condor Heroes, Ouyang Xiu, the literary leader of the Northern Song Dynasty, quoted the word "dead Hua Lian" to solve the problem:

On the banks of the autumn waters in Yue Nv, the narrow sleeves are light, revealing double gold cymbals. Taking pictures and picking flowers like an airplane leaves only chaos in my heart. The wind and waves at the head of Chichi Creek are late, and the fog is heavy and the smoke is light, so I don't see my companions when I come. The faint song went away, leaving sadness to lead Jiang Nanan.

Jin Yong wrote Ouyang Xiu's poems against the background of girls picking lotus flowers and singing songs in Nanhu, Jiaxing, during Li Zongnian's reign in the Southern Song Dynasty, and analyzed the characteristics of the poems: "It is a scene of picking lotus flowers in Yue Nv. Although there are only 60 words, the season, time, place, scenery and Yue Nv's appearance, clothes, jewelry and mood are vividly described. The second half of this poem is more narrative. It can be said that it briefly points out the elegance and gracefulness of European characters. Of course, Jin Yong focuses on the "mood" part of the book that is closely related to the plot. Therefore, the sentence "My heart is only in turmoil" has become the main axis of narrative. I really can't say my mood. Why is it messy? It is only because the past is unbearable that this situation will be remembered. So Jin Yong quoted another poem from Ouyang Xiu's "Die Lian Hua": "A romantic and heartless person changes in secret, always swims like a dream, heartbroken ..." to strengthen his appeal and lay the groundwork for Huang He's feelings. This is another poem by Ouyang Xiu. The full text is:

The painting pavilion returned in the Spring Festival Evening, the swallow Qi Fei, the willow soft and the peach blossom shallow, and the drizzle filled the courtyard wind, and no one saw it. Leaning on the fence, my mood is confused, the grass is growing, and I still remember the south bank of the Yangtze River. The romantic figures have changed secretly, and the old tour is like a dream.

The fourth time under the Quanzhen Gate

Guo Jing took Yang Guo to learn Quanzhen religion. After a big quarrel due to misunderstanding, the truth finally came out. Changchun Chu Ji explained to Guo Jing the relationship between Quanzhen religion and the ancient tomb, citing "Stone Poems" written by Guo Jing in the back hill and completed by Huang successively:

Ovary died in Qin, and once performed in the bridge. Zuo Han's majestic posture is like a pillar towering in the sky, and he can swim with Akamatsu and brush clothes. Different people, different books, do not pay much for creation.

Chongyang is full of truth, still striding high, upright and heroic, taking advantage of the situation or separatist regime. If you make a mistake, you will know right and wrong. When people enter the Tao, the two immortals meet here. Walking south at the end of the day, the temple pavilion is foggy.

In the first poem, Lin Chaoying advised Wang Zhongyang to learn from Sean of the Han Dynasty, and listed his heroic deeds: he picked up shoes for the old man under the bridge, and the man promised that he was a "son who would teach" and handed him a copy of The Art of War. Later, Liu Bang, Emperor Wu of the Han Dynasty, founded the country and proclaimed himself emperor. After his success, he retired and lived in seclusion with Pinus densiflora. These narratives can be found in Historical Records: Hou Shi Family, so I won't repeat them here. The latter poem was written by Huang on a stone. On the one hand, it solved the mystery, on the other hand, it described his life and behavior: leading many people to resist gold, sleeping out, getting to know Xia Xia, and finally becoming a monk and practicing in seclusion because of karma, creating Quanzhen religion.

It is really admirable that Jin Yong incorporated historical facts and plots into his poems to increase the elegance of novel creation.

The fourth time under the Quanzhen Gate

After Mongolian Prince Huo Dou made a scene, the backyard of Chongyang Palace was set on fire. Guo Jing is deeply sorry, but Qiu Chuji thinks that the palace building is a thing apart from the world, so don't pay too much attention to it. He used the poem "Laughing freely when going out, the clouds are in the West Lake and the moon is in the sky" to express his psychology.

Reporter: The poems sung by Qiu Zi in Changchun at the beginning are only part of it. In the twenty-fifth story of Jin Yong's Legend of the Condor Heroes, Quan Zhen's seven sons once sang a poem to show their identity before fighting against the bronze corpse Mei Chaofeng. The full text of his poem is:

I have lived in my nest for decades and walked like a top for a long time. Under the Haitang Pavilion, Chongyang Zi, Lotus Leaf Boat, Taiyixian. Nothing can be separated from an empty shell, and some people can feel it before they die. Laugh when you go out, the clouds are in the West Lake, and the moon is in the sky.

