Lin Daiyu and Xue Baochai tied for the first place among the twelve women in Jinling. In my last life, I was a crimson pearl grass on the edge of Sanshengshi. Thanks to the sweet dew of Shen Ying, the waiter of Chixia Palace, they are willing to go home with them in tears. The only daughter of Lin Ruhai and Jia Min. Because my parents died when I was very young, my grandmother sympathized with her loneliness and took her to Guo Rong's home to raise her. Lin Daiyu means the highest value of women to Cao Xueqin. Although she is an orphan, she is cold, sensitive, frank and sometimes mean. As a feudal rebel, she never advised Baoyu to take the road of feudalism as an official. When Jia Baoyu gave her a string of precious rosaries from King Jing of Beijing, she said, "I don't want this from a smelly man!" " She never encouraged Baoyu to pursue career economy, which won Baoyu's favor. Because she understands Baoyu's spiritual core. Baoyu resisted the patriarchal society, and she was always a supporter and ally. Unfortunately, she is also a victim. She and Baoyu share the same interests and really love each other. She loves purity, so she loves nobility. Miss Jiangnan nobles, but also influenced by poetry, Lin Daiyu loves like Li Qingzhao. In ancient times, love was an oppressed word, which was not allowed by society. Lin Daiyu is a love supremacist under the background of ethics. She loves Jia Baoyu and has no worldly elements. But this love was brutally killed by Mrs. Wang, Wang Xifeng, Aunt Xue and others. Later, Lin Daiyu was seriously ill, and finally gave up the last tear when she left, leaving only a painful groan "Hello Baoyu ……"!
Xue Baochai
Tied with Lin Daiyu as the first of the twelve women in Jinling, the daughter of Aunt Xue, with a family fortune of millions. She is beautiful in appearance and elegant in manners. She was keen on "career economy" and advised Baoyu to meet an official and talk about career economy. Baoyu secretly denounced him as an "asshole". She abides by feudal women's virtue, and is quite shrewd, can win people's hearts, treats people with great wit, and has love above and respect below. She hung a golden lock, which read "Never leave, never leave", and the public opinion that Aunt Xue and Mrs. Wang had already created a "golden marriage". [1: In this way, Jia Baoyu was tricked into marrying Xue Baochai. Because Xue Baochai died of sudden illness soon, she married Shi Xiangyun after she was widowed, but Shi Xiangyun died tragically soon, and Baoyu no longer had any hope for the world [2]. Jia Baoyu cut his hair and became a monk after winning a jury (twice fulfilling the saying that "I will become a monk when you die"). After Xue Baochai got a son, his son grew up to be an official and revived his family business. This is inferred from the clues left by the predecessors who read ancient books, and the popular books have different endings.
Jia Yuanchun
The third of the twelve women in Jinling, Jia Yuanchun, the eldest daughter of Jia Zheng and Mrs. Wang, was brought up by Jia Mu since childhood. As the eldest sister, she taught Baoyu to read and write when he was three or four years old. Although they are sisters, they are like mother and son. Later, because of her filial piety, she was elected as a female official in the palace. Soon, the date was named as the official book, and the virtuous princess was added. The Jia family specially built a villa for mothering, and welcomed her to mothering. The luxury of this villa is so high that even Yuan Chun thinks it is too luxurious and expensive! Yuan Fei was confined in the palace, although she brought Jia Fu "full of flowers and oil". When visiting relatives, she talked and cried, describing the palace ouchi as a "shady place" with no interest at all. After this mothering, Yuan Fei never had a chance to leave the palace, and then she died of a sudden illness. Yuan Chun's death was the turning point of Guo Rong government from prosperity to decline.
