Twelve women in Jinling are the twelve most outstanding women in Nanjing recorded in the dreamland "Misfortune Division" in A Dream of Red Mansions. Baoyu asked, "What are the official documents of the twelve women in Jinling?" "That's the first twelve-woman book in your province," said the police phantom.

The judgment of twelve women in Jinling

★ Lin Daiyu and Xue Baochai

It's a pity to stop working, but it's a pity to praise talents. The jade belt hangs in the forest and is buried in the snow.

Notes on works:

"Shutdown" refers to the story of the Warring States Period, when Yanle Yangzi's wife stopped knitting to persuade her husband to seek fame and virtue. A woman who meets feudal moral standards is called "stop", and here is to praise Baochai.

The word "Yong" originated from talented women and was later used to refer to women's talent in poetry. Later generations praised the woman who was good at poetry and songs as "Yong Xu Cai", meaning that Daiyu should be pitied.

"Jade belt hanging on the forest" is "Lin Daiyu" in turn. A beautiful feudal bureaucrat's belt, reduced to hanging on a dead tree, is a portrayal of Daiyu's neglected talent and tragic fate.

"Golden hairpin burying snow" means that Xue Baochai is buried in the snow like the golden hairpin in the picture, which is also inappropriate, suggesting that Xue Baochai is bound to be left out in the cold.

★ Wang Xifeng

All the birds from the last days know that they love this life. Obeying two orders, three people were in a daze, and crying to Jinling was even more sad.

Notes on works:

"Birds flock to the phoenix" refers to the misfortune of a capable strong woman like Xifeng who was born in the last days. "Every bird" is the word "phoenix" in traditional Chinese characters, which means Wang Xifeng. The word "every bird" taken from the word "phoenix" is a metaphor for mediocrity. It is natural to point out "phoenix" by borrowing Lu An's allusion to happiness. The iceberg on which the female phoenix leans in the painting refers to the backer symbolized by the melting Jia family. "One obeys two orders, three people are stupid" refers to the change of husband Jia Lian's attitude towards Xifeng. After marriage, first "obey", be obedient to her, and listen to her in everything; "Second-order" is interpreted as "cold", which means that her husband is gradually cold to her and begins to give orders to her; "Three-person wood" refers to the fate that she was finally abandoned by "spelling". "Crying till Jinling is even sadder" is a sad portrayal of her crying back to her family after being abandoned. In the feudal society at that time, being abandoned was very tragic.

★ Shi Xiangyun

What is wealth? Parents were disobedient when they were babies. The eyes of the exhibition hang obliquely, and the Xiangjiang River water dies in Chu.

Notes on works:

"What is wealth? Parents have been disobedient since childhood. " Xiangyun was born in a wealthy family in feudal Houmen. The so-called "Epang Palace, 300 Li, Jinling can never live" refers to her home. But what can it do? Xiangyun's parents died in infancy. Although rich and neglected, I have never been warm since I was a child.

The third sentence of "the beautiful eyes hang on the sunset, and the Xiangjiang River water dies in Chu Yunfei" says that in a blink of an eye, Xiangyun is the only one who is sad at the sunset alone. The word "Xiangyun" stands out in Xiang Jiang Lost Chu Yun Fei. Xiangjiang River is located in Hunan, the ancient state of Chu, so it is called Chu Yun. The passage of Xiangjiang River, Chu's departure, the decline of historians and the short life of Xiangyun couple, as well as the omen of family breakdown, are all based on the allusions of dreaming that Wushan Goddess met her.

★ Jia Yuanchun

In the past twenty years, judging from right and wrong, Liu Bloom has taken care of Gong Wei. Three spring for the early spring scenery, the tiger and rabbit meet and dream of returning to their hometown.

Notes on works:

The first sentence, "Distinguishing right from wrong in the past 20 years", describes Yuan Chun's life in the palace for more than 20 years, and he has a new understanding of the joys and sorrows of the world, and feels that he has actually reached the realm of "no man's land" and "no profit and no end".