The full text shows the monk's spirit of transcending desire, and the last two sentences are even more alarming, so Qiu Chuji used them to tell Guo Jing not to worry about it.

The tenth young hero

In order to avoid the Wu brothers, Yang Guo went to Huashan by hook or by crook, and happened to meet Hong Qigong, a northern beggar who was chasing five ugliness in Tibet. Hong Qigong slept for three days after eating a delicious centipede, and Yang Guo's life was in danger while waiting for three days. On the last day, Yang Guo wanted to give up, but he still kept his promise to Hong Qigong. The article quoted the story of keeping an appointment: Aunt Guo told me a book about meeting a woman in ancient times and waiting under the bridge. When the woman didn't arrive, the flood rose, and Weisheng refused to stand up and died holding the bridge pillar. Since then, this man has been famous all his life. I, Yang Guo, am despised by the world. If I don't keep this agreement, I will be even more despised by others. Even if I die because of this, I will keep it for three days.

According to: the story of micro-life and trustworthiness comes from Zhuangzi's "Stealing Feet":

The so-called sage among scholars is Boyi Shu Qi. Uncle Boyi resigned from the solitary bamboo king and starved to death on Shouyang Mountain, leaving his flesh and blood unburied. Baojiao played the role of a fairy, clinging to wood. Shen Tudi didn't listen to the advice and threw the negative stone into the river, which was eaten by fish and turtles. The meson pushed to Nakano, cut its shares and fed them to Wen Gong, who took them back, and the son pushed them away angrily and burned them to death. Weisheng lives under the beam with that woman. If the woman doesn't come, the water won't go, and she will cling to the housing beam. Six sons? People who are different from dogs begging for money are indifferent to fame and fortune and don't care about their lives.

The meaning of this passage is: "The wise men praised by the world, such as Boyi and Shu Qi. Boyi and Shu Qi resigned from the throne of the solitary bamboo country, but starved to death in shouyangshan, and their bodies were not buried. Baojiao deliberately held aloof, criticized the world and died clinging to a tree. Shen Tudi repeatedly advised that it was not accepted. He threw the stone into the river with his back and died. His body was eaten by fish and turtles. Deconstruction is the most loyal. He cut off the meat from his thigh and gave it to Jin Wengong. After Wen Gong returned to China, he abandoned him. Jietui fled the capital in a rage and lived in seclusion in the mountains. He also burned a tree and died. Weisheng is dating a woman under the bridge. That woman didn't keep the appointment as scheduled. The river came in, but Weisheng didn't leave. She drowned holding the bridge post. These six people are no different from dismembered dogs, pigs sinking into the river and beggars begging everywhere with spoons. They are people who value honor and take their own lives, regardless of health and longevity.

Zhuangzi thinks that Boyi, Shu Qi, Baojiao, Shen Tudi, Jie Zhitui and Wei Sheng are all immoral people, who value fame over death, neglect health care and die young, which contains derogatory and demeaning thoughts, which is very different from what we pay today.

The twelfth hero feast

Huang Rong and Guo Jing held a hero's meeting in a big victory. When everyone was recommending the Wulin leader, King Jinlun, Huo Dou and Dalba appeared to try to win the championship, and finally reached a best-of-three strategy with Qunxia, which decided the ownership of the Wulin leader. Huang Rong was confident of winning, and quoted "today's ambition, compared with the ambition of the previous dynasty ..." to illustrate the source of his confidence.

Press: Historical Records, Volume 65, The Art of War, Biography of Wu Qi;

Bin Sun ... Qi is very kind to Tian Ji. Don't be afraid to shoot again and again with the descendants of Qi. Grandson saw that his horse's feet were not far apart, and there were three generations of horses. So the grandson said to Tian Ji, "If your brother shoots again, I will let you win." Tian Ji believed it and took the king and his sons to shoot his daughter. The grandson said, "Today, you are better than him, you are better than him, you are better than him." After three generations of Chi, he was invincible and won the first world war with Tian Ji, and died in. Therefore, Sun Tzu of Wang Wei asked about the art of war and thought he was a teacher.