Jia Tanchun
Jia Tanchun, the fourth of the twelve women in Jinling, was born to Jia Zheng and his concubine Aunt Zhao, and the Jia family ranked third. She is clever, scheming and decisive, and even Mrs. Wang and Xifeng give her some points. It is nicknamed "Rose". Her feudal hierarchy was particularly strong. When she raided the Grand View Garden, in order to maintain the dignity of the master in front of the servant girl, she "told the servant girl to open the door with a candle", and only allowed others to search their own cabinets, and no one was allowed to touch their girls' things. "I didn't plan on it." Wang Shanbao, who didn't understand this, touched Tanchun and got a slap on the spot. Tanchun was deeply touched by the crisis that Jia Mansion was about to collapse. She tried to save it with the reform of "promoting advantages and eliminating disadvantages", but it didn't help. In the end, Jia Tanchun married away from home, which finally proved the tragic ending of "after three' spring' s, all parties were exhausted and each got his own way".
Shi Xiangyun
Shi Xiangyun, the fifth of the twelve women in Jinling, is the granddaughter of Grandmother Jia. Although she was a rich girl, her parents died when she was a child. Shi Xiangyun was raised by her uncles Shi Fei and Shi Ding, and her two aunts treated her badly. At her uncle's house, she can't be the master at all, and she has to do needlework from time to time until midnight. Her life experience is somewhat similar to that of Lin Daiyu, but she has no rebellious spirit of Lin Daiyu and is influenced by Xue Baochai to some extent. She is outspoken, cheerful and generous, mischievous, and even dares to sleep on the big bluestone in the garden after being drunk. She and Baoyu are also good friends. When they are together, they are sometimes affectionate and sometimes annoyed, but she is open-minded and never cares about her children's affairs. Later, she married Wei. Shortly after marriage, she met Baoyu and got married after living a rich and wandering life. In the end, she died of poverty and disease (this is the end of the ancient book, with different paragraphs).
Miaoyu
Six of the twelve women in Jinling are from Suzhou. Her ancestors were scholars and officials. Because I was sick since I was a child, I bought a lot of body pairs (in the old superstition, people who were doomed to disaster had to give up their lives to become monks, and the rich bought children from poor families not to become monks, which was called body pairs), which was useless. I have to enter an empty door to be healthy, so I always practice with my hair. My parents are dead, and I have two old nurses and a little girl to wait on. She is proficient in pen and ink, familiar with classics and excellent in appearance. At the age of seventeen, I went to Chang 'an to practice with my master. After his death, he was invited by the Jia family to take him to Chang 'an for practice. Later, at Guazhou Ferry, "the beauty had to give in to the bones", and in a way of sacrificing herself, Shi Xiangyun and Jia Baoyu finally met and got married, which was a watershed figure among the twelve girls. (This is the Lost Ending, which is based on an exclusive comment by Zhi Yanzhai in the handwritten ancient edition of Jing Zang Jing Shi Ji. Jing Zang was discovered by lovers of the Red Chamber on 1964 and then disappeared. At present, only a page from "Jing Zang" proves that "Jing Zang" really existed, so the ending of Miaoyu should be as written by the exclusive fat group in "Jing Zang". ) It is also said that Miaoyu once visited the Jia family when it was almost broken, but her family was robbed, seen by gangsters and taken away while chanting in the temple. Since then, his whereabouts have been unknown.
jia yingchun
The seventh of the twelve women in Jinling was born to Jia She and his concubine, ranking second in the Jia family. She is honest, incompetent, timid and has a nickname "Ermu". She is not only inferior to her sisters in guessing poems, but also knows how to give in and be bullied. Her pearls, silk and golden phoenix jewelry were all used by servants for gambling, and she did not pursue them. Others wanted to get it back for her, but she said, "I'd rather not have it. Why get angry?" Her father, Jia She, owed the Sun family 5,200 pieces of silver, so marrying her to the Sun family was actually paying her debts. Shortly after the marriage, she was tortured to death by Sun Shaozu, which marked the gradual decline of Guo Rong Tower.
jia xichun
Eight of the twelve women in Jinling, Jia Zhen's sister, loved painting since childhood. Because her father Jia Jing was always good at alchemy, she didn't care about anything, and her mother died a long time ago, and she grew up beside the old lady in Guo Rong Building. Because there is no love from my parents, I have developed a lonely and indifferent character, and my heart is cold and my mouth is cold. When copying the Grand View Garden, she gritted her teeth and insisted, driving away the maid who was not at fault and being indifferent to the tears and sorrows of others. The declining fate of four big families and the unfortunate ending of her three sisters made her think of leaving the world, and later she went to buddhist nun.