The second sentence, "Liu bloom shines in the palace", is written from the history of women to the history of Fengzao Palace, until she is virtuous and noble, and her brilliance is as red as pomegranate flowers. To outsiders, being a woman in a feudal society should be satisfied, but Yuan Chun concluded that she knew how to "distinguish right from wrong", recognized all kinds of darkness and corruption inside the court, and held a negative attitude towards her own life path.

In the third sentence, the "early spring scene of Sanchun Competition" refers to the three sisters of Yuan Chun Yingchun, Tanchun and Xichun; "Early spring" refers to Yuan Chun, which means that welcoming spring, exploring spring and cherishing spring are not as rich as Yuan Chun.

The last sentence "in the dream of meeting the tiger and the rabbit" refers to the alternation of the year of the tiger and the year of the rabbit. Yuan Chun died in1February, which is the end of the Year of the Tiger and the beginning of the Year of the Rabbit. Therefore, it is an inevitable result that Yuan Chun entered the palace as a concubine. Here, the author will criticize the imperial power that most people think is "sacred and inviolable"! (Note: Some versions are "tigers meet and dream of going home", and tigers are a kind of rhinoceros. This statement in ancient books reflects the balance of two forces. )

★ Jia Yingchun

My son is a Zhongshan wolf. If he succeeds, he will be crazy. The golden boudoir is full of flowers and willows, and she goes to Huang Liang with one load.

Notes on works:

In the first sentence "Son is a Zhongshan Wolf", the word "son" combines the traditional Chinese character "Sun" and refers to Sun Shaozu, Yingchun's husband. "Zhongshan Wolf" is an allusion from The Story of Zhongshan Wolf, which is a metaphor for a cruel and ungrateful person. The metaphor here is Sun Shaozu, Yingchun's husband, who is sinister and vicious, and Yingchun's suffering.

"If you succeed, you will be crazy." When you are proud, you will do evil and run amok. On one occasion, when Sun Shaozu was in trouble at home, he jumped out of the house and begged for help. Later, Sun Shaozu went to Beijing to attack officials and became an "upstart" by "waiting for the vacancy of the Ministry of War". After the downfall of the Jia family, they forced debts and trampled on the Spring Festival. Finally, Yingchun and Sun Shaozu were humiliated to death by their husbands a year later.

★ Jia Tanchun

Only from the Qingming high ambition, was born in the last days. Qingming Riverside Map, Dongfeng Dream!

Notes on works:

Tanchun is the third daughter of Jia Fu and the daughter of Jia Zheng's aunt Zhao. "Smart and ambitious" means that she is ambitious, smart, sober and sensitive, and will not be blinded by wealth. Born in the last days, her luck is biased. It is written that she was born in the last days of the decline of feudal society, which is also the misfortune of being an unmarried woman. Unfortunately, "talent" and "ambition" can't be brought into full play.

"The riverside scene on the Qingming Festival, a thousand miles away from the east wind, dreams far away" means that Tanchun is far away from the frontier, like a kite with a broken line. When you get married, you will go by boat. The word "Qingming" in the sentence indicates that she will be married in another country during the Qingming Festival. Just like the woman in the comprehensive painting, she will "hide her face and cry" on the river side of the ship, bid farewell to her parents and family, and only reunite with her family in her sleep.

★ Jia Xichun

It can be seen that the spring scenery is not long, and the clothes are replaced with the makeup of the year before. Poor embroidered maid, lying alone beside the ancient Buddha in Deng Qing.

Notes on works:

The first sentence of the judgment, "three springs are not long", is a pun. Literally refers to the end of spring (that is, the end of spring), but actually refers to the experiences of Xichun's three sisters (that is, Yuan Chun, Yingchun and Tanchun). The second sentence, "Yidun has put on makeup for a year", refers to the black clothes worn by nuns. Xichun saw from the experience of the three sisters that the days of the feudal ruling class were not long, and she was determined to get rid of the secular and escape into an empty net. Thirdly, the sentence "Poor embroidered handmaiden, lying alone beside the ancient Buddha of Qingdeng" specifically points out that Miss Jia finally became a nun, no longer the daughter of the government, and lived a life of "begging for food without clothes".