The meaning of this passage is: "Tian Ji often races with the princes of the State of Qi and gambles on winning or losing. But Tian Ji didn't win many times. Sun Bin has seen the horses they are fighting for, and their feet are not far apart, but they can be divided into upper, middle and lower classes. So Sun Bin confidently said to Tian Ji: Next time there is a horse race, you just have to gamble with them to win or lose, and I will let you win in my way. Tian Ji believed it, so he went to sign up and bet his daughter with the sons of the King of Qi. When waiting for the live game, Sun Bin said to Tian Ji: Now use your bad horse against their good horse in the first game; In the second game, use your superior horse against their medium horse; Finally, use your middle horse against their inferior horse. After three games, Tian Ji lost only one game, won two games, and finally won by the total score, winning the daughter of the King of Qi. The King of Qi was surprised by Tian Ji's victory, so Tian Ji told Qi Weiwang the secret of Sun Bin's teaching of Saifa and recommended Sun Bin to Qi Weiwang. Qi Weiwang asked Sun Bin something about Sun Tzu's Art of War. Under the conversation, the king was greatly admired, and now he worships Sun Bin as his strategist.

Jin Yong used Sun Tzu's The Art of War in Historical Records to illustrate the reliability of strategy application, and used it to set off Huang Rong's erudition and ingenuity, which was also a satire on Mongolian shallow culture.

The twelfth hero feast

Master Yideng has four apprentices-"Yuqiao Gengdu". Among them, "Reading"-Zhu Ziliu integrated the magical power of "One Yang Finger" into Zhang Xu's famous calligraphy work "Self-narration Post" in the Tang Dynasty, and made a set of elegant martial arts. Jin Yong quoted Du Fu's Eight Immortals of Drinking: "Zhang Xu's three cups of grass, with their hats off, appeared in front of the princes and lost paper. "Poetry should set off the depth and atmosphere of the content.

Publishing House: Du Shijing's Full Volume One "Drinking Eight Immortals";

Zhang Zhi rode a horse like a boat, dazzled, and fell asleep at the bottom of the well. Ruyang's three fights began in the sky, and the road was salivating at the corner of the car. I wish I could not seal it to Jiuquan. Drinking thousands of dollars, a cup of music is called avoiding sages. The young man of Xiao Sa School is beautiful, and his eyes are looking up to the sky, as bright as Yushu before the wind. Before Su Jin Dynasty embroidered Buddha in Changzhai, he often liked to escape Zen when he was drunk. Li Bai wrote a hundred poems in a bucket and went to sleep in a restaurant in Chang 'an, but the son of heaven told him not to get on the boat, claiming that he was Brewmaster. Zhang Xu three cups of grass, before taking off his hat and showing it to the maharaja, like a cloud? . Jiao sui's five fights are outstanding, and it is about four banquets.

In this poem, Du Fu quoted eight drunkards, including himself, Li, Cui Zongzhi, Li Bai, Zhang Xu and Jiao Sui, to illustrate his interest in drunkenness and praised their lives. Zhang Xushan is cursive and good at drinking. Every time I get drunk, I write with a pen, which changes endlessly. If God helps him. In his book, Jin Yong arranged for Zhu Ziliu to use a Yang finger to blend into the magical martial arts of Zhang Xu's calligraphy. In order to match Zhang Xu's character and martial arts, drinking is an indispensable element in fighting, so Huang Rong is well-advised to send three glasses of wine with his father Huang's "Finger-flick" kung fu to help him display his magical powers, defeat and increase the stimulation of martial arts. Jin Yong quoted Du Fu's poems here to match the kung fu and plot, which really has the effect of embedding gold and jade, and also shows his literary knowledge.

Back to the 13th Wulin League Leader

Defeated in Guanzhong, when the heroes and the Golden Wheel were in a scuffle, Yang Guo fought with Dalba to protect the little dragon girl, using the most wonderful and ingenious martial arts of the ancient tomb school-Beauty Boxing, and using 15 to simulate an ancient beauty with a changeable expression and extremely strange.

Back to the fifteenth East Evil Master

Yang Guo was wounded by King Jinlun to protect Huang Rong and his mother. Fortunately, he was saved by Huang's disciple. When Yang Guo woke up from the injury, he saw Cheng Ying practicing calligraphy. Yang Guo used the method to read the words written by Cheng Ying as "I don't like meeting a gentleman." This character is used to illustrate Cheng Ying's love for Yang Guo.

Publishing House: The Book of Songs; National wind; Zheng Feng; Wind and rain:

The wind and rain are bleak and the chickens crow. I can't stand the sight of a gentleman.

It rained heavily, and the cock crowed with glue, but when he saw a gentleman, he didn't know what to do.

The wind and rain are like clouds, and chickens crow unceasingly. Since you see a gentleman, don't you like it?

This is a love poem about a tryst between men and women, which shows that women are both expecting and afraid of being hurt after meeting their lover. Jin Yong only quoted the last two sentences of the last paragraph to insinuate Cheng Ying's mentality.