Wang Xifeng
Nine of the twelve women in Jinling, the wife of Jia Lian and the niece of Mrs. Wang. With a pair of phoenix eyes and two curved willow leaves hanging from the eyebrows, this is Yuan Chun, slim and coquettish. Smart and capable, she won the trust of the Lady Dowager and Lady Wang, and became the actual housekeeper of the Jia family, supporting everyone in the Jia family with food, clothing, housing and transportation. Can be collectively referred to as "five spicy", that is, spicy, spicy, sour and spicy, spicy and poisonous. People are also very smooth and thoughtful, and they know how to make everyone happy. For example, when Lin Daiyu came, she said, "There are still such beautiful people in the world, and I just met them today! Moreover, this whole body style is not like the grandson and daughter of the ancestors, but actually the granddaughter of the first relatives. " In the first sentence, The World, The Truth and Like This have praised Daiyu very well, but we need to add two more sentences: "I just saw it today" and "Perfect Style", which have even praised Daiyu's appearance to the sky. No matter how people are, they will be happy! Then he added, "Not like the grandson of our ancestors, but the granddaughter of the first relative." The names "grandchild" and "granddaughter of first-degree relatives" are not like the former but the latter. This whole paragraph was interpreted continuously: Wang Xifeng first praised Daiyu for being happy, and Jia Mu was naturally happy because she hurt her. Then, based on these two names, she secretly praised (Yuan) that her four granddaughters were really first-class relatives and beautiful, so she was happy to meet the bride and praised her granddaughter for her beauty, which naturally made her happier.
Qiaojie
Ten of the twelve women in Jinling, daughter of Jia Lian and Wang Xifeng. Granny Liu was born on the seventh day of July. With the help of Wang Xifeng, she was named "Qiaojie". Qiaojie has lived a comfortable life since she was a child. She is the daughter of a rich family. However, Jia Fu died, and after Wang Xifeng died, my uncle Wang Ren and Jia Huan wanted to sell her to the prince as a servant girl. In an emergency, thanks to grandma Liu's help, they brought her into rural life.
Liwan
Eleven of the twelve women in Jinling, Gong Cai, is the wife of Jia Zhu and has a son Jia Lan. She was born in Jinling, and her father Li Shouzhong once made a toast to the whole country. From an early age, she was taught by her father that "a woman without talent is a virtue", so that she can recognize a few words, remember several virtuous women in the previous dynasty, and concentrate on spinning and sewing every day. Jia Zhu died of illness before he was 20. Li Wan has always been a widow. Although she is brilliant, she is like a dying ember. She only cares about raising her parents, accompanying her sister-in-law and studying. She is a typical virtuous woman, a virtuous woman who abides by feudal ethics.
qin ke qing
Jia Rong's wife, Qin Keqing, is the twelfth of the twelve women in Jinling. She is the adopted daughter of camp doctor Qin Bangye, from Yangshengtang. Her nickname is Kerr, and her name is both pleasant and pleasant. She is graceful, delicate and romantic, gentle and peaceful, and won the favor of Jia Mu and others. However, her father-in-law Jia Zhen had an ambiguous relationship with her, which led to her early death. His life is extremely mysterious, and there is nothing unknown in his room. Even Jia Baoyu may not have this capital! Once, when Zhou Rui's wife sent Aunt Xue the zodiac flowers for everyone, she saw the flowers pulling and crying. It is impossible to say that she is grateful, but she didn't get it. After her death, few people close to her actually did not object to her using wood that only the royal family could use as a coffin. What's more, the wood she used was originally wanted by the loyal prince, but later she retired because of the accident. This kind of thing that even Jia dared not use was used on a relatively small grandmother Rong, but no one objected and there was no reaction within the royal family. To be honest, I'm afraid I can't tell you the truth.