This sentence was written by Xi Chun, who foresaw that he would not have a good result in the future from the unfortunate experiences of his three sisters and decided to become a nun. But this road to escape from reality is bleak and lonely, and it still won't work. The sympathy and regret revealed in the poem clearly reflect the author's ambivalence.

★ Qin Keqing

Boundless love has deep fantasies, and when they meet, they will dominate her. If you talk nonsense, you will have honor. It's a good start to trouble.

Notes on works:

The first sentence of the judgment "Boundless love, love with fantasy" and "Boundless love, love with heaven" refers to deep and broad love for men and women. "Fantasy" is illusory and absurd. This sentence is to expose the unfair and ambiguous relationship between Jia Rong's father Jia Zhen and his daughter-in-law Qin Keqing.

The last two sentences point out that the unscrupulous sons are all from Guo Rongfu, and the curse begins with the people from Ningguo House. Qin Keqing was forced to commit adultery by Jia Zhen and committed suicide.

★ Li Wan

Who is like an orchid after the spring breeze of peaches and plums bears fruit? Like ice water, you are jealous in an empty space, and you play jokes on others in vain.

Notes on works:

The first sentence reads "peach, plum and fruit", in which "Li" and "Wan" imply Li Wan's name. Li Wan's youth is like a plum blossom in the spring breeze. Once it bears fruit, it will wither.

The second sentence "Who is like a pot of orchids" refers to Jia Lan and also refers to the picture. This sentence says that among the last descendants of Jia Fu, no one can compare with Jia Lan's "promise".

The third sentence, "as good as ice water", is written by Li Wan, a young widower, who respects the ceremony and keeps the festival and cares for the widowed. This kind of morality, in the eyes of feudal rulers, is as clean and beautiful as ice water. "Empty envy" means that although Jia Lan won the lottery and Li Wan got the reputation of "chastity", it can't save the decline of Jia Fu, but it can only be envied in vain.

The fourth sentence, "Playing a joke on others in vain", is to provide others with jokes for nothing, and to talk about the "three obedience and four virtues" pursued by Li Wan all his life, which is a typical virtuous woman in feudal society. In the end, Li Wan only ended up as a "deadwood" and became a martyr of feudal ethics.

★ Miaoyu

If you want to be clean, you can't be clean, and the clouds may not be empty. Poor Xiaoyu finally got stuck in the mud.

Notes on works:

This is Miaoyu's judgment. In "It's Hard to Go to Heaven", there is "What you need, too great-grandchildren can't sigh". According to the original clues and Zhi Yanzhai's comment on writing, the son of Taizi refers to Chen here. But "stuck in the mire" has nothing to do with him. According to experts' speculation, Miaoyu arrived in Guazhou to save Baoyu ("dirty dust" also means "It's hard to tolerate the world"), but she finally fell into the hands of a powerful old goat, so she said that "if you want to be clean, the clouds may not be empty" and "you will eventually get stuck in the mud".

★ Jia Qiaojie

If you are defeated, you will lose your family. I happened to meet a benefactor because I helped a village woman.

Notes on works:

The first sentence "Don't worry about your wealth" means that power has declined, so don't mention the wealth of the past.

The second sentence, "the family dies, not the relatives", means that the family business is dying, so don't talk about the flesh and blood relatives.

The third sentence "occasionally helping a village woman" means that Qiaojie's mother, Wang Xifeng, once "helped" Granny Liu.

The word "Qiao" in the fourth sentence "Meeting a benefactor by chance" is a semantic pun. Obviously refers to coincidence, which shows that Qiaojie. The benefactor refers to granny Liu. Qiaojie was abducted by her uncle Wang Ren, which is homophonic for "forgetting benevolence". Fortunately, granny Liu took it away and escaped. According to the scene of Qiaojie and Banel exchanging grapefruit and bergamot in the original "Granny Liu enters the Grand View Garden", the author writes this scene in detail, which probably implies the marriage of Qiaojie and Banel.

