Is a very important point of view.
The first question is the current situation of folk culture, what is the current situation,
How to develop in the future? No one knows these things. In this case, we should
To protect this cultural heritage. Let it go. In such a thing, what kind of direct way will we take to participate in social activities? For example, the present situation of intangible cultural heritage, whether scholars have participated in the protection cause, or what problems still exist in the middle.
Folklore has become a fashionable word in the past two years. Very fashionable words, including going to the countryside in the suburbs of Beijing, will see a folk village after a short walk. In this way, folk customs are hot, and we also pursue folk customs. But some people, unlike us, think that folk customs are very old-fashioned and nothing new. In this case, we should try our best to protect the intangible cultural heritage on both sides of the strait. From cross-strait culture to cultural relics, it is very meaningful, for example, the Riverside Scene at Qingming Festival. Through the description of history, the author also shows readers that those who care about the world and the people will be admired by the people, while those who go against the historical trend will be punished by shooting themselves in the foot. In addition, the novel also describes the image of Zheng Chenggong, a national hero admired by people on both sides of the Taiwan Strait, tells the legend that "Emperor Baosheng visited Taiwan Province Province" and expresses the common desire of both sides of the Taiwan Strait for reunification.
For example, for medical knowledge, refer to the relevant chapters of Long Qiu's Materia Medica, and the lyrics about Nanyin are selected from "Nanyin Guiding Poetry Selection Appreciation", striving to respect the facts, be true and credible, and never distort them. There are also many works like Xu Du that appear before our eyes. Can't you bear to see these works destroyed without being passed on?
Culture is the emotional source for a nation to settle down in this world. The legend of Wu Zhenren not only embodies history, but also contains the affection of a family on both sides of the strait. Such as "The Legend of Wu Zhenren". The author created the typical images of Wu Zhenren and his followers who didn't care about wealth, treated the people, sorted out and explored the treasure house of Chinese culture and medicine, and the group images of Yan Siqi, Zheng Zhilong and Zheng Chenggong who carried forward the spirit of Tzu Chi, crossed the Taiwan Strait, cultivated and drove out the Dutch invaders. The novel not only successfully depicts the vivid image of Wu Zhenren, a famous doctor, but also depicts a contemporary, Ming and Qing dynasties: from the emperor to the empress dowager, to honest officials and corrupt officials, as well as ordinary people, industrial and commercial classes, bullies, Dutch invaders and so on. The depiction of folk customs is a highlight of the novel, which artistically reproduces the original appearance of social life in ancient southern Fujian and even on both sides of the Taiwan Strait (such as the description of the custom of rich cakes, vivid and vivid), just like a Minnan-style version of The Riverside Scene at Qingming Festival.