[Edit this paragraph] The judgment of twelve women
Lin Daiyu and Xue Baochai
Picture of Twelve Women in Jinling: Two dead trees (two trees are forests, referring to Lin Daiyu) with a jade belt hanging on them, a pile of snow on them, and a golden woman under the snow. Judgment: It's a pity to stop working, but it's a pity to praise talents. The jade belt hangs in the forest and is buried in the snow. Flower phase: Daiyu-Furong (wind reveals sorrow: don't blame the east wind); Baochai-Peony (decoration: Ren is heartless and moving) Note: "Stop" tells the story of Lin Daiyu, who came from the Warring States period, and the wife of Yue Yangzi in Yan stopped knitting to persuade her husband to pursue fame and virtue. A woman who meets feudal moral standards is called "stop", and here is to praise Baochai. "Braving Xu Cai" originated from talented woman Xie Daowen. Once Xie An called a daughter's nephew to talk about the meaning of paper, and suddenly it began to snow. Xie An asked, "What is snow like?" My nephew Xie Lang replied, "The air difference of salt spraying can be simulated." Tao Yun said, "If catkins are not caused by the wind." Later generations used "chanting talents" to refer to women's ability to recite poems, and later generations praised women who are good at poetry writing as "chanting talents", meaning that Daiyu should be pitiful. "Jade belt hanging on the forest" is "Lin Daiyu" in turn. A beautiful feudal bureaucrat's belt, reduced to hanging on a dead tree, is a tragic portrayal of Daiyu's neglect of talents, rebellion against feudal system and fate. "Golden hairpin burying snow" means that Xue Baochai is buried in the snow like the golden hairpin in the picture, which is also inappropriate, suggesting that Xue Baochai is bound to be left out in the cold. There is also an understanding that "jade belt hangs on the forest" and "golden hairpin buries snow" imply Lin Daiyu and Xue Baochai. However, there is another point of view: it is said that these two sentences imply that Lin Daiyu ended up hanging herself with a belt and in a peach blossom forest where flowers were buried. However, after the decline of the "four big families", Xue Baochai became a beggar in order to survive and was frozen to death by a snowstorm. The end result was being buried in a snowstorm. Note: In ancient times, the word "jade" was often used to describe women and things used by women, such as jade bodies and sleeves, so the jade belt here refers to the belt worn by Lin Daiyu. )
Jia Yuanchun
Painting: A bow with citron (homophonic with Yuan) (homophonic with Gong): Twenty years ago, Liu bloom took photos of the palace. How can we reach the scene of early spring in the third spring, where tigers and rabbits meet and dream of returning to their hometown? Symbol: firecrackers (can destroy the internal organs of the devil, and the body is like a bunch of silk and thunder. The first sentence "Distinguish right from wrong in the past 20 years" describes that Yuan Chun lived in the palace for more than 20 years, gained a new understanding of the joys and sorrows of the world, and felt that he really went to that shameful place, and "had no interest at all". The second sentence "Liu bloom's palace photo" was written from the history of women to the history of Fengzao Palace, until he was virtuous and noble, and was brilliant for a while. There are many kinds of pomegranates in ancient palace gardens, which means that pomegranates have many children and grandchildren, which means that the people in the family are prosperous and the incense lasts forever. According to experts in the Red Chamber, Jia Yuanchun should be loved and pampered by the emperor after she became pregnant. It is estimated that the uterus died before birth. To outsiders, being a woman in a feudal society should be satisfied, but Yuan Chun concluded that she knew how to "distinguish right from wrong", recognized all kinds of darkness and corruption inside the court, and held a negative attitude towards her own life path. The third sentence "How can Sanquan reach the scene of early spring?" Sanchun refers to Yuan Chun's three sisters: Yingchun, Tanchun and Xichun. "Early spring" refers to Yuan Chun, which means that welcoming spring, exploring spring and cherishing spring are not as rich as Yuan Chun. The last sentence "in the dream of meeting the tiger and the rabbit" refers to the alternation of the year of the tiger and the year of the rabbit. Yuan Chun died in1February, which is the end of the Year of the Tiger and the beginning of the Year of the Rabbit. Therefore, it is an inevitable result that Yuan Chun entered the palace as a concubine. Here, the author will criticize the imperial power that most people think is "sacred and inviolable"! (Note: Some versions are "tigers meet and dream of going home", and tigers are a kind of rhinoceros. This statement in ancient books reflects the balance of two forces. Another version is "Tiger Meets Dream". "Tiger" and "Xi" are both beasts fighting for power, which means the struggle between the two forces. Jia Yuanchun may be the victim of this political struggle. Jia Tanchun, Jia Tanchun.