Back to the fifteenth East Evil Master

After saving Yang Guo, Cheng Ying played the flute alone to express her feelings. The tune he plays will always be the five sentences in the article "Qi 'ao": "Looking for Qi 'ao, bamboo is stubborn, bandits have gentlemen, as sincere as measures, as grinding as grinding. It is quite touching, which means praising a man who has been studied as elegant as ivory and as smooth as jade.

Publishing House: The Book of Songs; National wind; Feng Wei; Qi Olympic Games:

Looking forward to the Olympics, bamboo is embarrassed. There are bandits and gentlemen, such as cutting, cutting and grinding. She is awkward, she is awkward. There are bandits and gentlemen, so you can't be embarrassed.

Looking forward to the Olympics, green bamboo. There are bandits, gentlemen. They will be as good as stars. She's embarrassed. She's embarrassed. There are bandits and gentlemen, so you can't be embarrassed.

Looking forward to the Olympics, bamboo is duty-bound. There are bandits, such as gold, tin, jade, jade. Generous, generous, heavy, playful and not abusive.

This is the first chapter, and the people praise the virtue of his king, Wei Wugong. Jin Yong quoted the first five sentences as Cheng Ying's praise for Yang Guo.

Back to the fifteenth East Evil Master

Pursuing disciples, I heard the flute, and I remembered playing the piano with my lover when I was young. He couldn't help singing in a mournful tone: "Ask the world, what is love, and teach life and death?" How many times has the old wing been hot and cold? Have fun, leave the bitterness, and there will be more children in school. You should have a sentence, Wan Liyun, Qian Shan Dusk, who is the only shadow? Internal strength is implied in the song to counter Cheng Ying's flute.

Press: Yuan; Yuan Hao asked < fishing; Qiu Yan's Ci:

Ask the world, what is love, teach life and death? How many times has the old wing been hot and cold? Have fun, leave the bitterness, and there will be more children in school. You should have something to say. There are clouds in Wan Li and dusk in Qian Shan. Who do you just want to go to?

Cross grave road, lonely in those days, flutes and drums, barren smoke is still flat, what's the point of evocation? Shan Gui secretly calls the shots. The sky is also jealous. If you don't believe it, birds and swallows are all loess. For generations, leave it to poets to sing, drink and visit Qiu Yan.

This word has been passed down from generation to generation, or there are some differences in terms of words, but it is probably the same. The title of this first word is "Fishing", or "Maibeitang", and the title is "Qiu Yan Ci". There is an orderly explanation before the word:

When B Chou was eighteen years old, he went to try Bing Zhou and said to the goose catcher, "I got a goose today, and I'm going to kill it." The man who broke the net lamented that he couldn't walk, but he threw himself on the ground and died. "I bought it because of it. On the Fenshui where I was buried, I learned something from the tired stone nicknamed' Qiu Yan'. Most of his peers are poets, and there are also "Qiu Yan Ci". There is no palace affairs in the old works, but it has been changed today.

The preface before the word describes the origin of writing: mourning for a goose that died for its partner. This poem is Yuan Haowen's masterpiece. The first draft was written in Taihe, Jin Zhangzong in five years. At that time, the author was only sixteen years old. Many years later, he revised it again because of the disharmony of juvenile works, which shows his love for this poem. Critics have always been highly appreciative of this work. Zhang Yan of the Southern Song Dynasty said: "Beauty lies in modeling modality and lofty thoughts. Xu Qingang commented with a smile: "Mian's thoughts are profound and heartbreaking to read. At the same time, governors and chapters are out of reach. "Jin Yong used to show Li Mochou's love and hate, which is really wonderful.

Back to the fifteenth East Evil Master

When Cheng Ying couldn't beat Li Mochou to save Lu Wushuang and Yang Guo, he simply ignored life and death, played a gorgeous and jubilant tune-"Peach Blossom", and secretly sang: "Peach Blossom is blooming, burning its glory ..." The piano is magnificent, the spring breeze is steady, and the flowers are fragrant.

Publishing House: The Book of Songs; National wind; Nan Zhou; Yao Tao:

Peach blossoms are in full bloom, colorful and fiery red. The girl is going to get married and be happy at her husband's house.

Peach blossoms are in full bloom and there are countless fruits. The girl is going to get married, and the heir who gave birth early is going to make a fortune.

Peach blossoms are in full bloom, and green leaves are lush and never fall. The girl is getting married, and Comix is in harmony.

This is a poem about marrying a daughter. It is said that a woman's virtue is beautiful and she will be qualified for her job after marriage. Jin Yong quoted this poem as a metaphor for Cheng Ying's willingness to sacrifice to protect Yang Guo.