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Yan Zhenqing's Calligraphy Realm Yan Zhenqing has opened up a new magnificent realm of China's calligraphy: in terms of characteristics, Yan Ti's China's calligraphy is new in form, strict in statutes and magnificent. From the aesthetic point of view, Yan Ti China's calligraphy is dignified, masculine and artificial, and has several kinds of beauty at the same time, which sets an example for future generations. From the perspective of the times, the early Tang dynasty inherited the remnants of Jin and Song dynasties and failed to stand on its own feet. As soon as China's calligraphy came out, the altar of the Tang Dynasty cast a new fashion and became one of the famous Yang Zhi in the prosperous Tang Dynasty.
Times created the realm of China and Yan Shu's calligraphy, just as times created the realm of China Wang Xizhi's calligraphy and calligraphy. During the Wei, Jin, Southern and Northern Dynasties, the society was in turmoil for a long time, but the cultural history became a shining era. In this era, China's calligraphy art has become an art and skill in the hands of literati. They deeply discovered the external beauty of nature and the internal beauty of spirit. Wang Xizhi was born in this era? Book saint? . However, the Tang Dynasty entered the most glorious era in the ancient history of China. The politics, economy and military affairs of the Tang Empire surpassed the past and reached its peak, and culture and art blossomed. People face the great progress of society with new eyes and values. Emperor Taizong was good at Wang Youjun's calligraphy, personally praised the Biography of the Book of Jin, bought it at a large price, and decided to copy it, and extended the Preface to Lanting to the nobles, so the literati lived in the right army. Yu Shinan, Ou Yangxun, Chu Suiliang and Xue Qi all had their own achievements in the early Tang Dynasty, but they failed to really create a new style of calligraphy for the Tang Dynasty.
Yan Zhenqing is a pioneer in creating a new style. He was a minister in the Tang Dynasty and a descendant of the calligrapher's family. He is very concerned about the evolution of calligraphy. Han Yu once ridiculed? Is Xi's vulgar book attractive? The author's one-sided view is that he failed to correctly evaluate Wang Shu, but his original intention is to establish a new' values and aesthetics' from his own time. Therefore, Du Fu's poems, Korean's poems and Yan Shu's poems all stand on their own feet in the new era. ? Drive out the face, accept the ancient law in the new idea, and give birth to the new law outside the ancient meaning. Vientiane, Tao Zhu, has its own strengths. The poems of Shaoling and the articles of Changli can rise and fall for eight generations, so they became the books of the Tang Dynasty? (Book Forest and Algae). Yan Shu's admiration for bone, fat and law, dignity, broadness and boldness, and attention to momentum, courage and heroism can be found in the society of the Tang Dynasty. Yan Zhenqing created the sound of the prosperous Tang Dynasty in calligraphy, which is the magnificent realm of Yan Shu.