Photo: Two people fly kites, a sea, a big ship, and a woman on board hides her face and cries. Judgment: I am smart and ambitious, born in the last days. Qingming Riverside Map, Dongfeng Dream! Flowering: Apricot Blossom-Yaochi Fairy Product: Red apricot planted on the edge of the sun. Symbol: kite (Qingming makeup is the most suitable when the child is on his back. When the hairspring is broken and weak, don't complain to Dongfeng about leaving. Note: Tan Chun is the daughter of Jia Zheng's aunt Zhao, the third young lady of Jia family. "Smart and ambitious" means that she is ambitious, smart, sober and sensitive, and will not be blinded by wealth. Born in the last days, her luck is biased. It is written that she was born in the last days of the decline of feudal society, which is also the misfortune of being an unmarried woman. Unfortunately, "talent" and "ambition" can't be brought into full play. "The Riverside Scene on Qingming Festival, a thousand miles away from the East Wind, a distant dream" means that Tanchun will be married far away, never to return like a kite with a broken line, and she will go by boat when she gets married. The word "Qingming" in the sentence indicates that she will be married in another country during the Qingming Festival. Just like the woman in the comprehensive painting, she will "hide her face and cry" on the river side of the ship, bid farewell to her parents and family, and only reunite with her family in her sleep.
Shi Xiangyun
Painting: A few wisps of flying clouds, a bay loses water. Judgment: What is wealth? Parents are disobedient in infancy. The beautiful eyes hang oblique light, and the Xiangjiang River died in Chu Yunfei. Shi Xiangyun's flower picture: Haitang-Xiangmengzhong: I am afraid of falling asleep at night. Note: "What is wealth that my parents violated when I was a baby?" Xiangyun was born in a wealthy family in feudal Houmen. The so-called "Epang Palace, 300 Li, Jinling can never live" refers to her home. But what can it do? Xiangyun's parents died in infancy. Although rich and neglected, I have never been warm since I was a child. The third sentence of "the beautiful eyes hang on the sunset, and the Xiangjiang River water dies in Chu Yunfei" says that in a blink of an eye, Xiangyun is the only one who is sad at the sunset alone. The word "Xiangyun" stands out in Xiang Jiang Lost Chu Yun Fei. Xiangjiang River is located in Hunan, the ancient state of Chu, so it is called Chu Yun. The passage of Xiangjiang River, the departure of Chu, the decline of historians, the short life of Xiangyun and his wife, and the omen of family breakdown are all based on the allusions of dreaming that Wushan Goddess met her.
Miaoyu
Painting: A beautiful jade fell in the mud. Judgment: If you want to be clean, you will never be clean, and the clouds may not be empty. Poor Xiaoyu finally got stuck in the mud. Note: This is Miao Yu's judgment. In "It's Hard to Go to Heaven", there is "What you need, too great-grandchildren can't sigh". According to the original clues and Zhi Yanzhai's comment on writing, the son of Taizi refers to Chen here. But "stuck in the mire" has nothing to do with him. According to experts' speculation, Miaoyu may have traveled to Guazhou to save Baoyu (the dusty k m: ng z m: ng in "A Hard Life on Earth" also means this), but she finally fell into the hands of a powerful old goat. This "outsider" did not escape the fate of troubled times after all. Although he is a monk, his personality is like jade, so he said, "If you want to be clean, the clouds may not be empty."