This judgment exposed the hypocritical relationship between people within the feudal rulers. When the dynasty was powerful, they climbed sects and talked about marriage; When the situation is defeated, it will be swindled and the flesh and blood will be ruined; This is a naked power transaction. Qiaojie's experience is sympathetic. She came to the countryside, grew up in a farmhouse and became a village girl. Comparatively speaking, she is much luckier than her aunts.

abstract

The verdict of twelve women in Jinling is a description of unfortunate women in official families in A Dream of Red Mansions.

In every verdict, their fate is implied in advance with obscure poetic conditions-bound and destroyed by feudal ethics, and the beauty must die before she dies. The theme of A Dream of Red Mansions is "A thousand red holes (crying), and Wan Yan drinks a cup (sadness)". It also reflects the sorrow of women in China for thousands of years. At the same time, it also embodies Cao Xueqin's profound literary foundation and accurate thought of being free from vulgarity.

A Dream in Red Mansions

(Introduction to A Dream of Red Mansions) Who will be the lover of HarmonyOS system? It's all about romance. Take advantage of this helpless day, sad day, lonely day, try to send off your stupidity. So, in fact, the performance of this golden mourning jade "Dream of Red Mansions".

Precautions:

This is the prelude to the twelve songs of a dream of red mansions, which leads to the twelve songs and is also the summary and prompt of these twelve songs. This overture explains the origin of A Dream of Red Mansions. Here, the author Cao Xueqin expressed his "stupidity" in a fairy tone. It is true that Cao Xueqin wrote "romantic feelings" in A Dream of Red Mansions, which showed the love between Bao and Dai. However, this kind of love is not a "gifted scholar and beautiful woman" love, but a pure love based on the rebellion against feudal ethics. Therefore, Mourning for Gold and Jade is neither a description of "fantasy" nor a work of "love repentance", but a profound theme of "Heaven" in the last days of feudal society is expressed through the love stories of young men and women. The author's "stupidity" is an ideological contradiction that the author intentionally makes up for "Heaven" but cannot make up for it.

(A lifetime mistake) Baochai's entanglement with three people: all roads are good marriages, and I only saw the alliance between wood and stone. Across the sky, the mountains are crystal clear with snow; I will never forget the lonely forest in the world. Sighing about the world is a fly in the ointment. Even in Qi Mei, it's hard to understand!

Precautions:

This song intones Lin Daiyu and Xue Baochai in Jia Baoyu's tone. "Today's Liang Yin" and "Snow Crystal" refer to Xue Baochai. Because she has Huang Jinbao and psychic treasure, "snow" is "Xue". Meng Qian in Wood and Stone and Lonely Forest refer to Lin Daiyu. Because Baoyu was originally named Jade, and Lin Daiyu was originally named Jiangzhucao.

Baodai: One is Xianpa in Yuen Long, and the other is flawless jade. If there is no strange fate, I will meet him again in this life; If you say there is a strange fate, how does your mind eventually become empty? One is futile, and the other is alarmist. One is the moon in the water, and the other is the flower in the mirror. I don't know how many tears there are in my eyes, how to stop autumn from flowing to winter and spring from flowing to summer!

Note: This is Bao Dai, Lin Daiyu is a fairy, and Jia Baoyu is a flawless jade. The word "you" in "If there is no strange fate, meet again in this life" points out that Bao Dai and her have met in previous lives, that is, the nectar between Shen Ying, the waiter of Chixia Palace, and the crimson pearl grass beside Sansheng Stone, so this life is the second time. One is the moon in the water, and the other is the flower in the mirror. "The first sentence is character; The last sentence is that society, the moon in the water and the flowers in the mirror are all illusory, just like their love. The theory of the benefit of dew and the return of tears is relative to the last sentence, "think about how many tears are in your eyes, how can you stop autumn from flowing to winter and spring from flowing to summer!" "

Jia Yuanchun (hate impermanence): I like timely prosperity, but I hate impermanence. Just watch and throw everything away. Wandering leisurely, consuming the fragrant soul. Looking around, the road is long, and the mountains are high. So, I told my parents in my dream: My son's life is in the grave, and my family needs to step back and leave early!

