Tian Chengtai pursues firewood burning, which is a subversive opposite direction. He no longer pursues the purity of the ancients, but tries his best to present the true colors of gray and the luster that can be seen everywhere in nature.

2. Peng

The value of Teacher Peng's Tao Bei Ji lies in the author's unique creative concept. Each of Mr. Peng's works has its own characteristics, and it has the momentum and strength to give up others, which makes people fall into their hearts.

3. Huang Maijiu

Associate Professor of Art Department of Jingdezhen College, master of arts and crafts in China, member of China Arts and Crafts Association, member of Jiangxi Artists Association, vice chairman of Jingdezhen Artists Association, good at China calligraphy and ceramic blue and white decoration.

4. Li Mingsong

Teacher Li, a health care master in Taiwan Province Province, believes that everyone should have at least one wooden beaker for drinking tea every day, so that the tea soup can be sweet and the water quality can be purified. Even if you don't need to drink tea, you can touch it in your hand at any time, which can also achieve the effect of health preservation.

Extended data:

Characteristics of wooden beakers:

The difference between wood-fired pottery works and ordinary kilns is that ashes and flames directly run into the kiln, and the dust produced is melted at high temperature to form natural gray glaze, which is warm in color, rich in layering and rough and powerful in texture, which is different from ordinary gorgeous glaze powder. Without repetition, it is difficult to predict the result of kiln burning.

If it is a cross-flame kiln, the burned works have yin-yang changes and flame traces on the fire-receiving side and the back fire side. It exudes a simple, vigorous and Gu Zhuo aesthetic feeling, which is why wood-burning ceramists are fascinated by it and pursue it wholeheartedly.

Wood is very mobile. As long as you master the general principle, other presentations will be regarded as random effects. The characteristics of firewood-fired pottery are not so precise, and some unexpected wonderful effects appear beyond the expected results. This is also the charm of firewood burning. No one is sure before leaving the kiln, and there are always unexpected gains.

On the surface of the work, you can feel the kiss mark burned by the flame on the blank and the glaze falling from the ashes after the firewood burning. On the whole, the rough and natural texture, simple and honest colors and profound and restrained elegance bring more surprises and artistic enjoyment to the creators, which is beyond the reach of electric kiln or gas kiln.

In the works of burning firewood, the creator's persistent spirit is more than pondering over the skill, because the skill has long been dissolved in the symphony of the earth between man and earth, kiln and firewood, fire and nature, and has been reborn as a vibrant tea set.