jia yingchun
Picture: A wolf, chasing a beautiful woman, wants to spit. Judgment: My son is a Zhongshan Wolf, and he will be mad if he succeeds. The golden boudoir is full of flowers and willows, and she goes to Huang Liang with one load. Symbol: abacus (providence is endless, it is difficult to have good luck if you don't succeed. Because of the chaos of He Zhen, the number of Yin and Yang is different. Note: The "son" in the first sentence of "Son is a Zhongshan Wolf" is the traditional Chinese character "Sun", which refers to Yingchun's husband. "Zhongshan Wolf" is an allusion from The Story of Zhongshan Wolf, which is a metaphor for a cruel and ungrateful person. The metaphor here is Sun Shaozu, Yingchun's husband, who is sinister and vicious, and Yingchun's suffering. "If you succeed, you will be crazy." When you are proud, you will do evil and run amok. On one occasion, when Sun Shaozu was in trouble at home, he jumped out of the house and begged for help. Later, Sun Shaozu went to Beijing to attack officials and became an "upstart" by "waiting for the vacancy of the Ministry of War". After the downfall of the Jia family, they forced debts from it. Jia She betrothed her own daughter Yingchun to him, saying that marriage was actually paying off debts and trampling on Yingchun at will. Finally, Yingchun was humiliated to death by her husband Sun Shaozu a year later.
jia xichun
Painting: An ancient temple, in which a beautiful woman sits alone and recites scriptures. The verdict was that it was not long before the third spring, and the clothes were replaced with the makeup of the previous year. Poor embroidered maid, lying alone beside the ancient Buddha in Deng Qing. Symbol: sea lantern (my predecessor never achieved anything in hue, nor did he listen to Ling Ge's Buddhist scriptures. Mo Dao's life sank into the Black Sea, and there was a great light in his nature. Note: the first sentence of the judgment "three spring is not long" is a pun. Literally refers to the end of spring (that is, the end of spring), but actually refers to the experiences of Xichun's three sisters (that is, Yuan Chun, Yingchun and Tanchun). The second sentence, "Yidun has put on makeup for a year", refers to the black clothes worn by nuns. Xichun saw from the experience of the three sisters that the days of the feudal ruling class were not long, and she was determined to get rid of the secular and escape into an empty net. Thirdly, the sentence "Poor embroidered handmaiden, lying alone beside the ancient Buddha of Qingdeng" specifically points out that Miss Jia finally became a nun, no longer the daughter of the government, and lived a life of "begging for food without clothes". This sentence was written by Xi Chun, who foresaw that he would not have a good result in the future from the unfortunate experiences of his three sisters and decided to become a nun. But this road to escape from reality is bleak and lonely, and it still won't work. The sympathy and regret revealed in the poem clearly reflect the author's ambivalence. Jia Yuanchun, Jia Yingchun, Jia Tanchun and Jia Xichun, the names of the four sisters, are homophonic "Yuan Ying exploring Xi" and "Yuan Tan", which reveal the tragic and bumpy fate of the four sisters.
Wang Xifeng
Photo: An iceberg with a female phoenix on it. Judgment: Birds from the last days know that they love their talents in this life. Obeying two orders, three people were in a daze, and crying to Jinling was even more sad. Note: "The rice bird came from the last world" refers to the misfortune that a capable strong woman like Xifeng was born in the last world. "Rice bird" is the word "phoenix" in traditional Chinese, implying Wang Xifeng. The word "every bird" taken from the word "phoenix" is a metaphor for mediocrity. It is natural to point out "phoenix" by borrowing Lu An's allusion to happiness. The iceberg of Wang Xifeng on which the female phoenix leans in the painting refers to the backer symbolized by Rong Jia's family. "One obeys two orders, three people are stupid" refers to the change of husband Jia Lian's attitude towards Xifeng. After marriage, first "obey", be obedient to her, and listen to her in everything; "Second-order" is interpreted as "cold", which means that her husband is gradually cold to her and begins to give orders to her; "Three-person wood" refers to the fate that she was finally abandoned by "spelling". "Crying till Jinling is even sadder" is a sad portrayal of her crying back to her family after being abandoned. In the feudal society at that time, being abandoned was very tragic.