Jia Tanchun: Sail three thousand miles and join the family of flesh and blood. I'm afraid crying will damage my old age. Tell my parents not to worry. Poverty has been fixed since ancient times, and there is no chance of clutch. From now on, we will be divided into two places, each keeping safe. I want it back, don't get involved!

Shi Xiangyun: In infancy, my parents died with a sigh. Living in the jungle, who knows how to pet it? Fortunately, natural heroes are generous and never care about their children's affairs. In that way, the moonlight was bright in Yutang. My fellow has both talent and beauty, and won for a long time. When he was young, he must have folded into a bumpy shape. Finally, the clouds disappeared and the water dried up the Xiangjiang River. This is how many ups and downs in the world, so why be sad!

Miaoyu: temperament is like orchid, and talent is better than fairy. There is little natural loneliness. Your way is disgusting meat, and you think it is vulgar to continue the frontier. But I don't know that people who are too tall are more likely to be jealous. They are too clean to share the suspicion. Alas, the people in the ancient temple of Deng Qing are getting old; I failed. The pink floor is full of spring colors. Finally, it was dusty and dirty (k m: ng z m: ng, see Wen Tianxiang's poem "Dirty at the end is Han" in News of Children). In that way, the flawless white jade was stuck in the mud; Why, the prince sighed!

Jia Yingchun: Zhongshan Wolf, a ruthless beast, completely forgot the reason for the day. Blindly arrogant, lustful and greedy. Look at that, Houmen banquet is the same as Liu Pu; For practitioners, government money is as obscene as money. Sigh sweet soul, carry leisurely swing!

Jia Xichun: How about seeing through those three springs? Knock out youth and find a bright sky. Say what? There are many peaches in the sky and many apricots in the cloud. Who survived the autumn? Look, people in baiyang village are sobbing, and ghosts are singing under the green maple forest. What's more, even the grass covers the grave. What's more, yesterday's poor people and today's rich people have worked hard, and spring is at first, and Qiu Guang is at first. Like this, who can escape life and death? According to the news, the precious trees in the west are called whirling trees with lasting fruits.

(Clever Lei Ming) Wang Xifeng: The authorities are too clever to calculate your life. Heartbroken before death, ethereal after death. It is better to have a rich family, but eventually a family will die and everyone will go their separate ways. Waste of time, half a century hanging in my mind. It's like three nights and a dream. Suddenly like the first floor, suddenly like Yi Deng. Ah! One happy and one sad. Sigh the world, it's hard to decide!

Jia: Stay, stay, and suddenly meet a benefactor; Lucky mother, lucky mother, accumulate yin work. Persuade life, help the poor, don't be a cruel uncle like me who loves money and forgets flesh and blood! It's multiplication, division, addition and subtraction, with the sky on it.

(Evening News) Li Wan: Kindness in the mirror is more worthy of fame in the dream! That beautiful youth went to He Xun! Don't mention the embroidery account again. Only by wearing a pearl crown and a phoenix coat can we resist impermanence. Although it is, life should not suffer from old age and poverty, but also need to accumulate children and grandchildren. Wearing a tassel on his head, wearing a tassel on his head, and having a gold seal on his chest; Wei Hehe, Mr. Lu, Wei Hehe, Mr. Lu, faint and miserable, near the yellow road. Can ancient generals still exist? In name only, everyone respects each other.

Qin Keqing: Painting Liang Chunjin with incense dust. Being good at amorous feelings and grasping the moon phase is the foundation of losing home. Losing power is respectful, and the death of family affairs is the original sin. Always because of love.

(At the end, the bird was thrown into the forest) Being an official, the family business withered; Wealth, gold and silver; If you are kind, you will survive; Ruthless, retribution is clear; If you owe your life, your life has been repaid; Those who owe tears have exhausted their tears. Revenge is not light, and it's all settled. If you want to know about past lives, you are really lucky to be rich when you are old. He who sees through escapes into an empty net; Obsessed, lost his life in vain. Just like eating all the birds and throwing them into the forest, the land is so clean!

Precautions:

This piece of music is the summary of twelve songs in A Dream of Red Mansions, and it is also the tragic fate of many women in the Grand View Garden.

The following are the life experiences, personalities and endings of twelve women. Lin Xue's family business has declined; Jia Jia's family is very rich, but they have always been extravagant; Qiaojie survived when she met a benefactor; Miaoyu looked at the world coldly and ended up in mud; Jia Yingchun paid off his debts and married Sun Shaozu, who was tortured to death; Lin Daiyu rebelled against feudal ethics and died in tears for Baoyu. Lin Daiyu shed all her tears because of her tears, so "I want to know her life experience and ask her previous life"; Xue Baochai's children are very smart when they grow up, and they have revived their family business after becoming an official, so "they are lucky to be rich when they are old." . Jia Tanchun was forced to avoid disaster and marry far away; Yuan Chun's body was sealed in the imperial concubine's arms, and he came to no good end. Jia Xichun sees through the world of mortals, cuts his hair for Ni, and escapes into an empty net; Wang Xifeng insisted on her own opinions and tried her best to die in the end. All these things, all kinds, are separated from each other. So the author's conclusion is: "It's like eating all the birds and throwing them into the forest. It's so clean to fall on the white earth! "

A Dream of Red Mansions Suite

1, Lin Daiyu

The first of the twelve women in Jinling, a crimson pearl grass beside the Sansheng stone in previous lives, benefited from the nectar of the waiter Shen Ying in Chixia Palace, and is willing to return tears with her. The only daughter of Lin Ruhai and Jia Min. Because my parents died when I was very young, my grandmother sympathized with her loneliness and took her to Guo Rong's home to raise her. Although she is an orphan, she is cold, sensitive, frank and sometimes mean. As a feudal rebel, she never advised Baoyu to take the road of feudalism as an official. She despises fame and fortune. When Jia Baoyu gave her a string of precious rosaries from the holy land given by King Jing of Beijing, she said, "I don't want this thing from a smelly man!" " She and Baoyu are like-minded, and they really love each other, but this love was brutally killed by Mrs. Wang, Wang Xifeng, Aunt Xue and others, and finally the last drop of tears was dropped, leaving only a groan of pain ("Hello Baoyu ...")!

2. Xue Baochai

One of the twelve women in Jinling, the daughter of Aunt Xue, is worth millions. She is beautiful in appearance and elegant in manners. She was keen on "career economy" and advised Baoyu to meet an official and talk about career economy. Baoyu secretly denounced him as an "asshole". She abides by feudal women's virtue, and is quite shrewd, can win people's hearts, treats people with great wit, and has love above and respect below. She hung a golden lock, which read "Never leave, never leave", and the public opinion that Aunt Xue and Mrs. Wang had already created a "golden marriage". [1: In this way, Jia Baoyu was tricked into marrying Xue Baochai. Because Xue Baochai died of sudden illness soon, she married Shi Xiangyun after she was widowed, but Shi Xiangyun died tragically soon, and Baoyu no longer had any hope for the world [2]. Jia Baoyu cut his hair and became a monk after winning a jury (twice fulfilling the saying that "I will become a monk when you die"). After Xue Baochai got a son, his son grew up to be an official and revived his family business. This is inferred from the clues left by the predecessors who read ancient books, and the popular books have different endings.

3. Jia Yuanchun

The third of the twelve women in Jinling, the eldest daughter of Jia Zheng and Mrs. Wang, was brought up by Jia Mu since childhood. As the eldest sister, she taught Baoyu to read and write when he was three or four years old. Although they are sisters, they are like mother and son. Later, because of her filial piety, she was elected as a female official in the palace. Soon, the date was named as the official book, and the virtuous princess was added. The Jia family specially built a villa for mothering, and welcomed her to mothering. The luxury of this villa is so high that even Yuan Chun thinks it is too luxurious and expensive! Although Yuan Fei brought Jia Fu "fuel the fire and spend brocade", she was imprisoned in the palace. When visiting relatives, she talked and cried, describing the palace ouchi as a "shady place" with no interest at all. After this mothering, Yuan Fei never had a chance to leave the palace, and then she died of a sudden illness. Yuan Chun's death was the turning point of Guo Rong government from prosperity to decline.