Er Qiao
Painting: A deserted shop, where a beautiful woman spits: If you are defeated, you can't talk about your relatives. I met a benefactor because I helped Liu. Note: Er Qiao, daughter of Wang Xifeng and Jia Lian, was born on the seventh day of July. Grandma Liu named her when she entered the Grand View Garden, and said, "In the future, when everyone grows up, they will all get married, or something will happen at the moment, which is bound to turn the corner, but it comes from this word" Qiao ". The first and second sentences, "If you are defeated, you can't talk about your family." -Cao Xueqin's lost manuscript shows that the Jia family was "ruined" and "children and grandchildren were scattered", so it was "ruined" and "family died". At that time, it was no use letting you come from a noble family. Your flesh and blood relatives turned against you and denied you. Dangzhi was sold by her "cruel uncle and brother" in Yanhua Lane. Pang Tuan said, "inexperienced people, these two sentences are just an armchair strategist." People who have experienced it don't have to cry! "Reveal the relationship between this plot and the life experience of the author and critic. The third sentence, "I helped the Liu family by mistake", means that Wang Xifeng inadvertently did a good deed of "pulling out a hair to strengthen Granny Liu's waist" to remember Ginza for Er Qiao. Granny Liu saved her when she was killed in Er Qiao in order to repay her kindness. The word "Qiao" in the fourth sentence "Meeting a benefactor by chance" is a semantic pun. Obviously refers to coincidence, which shows that Qiaojie. The benefactor refers to granny Liu. Qiaojie was abducted by her uncle Wang Ren, which is homophonic for "forgetting benevolence". Fortunately, granny Liu took it away and escaped. This judgment exposed the hypocritical relationship between people within the feudal rulers. When the dynasty was powerful, they climbed sects and talked about marriage; When the situation is defeated, it will be swindled and the flesh and blood will be ruined; This is a naked power transaction. Qiaojie's experience is sympathetic. She came to the countryside, grew up in a farmhouse and became a village girl. In A Dream of Red Mansions, Cao Xueqin actually said that Qiaojie was a lucky person.
Liwan
Painting: a pot of Maolan, next to a beautiful woman's judgment: who is like a pot of orchids after all? Like ice water, you are jealous in an empty space, and you play jokes on others in vain. Flower Appearance: Plum Blossom-first frost Endowment: Notes on the voluntary works of Maoshe: The first sentence says "peaches and plums bear fruit", and "Wan" implies the name of Li Wan. Li Wan's youth is like a plum blossom in the spring breeze. Once it bears fruit, it will wither. The second sentence "Who is like a pot of orchids" refers to Jia Lan and also refers to the picture. This sentence says that among the last descendants of Jia Fu, no one can compare with Jia Lan's "promise". The third sentence, "as good as ice water", is written by Li Wan, a young widower, who respects the ceremony and keeps the festival and cares for the widowed. This kind of morality, in the eyes of feudal rulers, is as clean and beautiful as ice water. "Empty envy" means that although Jia Lan won the lottery and Li Wan got the reputation of "chastity", it can't save the decline of Jia Fu, but it can only be envied in vain. The fourth sentence, "Playing a joke on others in vain", is to provide others with jokes for nothing, and to talk about the "three obedience and four virtues" pursued by Li Wan all his life, which is a typical virtuous woman in feudal society. In the end, Li Wan only ended up as a "deadwood" and became a martyr of feudal ethics.
qin ke qing
Painting: A tall building, a beautiful woman hanged herself. Judgment: Boundless love has a deep fantasy in love, and meeting two people will lead to adultery. If you talk nonsense, you will have honor. It's a good start to trouble. Note: In the first sentence of the judgment, "love is boundless" and "love is boundless" refers to the deep and wide love for men and women. "Fantasy" is illusory and absurd. This sentence is to expose the unfair and ambiguous relationship between Jia Rong's father Jia Zhen and his daughter-in-law Qin Keqing. The last two sentences point out that the unscrupulous sons are all from Guo Rongfu, and the curse begins with the people from Ningguo House.
abstract
The verdict of twelve women in Jinling is a description of unfortunate women in official families in A Dream of Red Mansions. In every verdict, their fate is implied in advance with obscure poetic conditions-bound and destroyed by feudal ethics, and the beauty must die before she dies. The theme of A Dream of Red Mansions is "A thousand red holes (crying), and Wan Yan drinks a cup (sadness)". It also reflects the sorrow of women in China for thousands of years. At the same time, it also embodies Cao Xueqin's profound literary foundation and accurate thought of being free from vulgarity.