4. Jia Yingchun

The seventh of the twelve women in Jinling was born to Jia She and his concubine, ranking second in the Jia family. She is honest, incompetent, timid and has a nickname "Ermu". She is not only inferior to her sisters in guessing poems, but also knows how to give in and be bullied. Her pearls, silk and golden phoenix jewelry were all used by servants for gambling, and she did not pursue them. Others wanted to get it back for her, but she said, "I'd rather not have it. Why get angry?" Her father, Jia She, owed the Sun family 5,200 pieces of silver, so marrying her to the Sun family was actually paying her debts. Shortly after the marriage, she was tortured to death by Sun Shaozu, which marked the gradual decline of Guo Rong Tower.

5. Jia Tanchun

The fourth of the twelve women in Jinling was born to Jia Zheng and his concubine Aunt Zhao, and the Jia family ranked third. She is clever, scheming and decisive, and even Mrs. Wang and Xifeng give her some points. It is nicknamed "Rose". Her feudal hierarchy is particularly strong, so she despises and hates her own biological mother, Aunt Zhao, who is in the position of a servant girl and heartless. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search her locker, and no one was allowed to touch her things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with a small reform of "promoting advantages and eliminating disadvantages", but it didn't help. In the end, Jia Tanchun married away from home, which finally proved the tragic ending of "after three' spring' s, all parties were exhausted and each got his own way".

6. Jia Xichun

Eight of the twelve women in Jinling, Jia Zhen's sister. Because her father Jia Jing was always good at alchemy, she didn't care about anything, and her mother died a long time ago, and she grew up beside the old lady in Guo Rong Building. Because there is no love from my parents, I have developed a lonely and indifferent character, and my heart is cold and my mouth is cold. When copying the Grand View Garden, she gritted her teeth and insisted, driving away the maid who was not at fault and being indifferent to the tears and sorrows of others. The declining fate of four big families and the unfortunate ending of her three sisters made her think of leaving the world, and later she went to buddhist nun.

7. Wang Xifeng

Nine of the twelve women in Jinling, the wife of Jia Lian and the niece of Mrs. Wang. He has a pair of red phoenix triangle eyes, two curved willow eyebrows, slim figure and coquettish physique. Smart and capable, she won the trust of the Lady Dowager and Lady Wang, and became the actual housekeeper of the Jia family, supporting everyone in the Jia family with food, clothing, housing and transportation. Can be collectively referred to as "five spicy", that is, spicy, spicy, sour and spicy, spicy and poisonous. People are also very smooth and thoughtful, and they know how to make everyone happy. For example, when Lin Daiyu came, she said, "There are so beautiful people in the world that I just met them today! Moreover, this whole body style is not like the grandson and daughter of the ancestors, but actually the granddaughter of the first relatives. " In the first sentence, The World, The Truth and Like This have praised Daiyu very well, but we need to add two more sentences: "I just saw it today" and "Perfect Style", which have even praised Daiyu's appearance to the sky. No matter how people are, they will be happy! Then he added, "Not like the grandson of our ancestors, but the granddaughter of the first relative." The names "grandchild" and "first-class granddaughter" are not like the former, but this whole paragraph is continuously interpreted: Wang Xifeng first praised Daiyu's happiness, and Jia Mu was naturally happy because of his pain. Then according to these two names, she secretly praised (Yuan) that the four granddaughters who were really first-degree relatives were also beautiful, so she welcomed and cherished them happily, and naturally praised her granddaughter more happily.

8. Shi Xiangyun

The fifth of the twelve women in Jinling is the granddaughter of Grandmother Jia. Although she is the daughter of a wealthy family, her parents died when she was a child. She was raised by her uncles Shi Fei and Shi Ding, and her two aunts treated her badly. At her uncle's house, she can't be the master at all, and she has to do needlework from time to time until midnight. Her life experience is somewhat similar to that of Lin Daiyu, but she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. She is outspoken, cheerful and generous, mischievous, and even dares to sleep on the big bluestone in the garden after being drunk. She and Baoyu are also good friends. When they are together, they are sometimes affectionate and sometimes annoyed, but she is open-minded and never cares about her children's affairs. Later, she married Wei. Shortly after marriage, she met Baoyu and got married after living a rich and wandering life. In the end, she died of poverty and disease (this is the end of the ancient book, with different paragraphs).

9. Qin Keqing

Jia Rong's wife, Qin Keqing, is the twelfth of the twelve women in Jinling. She is the adopted daughter of camp doctor Qin Bangye, from Yangshengtang. Her nickname is Kerr, and her name is both pleasant and pleasant. She is graceful, delicate and romantic, gentle and peaceful, and won the favor of Jia Mu and others. However, her father-in-law Jia Zhen had an ambiguous relationship with her, which led to her early death. His life is extremely mysterious, and there is nothing unknown in his room. Even Jia Baoyu may not have this capital! On one occasion, when Zhou Rui's wife gave Xue Baochai the zodiac flowers for everyone, she saw the flowers pulling and crying. It is impossible to say that she is grateful, but she didn't get it. After her death, few people close to her actually did not object to her using wood that only the royal family could use as a coffin. What's more, the wood she used was originally wanted by the loyal prince, but later she retired because of the accident. This kind of thing that even Jia dared not use was used on a relatively small grandmother Rong, but no one objected and there was no reaction within the royal family. To be honest, I'm afraid I can't tell you the truth.

10, Miaoyu

Six of the twelve women in Jinling are from Suzhou. Her ancestors were scholars and officials. Because I was sick since I was a child, I bought a lot of body pairs (in the old superstition, people who were doomed to disaster had to give up their lives to become monks, and the rich bought children from poor families not to become monks, which was called body pairs), which was useless. I have to enter an empty door to be healthy, so I always practice with my hair. My parents are dead, and I have two old nurses and a little girl to wait on. She is proficient in pen and ink, familiar with classics and excellent in appearance. At the age of seventeen, I went to Chang 'an to practice with my master. After his death, he was invited by the Jia family to take him to Chang 'an for practice. Later, at Guazhou Ferry, "the beauty had to give in to the bones", and in a way of sacrificing herself, Shi Xiangyun and Jia Baoyu finally met and got married, which was a watershed figure among the twelve girls. (This is the Lost Ending, which is based on an exclusive comment by Zhi Yanzhai in the handwritten ancient edition of Jing Zang Jing Shi Ji. Jing Zang was discovered by lovers of the Red Chamber on 1964 and then disappeared. At present, only a page from "Jing Zang" proves that "Jing Zang" really existed, so the ending of Miaoyu should be as written by the exclusive fat group in "Jing Zang". ) It is also said that Miaoyu once visited the Jia family when it was almost broken, but her family was robbed, seen by gangsters and taken away while chanting in the temple. Since then, his whereabouts have been unknown.

Qiaojie 1 1

Ten of the twelve women in Jinling, daughter of Jia Lian and Wang Xifeng. Granny Liu was born on the seventh day of July. With the help of Wang Xifeng, she was named "Qiaojie". Qiaojie has lived a comfortable life since she was a child. She is the daughter of a rich family. However, Jia Fu died, and after Wang Xifeng died, my uncle Wang Ren and Jia Huan wanted to sell her to the prince as a servant girl. In an emergency, thanks to grandma Liu's help, they brought her into rural life.

Liwan 12

Eleven of the twelve women in Jinling, Gong Cai, is the wife of Jia Zhu and has a son Jia Lan. She was born in Jinling, and her father Li Shouzhong once made a toast to the whole country. From an early age, she was taught by her father that "a woman without talent is a virtue", so that she can recognize a few words, remember several virtuous women in the previous dynasty, and concentrate on spinning and sewing every day. Jia Zhu died of illness before he was 20. Li Wan has always been a widow. Although she is brilliant, she is like a dying ember. She only cares about raising her parents, accompanying her sister-in-law and studying. She is a typical virtuous woman, a virtuous woman who abides by feudal ethics.